What Were Once Vices Are Now Habits is the fourth studio album by American rock band the Doobie Brothers. The album was released on February 1, 1974, by Warner Bros. Records.

Takin' It to the Streets is the sixth studio album by American rock band The Doobie Brothers. The album was released on March 19, 1976, by Warner Bros. Records. It was the first to feature Michael McDonald on lead vocals.

Stampede is the fifth studio album by American rock band The Doobie Brothers, released in 1975. (see 1975 in music). It was the final album by the band before Michael McDonald took over from Tom Johnston. The album has been certified gold by the RIAA.

Toulouse Street is the second studio album by American rock band the Doobie Brothers. It was released in July 1972, by Warner Bros. Records. It was the band's first album with bassist Tiran Porter and also the first with drummer Michael Hossack to augment existing drummer John Hartman, putting in place their trademark twin-drummer sound. Toulouse Street is the name of a street in the French Quarter of New Orleans. The cover and inside centerfold photos were taken at a former brothel on Toulouse Street.

Weltreise (The World Trip) is the second studio album by German electronical project Schiller by Christopher von Deylen and Mirko von Schlieffen. The album was internationally marketed as Voyage. It became a surprise hit, staying on the top position of the German longplay charts for four consecutive weeks. The album featured Kim Sanders and Peter Heppner as guest singers, with voice actors Otto Sander, Benjamin Völz and Franziska Pigulla adding spoken words passages.

Morgenstund is the tenth studio album of the music project Schiller created by the German electronic musician Christopher von Deylen. The album was released on 22 March 2019. On this album, Schiller has collaborated with the singers Nena, Tricia McTeague, Yalda Abbasi, Schwarz, Jhyve and Rebecca Ferguson, the musicians Giorgio Moroder and Jan Blomqvist and the music group Tangerine Dream.
It was released in different editions, including the limited "Ultra Deluxe Edition".

Bitches Brew is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records. It marked Davis's continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.

Sketches of Spain is a studio album by American jazz musician Miles Davis, released on July 18, 1960 by Columbia Records. Recording took place between November 1959 and March 1960 at Columbia's 30th Street Studio in New York City. An extended version of the second movement of Joaquín Rodrigo's Concierto de Aranjuez (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet El amor brujo (1914–1915). Sketches of Spain is regarded as an exemplary recording of third stream, a musical fusion of jazz, European classical, and styles from world music.

Milestones - is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his "first great quintet" augmented as a sextet. It was released in 1958 by Columbia Records.[

In a Silent Way is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances.

Let's Get It On is the twelfth studio album by the American soul singer and songwriter Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.
Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles. Serving as Gaye's first venture into the funk genre, Let's Get It On also incorporates smooth soul and doo-wop styles alongside sexually suggestive lyrics, leading to one writer's description of it as "one of the most sexually charged albums ever recorded". Gaye infused ideas of spiritual healing in songs about sex and romance, in part as a way of coping with childhood abuses from his father Marvin Gay Sr., which had stunted his sexuality.

Литл Ричард родился в многодетной негритянской семье в Мейконе (шт. Джорджия). С детства он хорошо знал духовную музыку (его семья состояла в приходе церкви Адвентистов Седьмого дня, он также посещал церкви Пятидесятников) и поэтому вполне естественно, что его самые ранние (и мало кем замеченные) записи начала 1950-х гг., исполненные в стилях буги-вуги и ритм-энд-блюза, несли в себе звучание госпелз. Однако его экспрессивная манера игры на пианино, агрессивный ритм и энергичные возгласы дали рождение новой формы музыки, которую вскоре стали называть рок-н-роллом (на самого музыканта также большое влияние оказали Рой Браун и Билли Райт). Сам Литл Ричард всегда был убеждён, что именно он был, по его словам, «архитектором рок-н-ролла», поэтому неоднократно называл и называет себя «настоящим королём рок-н-ролла»

The album was originally released in Europe and America in 1971 with different cover artwork. The 1973 US reissue featured a third version of the cover artwork. In 1983 the album was re-released on LP in Germany and four years later also for the first time on CD. The digital remastered version of the album premiered on CD in 2008.

After the 1969 classical / rock fusion Concerto for Group and Orchestra, Jon Lord was commissioned to write a follow-up. This was Gemini Suite, five long movements inspired by the members of Deep Purple, and performed live in September 1970 at the Royal Festival Hall with The Light Music Society Orchestra (the album of the concert was issued in 1993 as Gemini Suite Live). Jon Lord then recorded it in the studio as his first solo project in 1971, with the London Symphony Orchestra conducted by Malcolm Arnold and soloists drawn from the rock world. Gemini Suite was an important step for Lord and led to albums such as Windows (1974) and Sarabande (1976).