Double Vision is the second studio album by the British-American rock band Foreigner, released on 20 June 1978 by Atlantic Records. Recorded between March - May 1978, it was Foreigner's only album co-produced by Keith Olsen and the last recording with bass guitarist Ed Gagliardi who would be later replaced by Rick Wills.
Double Vision was the first in the line of many other recordings in which A&R executive John Kalodner would simply have his name listed twice in liner notes, as a play on the title of this album. The phrase "John Kalodner: John Kalodner" originated when the producer Olsen was wondering just how to credit Kalodner's involvement in the band and the album. In keeping with the double vision theme, guitarist Mick Jones came up with an idea of doubling the name.

4, also known as Foreigner 4, is the fourth studio album by the British-American rock band Foreigner, released on July 2, 1981, by Atlantic Records. The album's name signifies that it is the band's fourth studio album and also the fact that the band's membership had reduced from six to four members. Musically, it showed Foreigner shifting from hard rock to more accessible mainstream rock and pop music.[10] The release of 4 coincided with the launch of MTV later that August.
4 was a commercial success worldwide, holding the No. 1 position on the Billboard 200 chart for a total of 10 weeks. It eventually sold over six million copies in the U.S. alone. Several of its singles were hits, including "Urgent", "Waiting for a Girl Like You" and "Juke Box Hero".

On Every Street is the sixth and final studio album by British rock band Dire Straits, released on 9 September 1991 by Vertigo Records internationally, and by Warner Bros. Records in the United States. The follow-up to the band's massively successful album Brothers in Arms, On Every Street reached the top of the UK Albums Chart and was also certified platinum by the RIAA.

If you're diving into Little Richard’s legacy, begin with the first two—they're essential. The third is a compelling if somewhat mellow twist in his saga.

Here's Little Richard is the debut studio album by the American musician Little Richard, released on March 4, 1957. Promoted as "six of Little Richard's hits and six brand new songs of hit calibre", the album compiles many of the A-sides and B-sides from Richard's hit singles including the Billboard top 40 entries "Tutti Frutti", "Long Tall Sally", "Slippin' and Slidin'", "Rip It Up" and "Jenny, Jenny" and the top 10 Rhythm and Blues Best-Sellers hits "Ready Teddy", "She's Got It" and "Miss Ann".

Here's little Richard's first five consecutive albums. Starting with his 1957 debut to 1960.
Richard only had one more album prior 1962 (public domain) so it's interesting that "The King Of Gospel Singers" which includes 12 more gospel songs, wasn't included here.
Richard's first charted R&B single was in 1955 and he continued with a total of 18 R&B & 16 pop through 1958. All are here plus 3 of the only 4 B-sides of R&B during that time. He had a 6 year hiatus from the chart and returned in 1964, to have 5 more songs chart through 1973, with modest chart success, but nothing to compare with his mid to late 1950's hey-day.
This set captures the essence of Little Richard. Track Listing ~ and identifying the charted songs numbers 1 to 18 (R&B) and the B-sides.

Even if you haven’t heard anything by, or know about, veteran New York City singer-songwriter Willie Nile, one spin through his newest rocking entry into a catalog that stretches back to 1980 makes it clear who his major influences are. Nile can count Bruce Springsteen and the late Lou Reed as fans, likely because his own music also captures the gritty, urban poetry of both. He seizes the former’s expansive, widescreen aspirations and resounding power chorus approach on the opening “Forever Wild” (which even sounds like a Bruce title), and closes with a cover of Reed’s “Sweet Jane” which, while it doesn’t redefine the well-worn classic, gives it a shot of adrenaline akin to Mott the Hoople’s version.

Willie Nile, The Bottom Line Archive 1980-2000, is two disc set, separated by a 20 year gap, and is a great example of Niles long term staying power, and the loyalty that Bottom Line owner/curator, Allan Pepper ( booker, or talent buyer does not suffice) extends to the artists that he really believes in. Exhibit A is this double-disc affair, highlighting two distinct eras in Nile s 35-year career. It is worth noting that one of the primary reasons we can enjoy the temporal contrasts contained in this collection is simply because, when Willie was ready to come back, Allan Pepper was just as ready to welcome him back to The Bottom Line. It was a second home for me, gushes Nile. Allan and the whole vibe of the club was so musician-friendly and warm. It was just the best place to play for that reason.

One of New York's Finest, this Double CD Set Collects Three Albums Willie Recorded for Arista and Columbia Between 1980 and 1991. The Quality of These Recordings Proves Why Willie is Held with Such High Critical Regard by the Likes of Bono and Lucinda Williams. Guests Include Roger Mcguinnand Richard Thompson While Willie's Band Featured Jay Dee Dougherty and Fred Smith, Both of the Patti Smith Group.

VETERAN ROCK 'N' ROLLER WILLIE NILE CELEBRATES HIS ROOTS WITH POSITIVELY BOB - In a consistently colorful musical career that spans nearly four decades, Willie Nile has established a reputation as a world-class rock 'n' roller, and as a singular songwriter with deep roots in rock's rich history. So it's not surprising that he'd choose to tip his hat to one of his most enduring musical inspirations with his eleventh studio album, Positively Bob: Willie Nile Sings Bob Dylan, a heartfelt, personally charged set of Dylan covers that honors it's subject while exemplifying the same qualities that have distinguished Nile's work since the beginning. "These songs meant the world to me when I was younger and they mean the world to me now. The mystic leap of faith it took to write them, and the courage it took to believe and make a stand in hopes for something better, makes my heart sing and wander now as it did when I first heard them."

New York at Night is the 13th studio album by American singer-songwriter Willie Nile, released on May 15, 2020 by River House Records, it was co-produced by Nile and Stewart Lerman who has worked with Nile on eight of his previous albums.

If I Was a River is the ninth studio album from American singer-songwriter Willie Nile. The all-piano album was released in November 2014 under River House Records. Nile recorded If I Was a River on the same Steinway grand piano that he played the night John Lennon was killed, December 8, 1980. Nile was in Studio "A" at The Record Plant in New York City making Golden Down and John and Yoko were working on Walking on Thin Ice in Studio C that night.

Children of Paradise is the twelfth studio album by American singer and songwriter Willie Nile. It was released on 27 July 2018 by River House Records. Nile says of the album, "The music always lifts my spirits, and that's what these songs do for me and it's why I wrote them. Hopefully they can lift others’ spirits as well." "I believe in the basic goodness of most people, and that's where these songs come from."

"It Will Rain" is a song by American singer and songwriter Bruno Mars. It was released on September 27, 2011 by Atlantic Records as the lead single from the movie's soundtrack The Twilight Saga: Breaking Dawn – Part 1. Mars composed the song with his production team the Smeezingtons. It was partially written during the Hooligans in Wondaland Tour in the United States and finished after the singer watched an early version of the movie which inspired him. The soundtrack for The Twilight Saga: Breaking Dawn – Part 1 was a much expected release and Mars's song was chosen as the lead single by the album's executive producer, Alexandra Patsavas, to promote it.

"Grenade" is a song by American singer and songwriter Bruno Mars from his debut studio album, Doo-Wops & Hooligans (2010). The pop and power pop song was written and produced by the Smeezingtons (Mars, Phillip Lawrence, Ari Levine) with additional songwriting by Brody Brown, Claude Kelly, and Andrew Wyatt. The song was developed from an unreleased track with similar lyrical themes played by record producer Benny Blanco to Mars. "Grenade" was completely rearranged and re‑recorded two days before the album's release.