Grammy Nominated singer/songwriter Beth Hart treats fans to an intimate performance at New York’s Iridium in this special episode of Front & Center. She first rose to fame in 1999 with her single “LA Song (Out of This Town)” which was a number one hit in New Zealand and peaked in the top five on the US Adult Contemporary chart and number 7 on the Billboard Adult Top 40 Chart. Hart performs some material from her latest album, Fire On the Floor, including “Jazz Man,” “Let’s Get Together,” and “Fat Man.”

Grammy-nominated singer/songwriter, Beth Hart, has never sounded better (musically and spiritually) that she does on her new album, Better Than Home. What makes Better Than Home quite possibly her greatest album is that it is her most introspective work ever, because it goes to the depth of her soul, revealing terrible pain in her past, family issues and personal demons as well as her coming to grips with them and using that knowledge to find the real beauty in her life.
This is an incredibly moving, self written and composed, album that’s going to reach people on a very personal level, because a one-of-a-kind artist found the perfect formula for exposing her very private inner voice and empowering it with her legendary outer voice.

37 Days is an album by American singer Beth Hart released in parts of Europe in 2007, followed in the UK in 2008. A DVD version of the album is also available, where each track is played to synced pro-shot video footage of that given song being recorded in studio. The UK version of the CD release contains live bonus tracks of "LA Song," "Learning to Live," and "Leave the Light On" tacked on at the end of the disc. The track "Soul Shine" is a cover of the song "Soulshine", originally written by Allman Brothers guitarist Warren Haynes.

Tommy is the fourth studio album by the English rock band The Who, a double album first released in 23 May 1969. The album was mostly composed by guitarist Pete Townshend, and is a rock opera that tells the story of Tommy Walker, a "deaf, dumb and blind" boy, including his experiences with life and his relationship with his family.

Crime of the Century ist das dritte Studio-Album der britischen Pop-/Rockband Supertramp und zugleich der Titel eines Liedes dieser Platte. Im Vergleich zum Vorgängeralbum Indelibly Stamped (1971) agierte die neu formierte Band bei dessen Aufnahme erstmals in ihrer klassischen Besetzung. Es erschien im September 1974 und verschaffte der Band den Durchbruch.

Nevermind е вторият и най-успешен албум на американската гръндж група Nirvana в търговската мрежа. Издаден е на 24 септември 1991 г. от DGC Records и продуциран от Бъч Виг. При създаването на албума, Кърт Кобейн се стреми да изведе музиката на групата отвъд средите на гръндж сцената в Сиатъл, като се фокусира върху работата на алтернативни рок групи като Pixies и използва техника им на промяна на динамиката (тихо и силно). Записът включва нов барабанист Дейв Грол, който замества предишния барабанист на групата – Чад Чанинг (в албума той участва само в една песен – „Polly“).
След излизането на Nevermind алтернативният рок става част от мейнстрийма, а албумът е приветстван от критиците (в това число Rolling Stone, NME и Time) като един от най-добрите албуми на Nirvana за всички времена.

In Utero is the third and final studio album by American rock band Nirvana, released on September 13, 1993, by DGC Records. After breaking into the mainstream with their second album, Nevermind (1991), Nirvana hired Steve Albini to record In Utero, seeking a more complex, abrasive sound.
Recording took place over two weeks in February 1993 at Pachyderm Studio in Cannon Falls, Minnesota. Soon after recording was completed, rumors circulated that DGC might not release In Utero due to Albini's abrasive sound. Producer Scott Litt was hired to remix the singles "All Apologies", "Heart-Shaped Box" and "Pennyroyal Tea", upsetting Albini.

Hot August Night is a 1972 live double album by Neil Diamond. ("Hot August night" is also the opening lyric to Diamond's 1969 single, "Brother Love's Travelling Salvation Show".) The album is a recording of a Diamond concert on August 24, 1972, one of ten sold out concerts that Diamond performed that month at The Greek Theatre in Los Angeles.

This is my favorite Kazu Matsui recording. I have others but this one with Robben Ford is very good. If you are a fan of Robben Ford, you get to hear a different side of him. Great vocalsl from Robben. I have been looking for this album in CD format for years. A must have for Kazu Matsui Project fans and Robben Ford fans.

"In-A-Gadda-Da-Vida" (derived from "In the Garden of Eden") is a song recorded by Iron Butterfly and written by bandmember Doug Ingle, released on their 1968 album In-A-Gadda-Da-Vida.
At slightly over 17 minutes, it occupies the entire second side of the In-A-Gadda-Da-Vida album. The lyrics are simple, and heard only at the beginning and the end. The track was recorded at Ultrasonic Studios in Hempstead, Long Island, New York.
In 2009, it was named the 24th-greatest hard rock song of all time by VH1. It is also often regarded as an influence on heavy metal music and one of the firsts of the genre.

From the Mars Hotel is the seventh studio album by rock band the Grateful Dead. It was mainly recorded in April 1974, and originally released June 27, 1974. It was the second album by the band on their own Grateful Dead Records label. From the Mars Hotel came less than one year after their previous album, Wake of the Flood, and was the last before the band's then-indefinite hiatus from live touring, begun in October 1974.

Blues for Allah is the eighth studio album by the Grateful Dead. It was recorded February 27 – May 7, 1975, and released September 1, 1975. It was the band's third album on their own Grateful Dead Records label and their third studio album in a row. Though it has not received RIAA certification as of 2020, Blues for Allah was the group's highest-charting album until 1987's In the Dark, reaching No. 12 during a thirteen-week stay on the Billboard Album Chart.

Critical reaction to the album has been largely positive. At the time of release Robert Christgau said the album contained "AM and FM faves" which were "served hot, raw, or both". "Ultimate Classic Rock" ranked the album in the "Top 100 Live Albums", and suggested that it was superior to the studio albums recorded by Clapton at the time.

Backless is the sixth full-length studio album by Eric Clapton. Produced by Glyn Johns, and released by RSO Records, Backless reached No. 8 on the pop charts. While the single "Promises" only reached No. 37 in the UK, it was a much bigger success in the US, reaching No. 9 on the Billboard charts. The follow-up single, "Watch Out for Lucy", was the B-side of "Promises", but reached #40 on the Billboard charts on its own merit. This was Clapton's last studio album to feature his longtime bassist Carl Radle who died in 1980.

Baby I'm-a Want You is the fourth album by Bread, released in 1972. Its singles included the title cut (which reached No. 3 on the Billboard Top 100), "Everything I Own" (No. 5), "Mother Freedom" (No. 37), and "Diary" (No. 15). This was the first Bread album to feature keyboards player Larry Knechtel.