Sting wanted to put together a concert in his home at Villa Il Palagio in Tuscany, Italy, so he enlisted a group of musicians to practice and perform with him. The events leading up to the night of the performance were filmed, and during these events on the day of the performance, the September 11 attacks perpetrated against the United States occurred, and the assembled group of musicians was made aware of this. The group performed the concert as originally intended, although Sting indicated on the DVD documentary the tone of the evening was quite different from how it was originally intended. Additionally, the "Desert Rose" performance featuring vocalist Cheb Mami was canceled due to the same circumstances.

...All This Time is a live album and concert film by Sting, recorded and filmed on 11 September 2001. It was recorded at Sting's Villa Il Palagio in Italy in front of a select audience drawn from his fan club and features live versions of Sting's songs from his Police and solo song catalogue. The album and video get their name from the song of the same name from his album The Soul Cages. The concert documentary was directed by Jim Gable and the documentary portion was edited by Scott C. Wilson and Jeffrey Doe.

Featuring three CDs comprised of 45 remastered tracks personally curated by Sting, a previously unreleased live concert DVD and a comprehensive hardcover book, this retrospective captures for the first time both the highlights and rarities of Sting’s enduring solo career.
This consummate collection contains selections spanning his entire solo catalog, from his 1985 debut album, 'The Dream Of The Blue Turtles', to his latest release, Live in Berlin. Highlights include all of Sting’s top 40 hits as well as Grammy® winners 'Brand New Day', 'The Soul Cages', 'If I Ever Lose My Faith In You', and 'Whenever I Say Your Name' featuring Mary J. Blige.

On release, the album was received favourably and in 1989 was ranked No. 90 on Rolling Stone magazine's list of the "100 Best Albums of the Eighties". "We'll Be Together", "Be Still My Beating Heart", "Englishman in New York", "Fragile", and "They Dance Alone" were all released as singles.
It won Best British Album at the 1988 Brit Awards. In 1989 the album received three Grammy nominations including Album of the Year while the album's second single ("Be Still My Beating Heart") was nominated for Song of the Year and Best Male Pop Vocal Performance.

Zenyatta Mondatta (stylised as Zenyattà Mondatta on the album cover artwork) is the third studio album by the English rock band the Police, released on 3 October 1980 by A&M Records. It was co-produced by the band and Nigel Gray.
Zenyatta Mondatta reached number one on the UK Albums Chart and number five on the US Billboard 200. It produced the hit singles "Don't Stand So Close to Me" and "De Do Do Do, De Da Da Da". The album won the band two Grammy Awards: Best Rock Performance by a Duo or Group with Vocal for "Don't Stand So Close to Me" and Best Rock Instrumental Performance for "Behind My Camel".

Synchronicity reached number one on both the UK Albums Chart and the US Billboard 200, and sold over eight million copies in the US. The album was widely acclaimed by critics. Praise centered on its cohesive merging of disparate genres and sonic experimentation. Rolling Stone described "each cut on Synchronicity [as] not simply a song but a miniature, discrete soundtrack".

Reggatta de Blanc is the second studio album by British rock band the Police, released on 5 October 1979 by A&M Records. It was the band's first release to top the UK Albums Chart and features their first two UK number-one singles: "Message in a Bottle" and "Walking on the Moon". In early 1980, the album was reissued in the United States on two 10-inch discs, one album side per disc, and as a collector's edition with a poster of the band.

Outlandos d'Amour is the debut studio album by British rock band the Police, released on 17 November 1978[4] by A&M Records. Elevated by the success of its lead single, "Roxanne", Outlandos d'Amour peaked at No. 6 on the UK Albums Chart and at No. 23 on the Billboard 200. The album spawned two additional hit singles: "Can't Stand Losing You" and "So Lonely".

Greatest Hits is the second greatest hits album by the Police, released in September 1992 by A&M Records. It is the band's second compilation album following Every Breath You Take: The Singles. In contrast with its predecessor, it features all 14 original UK top 20 chart singles and five UK number-ones released by the band from 1978 to 1984, including the two missing singles from the previous 1986 compilation, "Synchronicity II" and the original version of "Don't Stand So Close to Me" which had been replaced with the 1986 re-recording. The album also includes two bonus album tracks, "The Bed's Too Big Without You" and "Tea in the Sahara". The cover photograph was by Duane Michals and it was taken at the time of the Synchronicity album. The inner sleeve featured a collage of pictures of the band shot by different photographers during their career, including Miles Copeland, Peter Baylis, Adrian Boot, Akihiro Takayama, Anton Corbijn, Danny Quatrochi, Gabor Scott, Janette Beckman, Kim Turner, Michael Ross, Watal Asanuma and Andy Summers.

Ghost in the Machine is the fourth studio album by the English rock band the Police. The album was released on 2 October 1981 by A&M Records. The songs were recorded between January and September 1981 during sessions that took place at AIR Studios in Montserrat and Le Studio in Quebec, assisted by record producer Hugh Padgham.

Bring On the Night is the first live album by Sting recorded over the course of several live shows in 1985 and released in 1986. The title is taken from a song by the Police from their 1979 album Reggatta de Blanc. The songs performed include Sting's early solo material from the studio album The Dream of the Blue Turtles, and from his time with the Police, with a few of the performances played as medleys of the two.

This considered collection trawls the movie soundtracks of the past twenty years and gathers together, in one place, some outstanding tracks. Ignore the fact the album is billed as "Sting At The Movies", and the album contains four Police songs - at least one of which was co-written with Andy Summers ('Murder By Numbers'). Instead, let's look at the songs themselves. Hits such as 'De Do Do Do, De Da Da Da' and 'Englishman In New York' sit very comfortably alongside the smoky, atmospheric songs from Leaving Las Vegas', 'Angel Eyes' and 'My One And Only Love', and Sabrina's' 'Moonlight' Sting's voice is made for such tracks, and it's a shame that 'It's A Lonesome Old Town' couldn't make it through to the final tracklist, perhaps at the expense of the rather syrupy, but number one hit 'All For Love'.

The album won an award for Best Reggae Album at the 61st Grammy Awards in February 2019.

The album is inspired by the musical of the same name, which premiered in June 2014, and whose songs were written by Sting. The play explores the themes of homecoming and self-discovery, drawing upon Sting's memories of growing up in the shipbuilding town of Wallsend, along with his reflections on the complexity of relationships, the passage of time and the importance of family and community.

The album features fifteen reworked versions of a selection of Sting's most widely recognised songs from across his career. Via his social media outlets, Sting described the new versions of the songs as being "reconstructed", "refitted" and "reframed", but "with a contemporary focus". Some songs on the album have been remixed using elements of the original tracks, while others are complete re-recordings.