American/English is Acoustic Alchemy's fourth album release on the Higher Octave Music label, and contains eleven tracks, making it also their shortest album with the label to date.
The album was preceded by single "Say Yeah" for smooth jazz radio in the USA, an offering in a hip-hop style, remarked by some to be similar in style to British urban singer-songwriter Craig David. Experimental attributes include digital processing on Carmichael's guitar, which 'cut off' the ends of each note, and scat style vocals from Gilderdale toward the end of the track.

AArt is the eleventh album to be released by smooth jazz band Acoustic Alchemy. It contains more tracks than any other studio recording by the band, with fourteen.
Continuing on from the radical changes enforced by The Beautiful Game, AArt follows precedent with another varied mix of styles and genres, and even calls upon saxophonist Jeff Kashiwa, formerly of The Rippingtons, to share the lead on one track, "AArt Attack".

Early Alchemy was a compilation album produced by Nick Webb of Acoustic Alchemy and the sixth album overall released on March 16, 1992.
The album was put together from old recordings and outtakes by Webb and Simon James, to give insight into the progression of the band's music.
The album contains the original recordings of "Sarah Victoria" and "Casino", successful Acoustic Alchemy songs co-written by James.
The instrumental make-up of the band differs here too, with a double bass, percussionist and string quartet (The Violettes) backing up the sound of the dual acoustic guitars.