Epitaph's best album (actually, many would argue it's their only good album), 1974's Outside the Law, was produced during the German-based, English-fronted quartet's brief sojourn in America, while benefiting from the patronage of tiny independent label Billingsgate Records. Having just lost their deal with mighty Polydor following two nondescript LPs filled with progressive excess, the bandmembers now seemed motivated to edit themselves, and emerged from Chicago's Omega Studios with a far more focused and engaging set of songs, marked by fluid, mid-paced grooves, radio-friendly choruses, and dual-guitar harmonies often backed by acoustic rhythm guitars for added sweetening.