This is my favorite Kazu Matsui recording. I have others but this one with Robben Ford is very good. If you are a fan of Robben Ford, you get to hear a different side of him. Great vocalsl from Robben. I have been looking for this album in CD format for years. A must have for Kazu Matsui Project fans and Robben Ford fans.

"In-A-Gadda-Da-Vida" (derived from "In the Garden of Eden") is a song recorded by Iron Butterfly and written by bandmember Doug Ingle, released on their 1968 album In-A-Gadda-Da-Vida.
At slightly over 17 minutes, it occupies the entire second side of the In-A-Gadda-Da-Vida album. The lyrics are simple, and heard only at the beginning and the end. The track was recorded at Ultrasonic Studios in Hempstead, Long Island, New York.
In 2009, it was named the 24th-greatest hard rock song of all time by VH1. It is also often regarded as an influence on heavy metal music and one of the firsts of the genre.

From the Mars Hotel is the seventh studio album by rock band the Grateful Dead. It was mainly recorded in April 1974, and originally released June 27, 1974. It was the second album by the band on their own Grateful Dead Records label. From the Mars Hotel came less than one year after their previous album, Wake of the Flood, and was the last before the band's then-indefinite hiatus from live touring, begun in October 1974.

Blues for Allah is the eighth studio album by the Grateful Dead. It was recorded February 27 – May 7, 1975, and released September 1, 1975. It was the band's third album on their own Grateful Dead Records label and their third studio album in a row. Though it has not received RIAA certification as of 2020, Blues for Allah was the group's highest-charting album until 1987's In the Dark, reaching No. 12 during a thirteen-week stay on the Billboard Album Chart.

Critical reaction to the album has been largely positive. At the time of release Robert Christgau said the album contained "AM and FM faves" which were "served hot, raw, or both". "Ultimate Classic Rock" ranked the album in the "Top 100 Live Albums", and suggested that it was superior to the studio albums recorded by Clapton at the time.

Backless is the sixth full-length studio album by Eric Clapton. Produced by Glyn Johns, and released by RSO Records, Backless reached No. 8 on the pop charts. While the single "Promises" only reached No. 37 in the UK, it was a much bigger success in the US, reaching No. 9 on the Billboard charts. The follow-up single, "Watch Out for Lucy", was the B-side of "Promises", but reached #40 on the Billboard charts on its own merit. This was Clapton's last studio album to feature his longtime bassist Carl Radle who died in 1980.

Baby I'm-a Want You is the fourth album by Bread, released in 1972. Its singles included the title cut (which reached No. 3 on the Billboard Top 100), "Everything I Own" (No. 5), "Mother Freedom" (No. 37), and "Diary" (No. 15). This was the first Bread album to feature keyboards player Larry Knechtel.

Songs from the Wood is the tenth studio album by British progressive rock band Jethro Tull, released February 1977. The album signalled a new direction for the band, who turned to celebrating British pagan folklore and the countryside life in a wide-ranging folk rock style which combined traditional instruments and melodies with hard rock drums and electric guitars.

Milestones - is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his "first great quintet" augmented as a sextet. It was released in 1958 by Columbia Records.[

Blue Train is a studio album by John Coltrane, released in January 1958 on Blue Note Records, catalogue BLP 1577. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is the only Blue Note recording by Coltrane as session leader. It has been certified a gold record by the RIAA.

Hasten Down the Wind is the Grammy Award-winning seventh studio album by singer/songwriter/producer Linda Ronstadt. Released in 1976, it became her third straight million-selling album. Ronstadt was the first female artist to accomplish this feat. The album earned her a Grammy Award for Best Pop Vocal Performance, Female in 1977, her second of 13 Grammys. It represented a slight departure from 1974's Heart Like a Wheel and 1975's Prisoner in Disguise in that she chose to showcase new songwriters over the traditional country rock sound she had been producing up to that point. A more serious and poignant album than its predecessors, it won critical acclaim.

Mind Games is the fourth studio album by English musician John Lennon. It was recorded at Record Plant Studios in New York in summer 1973. The album was released in the US on 29 October 1973 and in the UK on 16 November 1973. It was Lennon's first self-produced recording without help from Phil Spector. Like his previous album, the politically topical and somewhat abrasive Some Time in New York City, Mind Games received mixed reviews upon release. It reached number 13 in the UK and number 9 in the US, where it was certified gold.

The Wall отличается от предыдущих альбомов Pink Floyd более жестким и театральным стилем. Райт был уволен на стадии микширования альбома, тем не менее, он выступал с группой во время последующего турне в качестве сессионного музыканта. The Wall явился одним из самых коммерчески успешных альбомов 1980 года, заняв верхнюю строчку нескольких чартов, в том числе Billboard; к 1999 году в США было продано свыше 23 миллионов копий.

Équinoxe (English: Equinox) is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Disques Dreyfus record label, with license to Polydor.
Jarre had developed his sound, employing more dynamic and rhythmic elements, particularly a greater use of sequencing on basslines. Much of this was achieved using custom equipment developed by his collaborator Michel Geiss. The album is presented as two suites of music, each consisting of 4 parts and taking up one side of the vinyl release of the album. The separate tracks on the record smoothly segue into each other to this effect.

Oxygène (English: Oxygen) is the third studio album by French electronic musician and composer Jean-Michel Jarre and his first album not intended for use as a soundtrack. Oxygène consists of six tracks, numbered simply "Oxygène Part I" to "Part VI". It was first released in France in December 1976, on the Disques Dreyfus record label licensed to Polydor, with an international release following in the middle of 1977. The album reached number one on the French charts, number two on the UK charts and number 78 in the US charts.