Synchronicity is the fifth and final studio album by the English rock band the Police, released on 17 June 1983 by A&M Records. The band's most successful release, the album includes the hit singles "Every Breath You Take", "King of Pain", "Wrapped Around Your Finger", and "Synchronicity II". The album's title and much of the material for the songs were inspired by Arthur Koestler's book The Roots of Coincidence (1972). At the 1984 Grammy Awards the album was nominated for a total of five awards, including Album of the Year, and won three. At the time of its release and following the Synchronicity Tour, the Police's popularity was at such a high that they were arguably, according to BBC and The Guardian, the "biggest band in the world".

A Question of Balance is the sixth album by the Moody Blues, released in 1970. The album reached No. 1 in the United Kingdom and No. 3 in the United States. The album was an attempt by the group to strip down their previously lush, psychedelic sound in order to be better able to perform the songs in concert. Guitarist Justin Hayward remembers, "From the beginning of our recording sessions we were all convinced that we had to record an album of songs that could easily translate into effective live performances. In a way, we almost reverted to performing live in the studio, without venturing too much into the world of overdubs."

Electric Warrior is a 1971 album by Marc Bolan's band T. Rex, their sixth since their debut as Tyrannosaurus Rex in 1968, and their second under the name T. Rex. The album marked a turning point in the band's sound, moving away from the folk-oriented music of the group's previous albums and pioneering a flamboyant, pop-friendly take on electric rock & roll known as glam rock.
The album reached number 1 on the UK charts and became the best selling album of 1971. The single "Get it On" reached the top ten in the US Billboard Hot 100 singles chart. Retitled "Bang A Gong (Get It On)" by the US record company, it also became the band's only hit in North America.
Electric Warrior has since received acclaim as a pivotal release of the glam rock movement.

Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.

Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980, through Anthem Records. After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up album in July 1979. This material showed a shift in the group's sound towards more concise arrangements and radio friendly songs (such as "The Spirit of Radio" and "Freewill"), though their progressive rock blueprint is still evident on "Jacob's Ladder" and the more than nine-minute closer "Natural Science". Bassist/vocalist Geddy Lee also employed a more restrained vocal delivery compared to previous albums. Permanent Waves was recorded in 1979 at Le Studio in Morin-Heights, Quebec with production handled by the group and Terry Brown.

Moving Pictures is the eighth studio album by Canadian progressive rock band Rush, released on February 12, 1981 through Anthem Records. After touring to support their previous album, Permanent Waves (1980), the band started to write and record new material in August 1980 with co-producer Terry Brown. They continued to write songs with a more radio-friendly format, featuring tighter song structures and songs of shorter length compared with their earlier albums.

2112 (pronounced "twenty-one twelve") is the fourth studio album by Canadian rock band Rush, released on 1 April 1976 (or March 1976, according to some sources) by Anthem Records. Rush finished touring for its unsuccessful previous album Caress of Steel, in early 1976. The band was in financial hardship due to the album's disappointing sales, unfavourable critical reception, and a decline in attendance at its shows. The band's international label, Mercury Records, considered dropping Rush but granted the band one more album following negotiations with manager Ray Danniels. Though the label demanded more commercial material, the band decided to continue developing its progressive rock sound. 2112 was recorded in February 1976 in Toronto with regular producer Terry Brown. Its centerpiece is a 20-minute title track, a futuristic science-fiction song that takes up the entire first side of the album. There are five individual tracks on side two.

Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
The original liner notes by Teo Macero described this album as primarily a blues album (as most of the track titles indicate). The album was re-released on CD in 2004 with bonus tracks including alternate takes and tracks from earlier sessions.

Jazz Party is a 1959 album by Duke Ellington and His Orchestra which contains a "formidable gallery of jazz stars" guesting, including Dizzy Gillespie and Jimmy Rushing (formerly the vocalist for Count Basie). It featured also a 9-strong percussion section on two tracks.
The recording was first digitally remixed by Larry Keyes and remastered by Vlado Meller in 1987 and released on CD in the "CBS Jazz Masterpieces" series. A new remastering by Bernie Grundman in the early 2000s was first issued by Mobile Fidelity Sound Lab.

Songs from the Wood is the tenth studio album by British progressive rock band Jethro Tull, released February 1977. The album signalled a new direction for the band, who turned to celebrating British pagan folklore and the countryside life in a wide-ranging folk rock style which combined traditional instruments and melodies with hard rock drums and electric guitars.

Blue Train is a studio album by John Coltrane, released in January 1958 on Blue Note Records, catalogue BLP 1577. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is the only Blue Note recording by Coltrane as session leader. It has been certified a gold record by the RIAA.

Hasten Down the Wind is the Grammy Award-winning seventh studio album by singer/songwriter/producer Linda Ronstadt. Released in 1976, it became her third straight million-selling album. Ronstadt was the first female artist to accomplish this feat. The album earned her a Grammy Award for Best Pop Vocal Performance, Female in 1977, her second of 13 Grammys. It represented a slight departure from 1974's Heart Like a Wheel and 1975's Prisoner in Disguise in that she chose to showcase new songwriters over the traditional country rock sound she had been producing up to that point. A more serious and poignant album than its predecessors, it won critical acclaim.

The Wall отличается от предыдущих альбомов Pink Floyd более жестким и театральным стилем. Райт был уволен на стадии микширования альбома, тем не менее, он выступал с группой во время последующего турне в качестве сессионного музыканта. The Wall явился одним из самых коммерчески успешных альбомов 1980 года, заняв верхнюю строчку нескольких чартов, в том числе Billboard; к 1999 году в США было продано свыше 23 миллионов копий.

Équinoxe (English: Equinox) is the fourth studio album by French electronic musician and composer Jean-Michel Jarre, released in December 1978 on the Disques Dreyfus record label, with license to Polydor.
Jarre had developed his sound, employing more dynamic and rhythmic elements, particularly a greater use of sequencing on basslines. Much of this was achieved using custom equipment developed by his collaborator Michel Geiss. The album is presented as two suites of music, each consisting of 4 parts and taking up one side of the vinyl release of the album. The separate tracks on the record smoothly segue into each other to this effect.