Five Guys Walk into a Bar... is a comprehensive four-disc retrospective of the British rock group Faces released in 2004, collecting sixty-seven tracks from among the group's four studio albums, assorted rare single A and B-sides, BBC sessions, rehearsal tapes and one track from a promotional flexi-disc, "Dishevelment Blues" - a deliberately-sloppy studio romp captured during the sessions for their Ooh La La album, which was never actually intended for official release.

In The Many Faces Of Rod Stewart we will cover the lesser known works of his career, his hard to find collaborations and some of his first demos. In addition we will pay homage to his wonderful repertoire and we will enjoy the originals of the songs he has covered during his career, both in his early years and also in his recent and successful series The Great American Songbook. With expanded liner notes, a luxurious cover art and remastered sound, The Many Faces Of Rod Stewart is an essential album for any fan of British classic rock

2007 compilation that celebrates Rod's early '70s Mercury Records output just after the left the Faces. Rod was launched onto the world stage as a member of one of the great rock 'n' roll bands of the early '70s The Faces. Not long after this, Mercury launched him as a solo artist with immediate results and thus began a hugely successful life-spanning career for the mighty Rod Stewart. This is a collection of hits from his Mercury years - not forgetting that Rod is a gifted songwriter ('Maggie May', 'You Wear It Well', 'Mandolin Wind') and a genius at interpreting the songs of masters such as Hendrix, Elton John, Chuck Berry and the Stones - and making them his own. 19 tracks. UMTV.

Collection features 14 early greats by the Scotsman. Includes 'Maggie May', 'Oh No Not My Baby', 'Twistin' the Night Away', 'Mandolin Wind', 'I'd Rather Go Blind', 'I've Grown Accustom to Her Face' (Instrumental) and '(I Know) I'm Losing You' amongst others.

The Story So Far: The Very Best of Rod Stewart is a 2001 Rod Stewart career-retrospective compilation album, which summarises his solo work beginning with material from his 1971 breakthrough album Every Picture Tells a Story until his 2001 album Human. For contractual reasons, only two songs from his Mercury Records tenure ("Maggie May" and "You Wear It Well") were included (a third song from the Mercury era, "Reason to Believe", was included in a live acoustic version from the Warner Bros. album Unplugged...and Seated). The rest of the material is from different albums released under Warner Bros. Records.

The Best of Rod Stewart is a compilation album by British singer-songwriter Rod Stewart, released on the Warner Bros. record label in 1989. The album features many of Stewart's biggest solo hit singles, from 1971's "Maggie May" to "Downtown Train", which was released as a single in 1989.

Blondes Have More Fun is Rod Stewart's ninth album, released in November 1978. As was the popular musical trend at the time, it is Stewart's foray into disco music, which although commercially successful, was critically divisive. The lead single "Da Ya Think I'm Sexy" became one of Stewart's biggest hits, peaking at No.1 in both the UK and US. The album has sold more than 14 million copies worldwide.

Atlantic Crossing is Rod Stewart's sixth album, released in 1975. It peaked at number one in the UK (his fifth solo album to do so), and number nine on the Billboard Top Pop Albums chart.
The title indicated Stewart's new commercial and artistic direction, referring to both his crossing over to Warner Brothers and on his departure to escape the 83 per cent top rate of income tax introduced by British Labour Prime Minister Harold Wilson for the jet-set lifestyle in Los Angeles (where he had applied for American citizenship at this time). The album was divided into a slow side and a fast side, apparently at the suggestion of Stewart's then-girlfriend, Swedish actress Britt Ekland. Stewart would repeat the format for his next two albums.

A Spanner in the Works is a studio album released by Rod Stewart on 26 May 1995. It is Stewart's seventeenth studio album and ended a four-year gap since his previous studio album.