Vagabond Heart is the 16th studio album by the singer-songwriter Rod Stewart, released in 1991. The album reached No. 10 in the US, and reached No. 2 in the UK. The album featured five singles, among them a cover for Robbie Robertson's song "Broken Arrow" (No. 20 in the US) and Van Morrison's song "Have I Told You Lately", which would become a hit two years later (in a live version) and is Rod Stewart's most recent top five solo hit in the US and the UK. The two biggest hits from the album were "Rhythm of My Heart" (No. 5 in the US) and "The Motown Song" (No. 10 in the US).

Following the same formula as Atlantic Crossing and A Night on the Town, but not explicitly breaking the record into fast and slow sides, Foot Loose & Fancy Free was a limp effort from an increasingly complacent Rod Stewart. With the exception of the dumb, sleazy "Hot Legs," none of the rockers are discernible from each other, and this time he doesn't have a strong set of ballads to save him. The affectionately sappy acoustic ballad "You're in My Heart" was the big hit, but Stewart sounds completely convincing only on "I Was Only Joking." Coming at the end of the album, the song seems like a justification for the uninspired, by-the-book record that preceded it.

Human is a studio album released by Rod Stewart on 12 March 2001 (see 2001 in music). It was Stewart's nineteenth studio album and first, and only release, on Atlantic Records (Atlantic 7567-83411-2), a sister label to his previous label Warner Bros. Records.
It produced the singles "Run Back Into Your Arms", "I Can't Deny It", and "Don't Come Around Here". "I Can't Deny It" became a moderate hit and the album was certified gold by the British Phonographic Industry.

Rod Stewart followed the faux-disco trash of Blondes Have More Fun with Foolish Behaviour, which sanded out most of the character of the previous album. The result was a bland but professional -- even at their worst, Rod and his band are always professionals -- collection, mainly comprised of dance-oriented, lightly synthesized pop/rock. The passionless "Passion" was the hit, but the only worthwhile song was the gorgeous "Oh God, I Wish I Was Home Tonight," which has the clever wit and self-depreciating melancholy of his finest work.

In its simplest terms, Blondes Have More Fun is Rod Stewart's disco album, filled with pulsating rhythms and slick, synthesized textures. It's also his trashiest, most disposable album, filled with cheap come-ons and bad double entendres. Of course, that makes Blondes Have More Fun one of his most enjoyable records, even if all the pleasures are guilty.

Rod Stewart's sixth album was called Atlantic Crossing because the singer was literally crossing the Atlantic, making America his new home for reasons of the heart (he was fully enamored with actress Britt Ekland at the time) and the wallet (he was eager to escape Britain's restrictive tax rates).