Reggatta de Blanc is the second studio album by British rock band the Police, released on 5 October 1979 by A&M Records. It was the band's first release to top the UK Albums Chart and features their first two UK number-one singles: "Message in a Bottle" and "Walking on the Moon". In early 1980, the album was reissued in the United States on two 10-inch discs, one album side per disc, and as a collector's edition with a poster of the band.

Outlandos d'Amour is the debut studio album by British rock band the Police, released on 17 November 1978[4] by A&M Records. Elevated by the success of its lead single, "Roxanne", Outlandos d'Amour peaked at No. 6 on the UK Albums Chart and at No. 23 on the Billboard 200. The album spawned two additional hit singles: "Can't Stand Losing You" and "So Lonely".

Greatest Hits is the second greatest hits album by the Police, released in September 1992 by A&M Records. It is the band's second compilation album following Every Breath You Take: The Singles. In contrast with its predecessor, it features all 14 original UK top 20 chart singles and five UK number-ones released by the band from 1978 to 1984, including the two missing singles from the previous 1986 compilation, "Synchronicity II" and the original version of "Don't Stand So Close to Me" which had been replaced with the 1986 re-recording. The album also includes two bonus album tracks, "The Bed's Too Big Without You" and "Tea in the Sahara". The cover photograph was by Duane Michals and it was taken at the time of the Synchronicity album. The inner sleeve featured a collage of pictures of the band shot by different photographers during their career, including Miles Copeland, Peter Baylis, Adrian Boot, Akihiro Takayama, Anton Corbijn, Danny Quatrochi, Gabor Scott, Janette Beckman, Kim Turner, Michael Ross, Watal Asanuma and Andy Summers.

Ghost in the Machine is the fourth studio album by the English rock band the Police. The album was released on 2 October 1981 by A&M Records. The songs were recorded between January and September 1981 during sessions that took place at AIR Studios in Montserrat and Le Studio in Quebec, assisted by record producer Hugh Padgham.

Bring On the Night is the first live album by Sting recorded over the course of several live shows in 1985 and released in 1986. The title is taken from a song by the Police from their 1979 album Reggatta de Blanc. The songs performed include Sting's early solo material from the studio album The Dream of the Blue Turtles, and from his time with the Police, with a few of the performances played as medleys of the two.

This considered collection trawls the movie soundtracks of the past twenty years and gathers together, in one place, some outstanding tracks. Ignore the fact the album is billed as "Sting At The Movies", and the album contains four Police songs - at least one of which was co-written with Andy Summers ('Murder By Numbers'). Instead, let's look at the songs themselves. Hits such as 'De Do Do Do, De Da Da Da' and 'Englishman In New York' sit very comfortably alongside the smoky, atmospheric songs from Leaving Las Vegas', 'Angel Eyes' and 'My One And Only Love', and Sabrina's' 'Moonlight' Sting's voice is made for such tracks, and it's a shame that 'It's A Lonesome Old Town' couldn't make it through to the final tracklist, perhaps at the expense of the rather syrupy, but number one hit 'All For Love'.

The album won an award for Best Reggae Album at the 61st Grammy Awards in February 2019.

The album is inspired by the musical of the same name, which premiered in June 2014, and whose songs were written by Sting. The play explores the themes of homecoming and self-discovery, drawing upon Sting's memories of growing up in the shipbuilding town of Wallsend, along with his reflections on the complexity of relationships, the passage of time and the importance of family and community.

The album features fifteen reworked versions of a selection of Sting's most widely recognised songs from across his career. Via his social media outlets, Sting described the new versions of the songs as being "reconstructed", "refitted" and "reframed", but "with a contemporary focus". Some songs on the album have been remixed using elements of the original tracks, while others are complete re-recordings.

Synchronicity is the fifth and final studio album by the English rock band the Police, released on 17 June 1983 by A&M Records. The band's most successful release, the album includes the hit singles "Every Breath You Take", "King of Pain", "Wrapped Around Your Finger", and "Synchronicity II". The album's title and much of the material for the songs were inspired by Arthur Koestler's book The Roots of Coincidence (1972). At the 1984 Grammy Awards the album was nominated for a total of five awards, including Album of the Year, and won three. At the time of its release and following the Synchronicity Tour, the Police's popularity was at such a high that they were arguably, according to BBC and The Guardian, the "biggest band in the world".

The Soul Cages è il terzo album in studio da solista del cantautore britannico Sting, pubblicato il 22 gennaio 1991. Sting ha dedicato l'album al padre scomparso da poco, nel 1989. The Soul Cages è un concept album in cui le canzoni riflettono il rapporto di Sting con il padre e i suoi sentimenti in seguito alla morte dello stesso.

The album, like the musical, takes inspiration from the closing of the shipyards in and around the historic shipbuilding town of Wallsend, where Sting grew up. The album features guest artists with roots in the northeast of England, including Brian Johnson from AC/DC, Jimmy Nail, The Unthanks, The Wilson Family, and Kathryn Tickell.

The Best of 25 Years is a compilation album by English musician Sting. It was released on 24 October 2011 through A&M Records.

The Soul Cages is the third full-length studio album released by Sting and the first to feature longtime guitarist Dominic Miller. Released in 1991, it became his second No. 1 album in the United Kingdom. The album was dedicated to Sting's recently deceased father who died in the late 1980s. The Soul Cages is a concept album in which the songs are a reflection of his relationship with his father and how he felt after his death.

Ten Summoner's Tales is the fourth solo studio album by the English rock musician Sting. The title is a combined pun of his family name, Sumner, and a character in Geoffrey Chaucer's The Canterbury Tales, the summoner. Released in 1993, it explores themes of love and morality in a noticeably upbeat mood compared to his previous release, the introspective The Soul Cages released in 1991 after the loss of both his parents in the 1980s.