To Venus and Back, the fifth album released by singer and songwriter Tori Amos, is a two-disc album set including a studio album and a live album. The first disc, titled Venus: Orbiting, features eleven original songs that find Amos experimenting heavily in electronica. It spawned the singles "Bliss", "1000 Oceans", "Glory of the 80's" (Australia, the United Kingdom, and Europe only), and "Concertina" (US only). The second disc, Venus Live, Still Orbiting, is a thirteen-track album compiling live tracks recorded from her Plugged '98 tour. This is the first official live release of Amos's career.

Boys for Pele is the third studio album by American singer and songwriter Tori Amos. Preceded by the first single, "Caught a Lite Sneeze", by three weeks, the album was released on January 22, 1996, in the United Kingdom, on January 23 in the United States, and on January 29 in Australia. Despite the album being Amos's least accessible radio material to date, Boys for Pele debuted at number two on both the US Billboard 200 and the UK Albums Chart, making it her biggest simultaneous transatlantic debut, her first Billboard top 10 debut, and the highest-charting US debut of her career to date.

Tori Amos releases a new album featuring orchestral reworkings of previously released songs on 1 October 2012. Gold Dust will be her thirteenth studio album and was recorded with the Metropole Orchestra, conducted by Jules Buckley.

Having flirted with classical music forms at various points in her 20-year recording career, Tori Amos has finally committed in full. On Night of Hunters, her 12th studio album and, notably, first for Deutsche Grammophon, the Peabody Conservatory prodigy draws on four centuries of European art music (Bach, Schubert, Chopin, Satie, among others), as well as on popular balladry and elements of contemporary musical theater, to create a song cycle by turns intricate and impressionistic, demanding and enchanting. There are no guitars on the album and, save for Amos’s signature Bösendorfer, no percussion instruments. Instead, the album’s 14 songs are arranged for piano, strings, woodwinds, and voice. Doubtless, it is the first and the last of these—Amos’s piano and her voice, more exquisite here than ever—onto which most listeners will immediately fasten.