Третий студийный альбом немецкой певицы и актриса, известной под именем феи из кельтской мифологии Oonagh. Полная теплоты музыка Oonagh сочетает в себе различные музыкальные влияния.

Oonagh, успешно дебютировавший и ставший музыкальным открытием проект, представляет свой второй альбом "Aeria", вновь "похищающий" в мир фантазий и мифов, все так же задействуя и эльфийский язык. В альбоме приняли участие и Santiano c Oomph!. Эта работа выглядит еще более удивительно, поражает большим музыкальным разнообразием.

Немецкая певица Зента-София Деллипонти, выступает под артистическим псевдонимом Oonagh, в 2014 году выпустила первый полноформатный альбом. Исполняет песни на немецком и эльфийском языках, также есть песни на кечуа, кельтском, ведийском санскрите и английском, и её музыка сочетает в себе различные музыкальные влияния.

Blackmore's Night will mark their 20th anniversary as a band with the release of the new double-disc compilation To the Moon and Back: 20 Years and Beyond ..., which combines previously released material with re-recordings and new songs. "To the Moon and Back" emphasizes guitarist Ritchie Blackmore's renewed focus on Blackmore's Night after a highly anticipated "return to rock" last year with a rejiggered Rainbow lineup. According to the press release announcing its arrival, the set includes three new songs: the "Pomp and Circumstance" reworking "Land of Hope and Glory," a new version of the Rainbow track "I Surrender" and "Ghost of John," which marks the recorded singing debut of August Blackmore, 6-year-old daughter to Blackmore and Blackmore's Night singer Candice Night.

In the Wind is the third album by the American folk music trio Peter, Paul & Mary, released in 1963 (see 1963 in music). It was reissued on audio CD in 1990. In the Wind was so successful that when it hit #1 on the Billboard album charts, it caused their two previous albums to re-enter the Top 10 as well. The album was released in October 1963, a few months before the arrival of the Beatles heralded the British Invasion. At this point in musical history the folk music revival was in full flower.

The debut album by Peter, Paul & Mary is still one of the best albums to come out of the 1960s folk music revival, a beautifully harmonized collection of the best songs that the group knew, stirring in its sensibilities and its haunting melodies, crossing between folk, children's songs, and even gospel ("If I Had My Way"), and light-hearted just where it needed to be, with the song "Lemon Tree," which became their first hit single, and earnest where it had to be, particularly on "If I Had a Hammer."

It's rare that an instrumental artist can be almost as easily identified by his album artwork as by his powerful musical stylings, but it's hard to resist all those romantic, impressionistic paintings that are part of every CD package by veteran nuevo flamenco guitarist Armik. The vibrant, ultra-melodic, and rhythmically diverse tracks on Mar de Suenos are full of his trademark candlelight, slow dancing, brass, percussion, and speedy riffs as always -- and combine to create a sweet and inspiring travelogue. There's nothing blue about "Azul," the sizzling, plucky horn-drenched opening track that bursts out of the gate like a highly caffeinated mariachi band.

Armik has driven deep into his quest to create first rate Nuevo Flamenco music with this ambitious 11 track recording titled ENAMOR. As his 28th release on Bolero Records, it is an exceptional example of the art of Armik both as a guitar virtuoso and as a composer. Throughout this recording he retains a Spanish Guitar sensibility in his precise touch while his compositions yield refined, romantic chords that leave you breathless and obsessed with his award-winning arrangements. There is a rare delicacy to Armik's illuminous Enamor. His sensitive rhythms, prolific strumming and graceful, romantic tones allow you to revel in his artistry and remarkable talents as a guitarist and composer. ENAMOR is a beautiful recording on which Armik demonstrates a completely original sound that is sophisticated yet creative. He makes each note count while playing with his delicate touch and makes sure that you emerge with a greater appreciation of his musicality and all that is heard in the fine art of Nuevo Flamenco.