Live & Well is the sixteenth studio album by B. B. King released in 1969. It consists of five tracks recorded "Live" at the Village Gate in New York City, and five additional studio tracks. Explaining the album's title, producer Bill Szymczyk wrote in the liner notes, "We got together, what I consider to be, some of the best young blues musicians in the country and locked ourselves in 'The Hit Factory' for two nights. The results of those two nights are the "well" side of this album.".

B.B. King's Early '50s Classics. ... 20 killer tracks from B.B. King's 1950s heyday, including quite a few alternate takes and a few tough-to-locate items ("Bye Bye Baby," "Dark Is the Night," "Jump with You Baby"). Many of the titles are familiar ones -- "Woke Up This Morning," "Every Day (I Have the Blues)," "Please Love Me," "Whole Lotta Love" -- but often as not, compiler Ray Topping unearthed contrasting versions from the same sessions that shed new, fascinating light on King's studio techniques.

Очередная работа мастера, альбом Makin' Love Is Good For You, насыщена великолепным блюзом, с ярко выраженной гитарной составляющей, и всё тем же, сильным, легко узнаваемым, чуть-чуть хрипловатым голосом Кинга. Любимая гитара Би Би Кинга. Сколько же она видела в своей жизни сцен, студий, людей. Сколько же на ней было сыграно великолепных композиций.

Свободная блюзовая атмосфера, великие гости и несравненный B.B. King на концерте, который был записан в Ebony Showcase Theatre (Лос-Анджелес) 15 апреля 1987 года.Personnel: B.B. King, Phil Collins, Eric Clapton, Gladis Knight, Albert King, Stevie Ray Waughan, Etta James, Dr. John, Billy Ocean, Chaka Khan.

Еще один подарок любителям мелодичного инструментального джаза – сборник лучших произведений Paul Hardcastle “Jazz Collection”. О самом исполнителе сложно говорить без применения эпитетов «лучший»: лучший артист в стиле Smooth Jazz, Instrumental Jazz, по мнению большинства джазовых критиков , журналов и радиостанций Америки и Европы. Его композиции не покидают высшие строчки самых различных джазовых чартов!
Пол уже давно создает прекрасную музыку, и много композиций, которые можно назвать лучшими в его творчестве, были написаны много лет назад. Чтобы российские слушатели могли насладиться всей красивой музыкой Paul Hardcastle, лучшими его произведениями, мы выпускаем сборник Jazz Collection, куда вошла часть лучших его треков за последние 15 лет.

Erroll Louis Garner was an American jazz pianist and composer known for his swing playing and ballads. His instrumental ballad "Misty", his best-known composition, has become a jazz standard. It was first recorded in 1956 with Mitch Miller and his orchestra, and played a prominent part in the 1971 motion picture Play Misty for Me.
Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso". Garner received a star on the Hollywood Walk of Fame at 6363 Hollywood Boulevard. His live album Concert by the Sea first released in 1955, sold more than 1 million copies by 1958, and Yanow's opinion on the album is that it "made such a strong impression that Garner was considered immortal from then on."

Oscar Emmanuel Peterson CC CQ OOnt was a Canadian jazz pianist and composer. Considered a virtuoso and one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community, "the King of inside swing".

Jean Reinhardt known by his Romani nickname Django (French: [dʒãŋɡo ʁɛjnaʁt] or [dʒɑ̃ɡo ʁenɑʁt]), was a Belgian Manouche or Sinti jazz guitarist and composer. He was one of the first major jazz talents to emerge in Europe and has been hailed as one of its most significant exponents.
With violinist Stéphane Grappelli, Reinhardt formed the Paris-based Quintette du Hot Club de France in 1934. The group was among the first to play jazz that featured the guitar as a lead instrument. Reinhardt recorded in France with many visiting American musicians, including Coleman Hawkins and Benny Carter, and briefly toured the United States with Duke Ellington's orchestra in 1946. He died suddenly of a stroke in 1953 at the age of 43.

Coleman Randolph Hawkins - was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches". Hawkins denied being first and noted his contemporaries Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet.

Carlos Wesley "Don" Byas - was an American jazz tenor saxophonist, associated with Swing and bebop. He played with Count Basie, Duke Ellington, Art Blakey, and Dizzy Gillespie, among others, and also led his own band. He lived in Europe for the last 26 years of his life.

Lester Willis Young - nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.
Coming to prominence while a member of Count Basie's orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called "a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike".
Known for his hip, introverted style, he invented or popularized much of the hipster jargon which came to be associated with the music.

Benjamin Francis „Ben“ Webster - war ein US-amerikanischer Tenorsaxophonist des Jazz, der gelegentlich auch Piano und Klarinette spielte. Er wird ähnlich wie Coleman Hawkins und Lester Young als einer der großen Tenorsaxophonisten der Swing-Epoche angesehen. Seine Spielweise variierte vom manchmal gehauchten Ton in Balladen bis zum „kehlig-krächzenden Vibrato“ bei schnelleren Tempi. Bekannt wurde er vor allem durch seine Soli im Duke Ellington Orchestra von 1940 bis 1943 und später als ein meisterhafter Interpret von Balladen. Seine Spitznamen waren Frog und Brute.