Четвертый альбом музыкального проекта Musica Nuda, записанный во время выступления на концерте в зале Radio France в феврале 2007 года. В него вошли кавера на известные композиции, такие как Come Together, Roxanne, Message in a Bottle, Feve и другие.

This is the discography for jazz record label Prestige Records. Not all original releases are included. Others are listed by the Jazz Discography Project. The earlier New Jazz/Prestige 78rpm releases and the 100/200 (10" LP) series, (among others) are omitted. Prestige also released albums on several subsidiary labels including the New Jazz, Bluesville, Moodsville and Swingsville labels.
The Prestige Recordings or The Complete Prestige Recordings CD box sets have been released for Davis, Coltrane, Dolphy, Monk, Rollins, Gordon, and others.

Genius Loves Company is the sixty-second and final studio album by rhythm and blues and soul musician Ray Charles, posthumously released August 31, 2004, on Concord Records. Recording sessions for the album took place between June 2003 and March 2004. The album consists of rhythm and blues, soul, country, blues, jazz and pop standards performed by Charles and several guest musicians, such as Natalie Cole, Elton John, James Taylor, Norah Jones, B. B. King, Gladys Knight, Diana Krall, Van Morrison, Willie Nelson and Bonnie Raitt. Genius Loves Company was the last album recorded and completed by Charles before his death in June 2004.

Aretha Louise Franklin - is an American singer and musician. Franklin began her career singing gospel at her father, minister C. L. Franklin's church as a child. In 1960, at the age of 18, Franklin embarked on a secular career, recording for Columbia Records only achieving modest success. Following her signing to Atlantic Records in 1967, Franklin achieved commercial acclaim and success with songs such as "Respect", "(You Make Me Feel Like) A Natural Woman" and "Think". These hits and more helped her to gain the title The Queen of Soul by the end of the 1960s decade.

Just as it’s four predecessors did, the compilation „closer to the music Vol.5 “ provides an aural overview of the latest and the forthcoming Stockfisch productions - this time for 2015. More than 79 minutes of unusual recordings and fascinating music.

Closer to the music Vol.4 offers more than 73 minutes of musical highlights to get in first touch with Stockfisch artists as well as sound and/or just for enjoyable listening:
„I fell in awe in front of the swift charms of this compilation, a collection of highly enjoyable pearls from the Stockfisch catalogue. The artistic excellence and the stupefying tonal quality of the ensemble will make it a gourmet´s choice for any soundsystem ...“ There were so many positive and even enthusiastic feedbacks on our „closer to the music“ compilations volume 1 to 3, that we decided to release Vol.4 in 2011.

You will listen to recent recordings of known artists like Sara K., Allan Taylor, Eugene Ruffolo and David Munyon , but also to new Stockfisch-discoveries like Dennis Kolen (NL), Paul O´Brien (CDN), BEOGA (IRL), Carl & Parissa (AUS), Beo Brockhausen (D) and some more - 18 tracks with a total playing time about 76 min.

Just like Vol. 1, this second Stockfisch collection closer to the music Vol.2 offers on its 15 individual tracks a wide musical variety. Different as they may be, they are bound by an invisible thread, a common ground for all of them, the guitar based arrangements. This special sound, the “trade mark” of nearly all Stockfisch productions, is where they all meet. Always energetic, but at the same time gentle and never lacking transparency, that’s how the artists and their fellow musicians skilfully present their music. These recordings, as any listener will experience, exemplify once again the Stockfisch philosophy: closer to the music!

The first sampler released by Stockfisch-Records with a collection of 17 tracks. Although taken from different CD productions, these titles reveal a close relationship to sound and interpretation. 73 pleasant minutes illustrating clearly the philosophy of Stockfisch-Records: closer to the music!

Bitches Brew is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records. It marked Davis's continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.

Sketches of Spain is a studio album by American jazz musician Miles Davis, released on July 18, 1960 by Columbia Records. Recording took place between November 1959 and March 1960 at Columbia's 30th Street Studio in New York City. An extended version of the second movement of Joaquín Rodrigo's Concierto de Aranjuez (1939) is included, as well as a piece called "Will o' the Wisp", from Manuel de Falla's ballet El amor brujo (1914–1915). Sketches of Spain is regarded as an exemplary recording of third stream, a musical fusion of jazz, European classical, and styles from world music.

Milestones - is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his "first great quintet" augmented as a sextet. It was released in 1958 by Columbia Records.[

In a Silent Way is a studio album by the American jazz trumpeter, composer, and bandleader Miles Davis, released on July 30, 1969, on Columbia Records. Produced by Teo Macero, the album was recorded in one session date on February 18, 1969, at CBS 30th Street Studio in New York City. Macero edited and arranged Davis's recordings from the session to produce the album. Marking the beginning of his "electric" period, In a Silent Way has been regarded by music writers as Davis's first fusion recording, following a stylistic shift toward the genre in his previous records and live performances.

Soultrane is a studio album by the jazz musician John Coltrane. It was released in 1958 through Prestige Records, with catalogue no. 7142. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey, three days after a Columbia Records session for Miles Davis and the Milestones album.

One of the greatest and most underated jazz singers, Lee Wiley is presented on this CD as an older, more mature singer. Perhaps there is not the same verve or timbre in her voice, but her great timing and feel for the song is evident. Track 3 and track 19 are worth the price of this CD, alone. On the first, she sings a song that should be a classic melody: "You're Lucky To Me". But this version is a slower pace than she usually sang, such as with Eddie Condon's groups at the Town Hall Jazz Concerts in 1944. It has a memorable flavor. On track 19, which is one of the unique cuts on this CD which leave in re-takes and comments on some recordings, and Lee, who had been very ill and passed away a few years later, can be heard saying that she didn't like singing it because it depressed her. This is not only good music, it is history. There have been many imitators of Lee, but none did it quite like she did.