Performer: Ella Fitzgerald
Album: Masters Of Jazz
Label: Duet Music. Made in AT.
Catalog #: DUETCD 094
Style: Jazz
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size ZIP: ~ 246 mb
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Элла Фицджеральд не получила музыкального образования, она ни разу в жизни не посетила урок пения и ей не нужно было распеваться перед выступлениями[48]. Она обладала меццо-сопрано, но могла петь как выше, так и ниже. Диапазон её голоса составлял три октавы: от ре-бемоль малой октавы до ре-бемоль третьей октавы.
Американский писатель, журналист и музыкальный критик Уилл Фридуолд писал, что в отличие от многих других певцов Элла Фицджеральд обладала поистине уникальным и ценным голосом, звучание которого можно было бы назвать самым красивым и идеальным среди тех, которые когда-либо слышал человек.

Performer: Charlie Parker
Album: Charlie Parker For Lovers
Label: The Verve Music Group. Made in UA.
Catalog #: 0602498892985
Style: Jazz, Bop, Big Band
Year: 2006
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 11
Size ZIP: ~ 146 mb
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As part of Verve's For Lovers series, the genius alto saxophonist Charlie Parker is spotlighted on 11 tracks recorded between 1949 and 1954. This romantic set of standards aptly highlights Bird's melancholic flight, especially on the seven tracks from Charlie Parker with Strings: "Easy to Love," "I Didn't Know What Time It Was," "Laura," "Everything Happens to Me," "Summertime," "Autumn in New York," and "Out of Nowhere."

Performer: Billy Cobham
Album: The Best Of Billy Cobham
Label: Atlantic. Made in DE.
Catalog #: 7567-81558-2
Style: Jazz Rock, Fusion
Year: 1987
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size ZIP: ~ 289 mb
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This is a compilation of some 1970s LPs. If you like Weather Report, Chick Corea, Santana or Miles Davis of this period, you'll enjoy this one. At 8 tracks and just over 40 minutes, one wishes they'd be a little more generous. What's here is a pretty good mix of Cobham compositions though; includes two Cobham's fusion classics: Spectrum and Crosswinds.

Performer: Billy Cobham
Album: Magic
Label: Columbia, Sony Music. Made in EU.
Catalog #: 5128952
Style: Jazz Rock, Fusion
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 8
Size ZIP: ~ 377 mb
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In the 1970s, Billy Cobham was one of the most dynamic names in jazz-rock fusion. He recorded with Miles Davis and John McLaughlin’s Mahavishnu Orchestra before striking out on his own. He became highly influential in jazz and rock drum sounds, with his high pitched, tuned drums and his interesting mixtures of traditional beats with experimental melodic drumming. This album is a re-release of the second of five albums that he cut for CBS records, released now by Sony with two additional tracks and a new attempt at mixing and mastering with all that digital equipment can bring to the original analog recordings.

Performer: Tal Fallow & Lenny Breau
Album: Chance Meeting
Label: Guitarchives Music. Made in CA.
Catalog #: GTR-0003
Style: Jazz
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 272 mb
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Chance Meeting is an album by jazz guitarists Tal Farlow and Lenny Breau that was released in 1997.

Performer: B.B. King
Album: Everyday I Have The Blues
Label: Quadromania. Made in Germany.
Catalog #: 222452-444
Style: Blues
Year: 2005
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 15+15+13+7
Size RAR: ~ 229+261+247+292 mb
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Recovery: 3%
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Also in 1955, B.B. King recorded "Every Day I Have the Blues". King attributed the song's appeal to arranger Maxwell Davis: "He [Davis] wrote a chart of 'Every Day I Have the Blues' with a crisp and relaxed sound I'd never heard before. I liked it so well, I made it my theme ... ... The induction statement includes: "Everyday I Have the Blues" is one of the most ubiquitous of all blues songs, a required number in the repertoires of the countless bar and lounge bands of many genres. Its late entry into the Blues Hall of Fame reflects the fact that no strong consensus emerged as to which of the hundreds of recorded versions was most deserving. But it often is associated with B.B. King, and so the first of his own many versions gets the honors.

Performer: Big Bad Voodoo Daddy
Album: Big Bad Voodoo Daddy
Label: Ukrainian Records. Made in UA.
Catalog #: 490 290-2
Style: Jazz, Swing
Year: 1998
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 430 mb
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Big Bad Voodoo Daddy is a contemporary swing revival band from Southern California. Their notable singles include "Go Daddy-O", "You & Me & the Bottle Makes 3 Tonight (Baby)", and "Mr. Pinstripe Suit". The band played at the Super Bowl XXXIII half-time show in 1999.

Performer: Oleta Adams
Album: Evolution
Label: Fontana. Made in DE.
Catalog #: 514 965-2
Style: Vocal Jazz, Soul
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 383 mb
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Evolution is the fourth album (second published worldwide) by the American vocalist, pianist and songwriter Oleta Adams and was released in 1993.

Performer: Harry Connick. Jr
Album: We Are In Love
Label: Sony Music, Columbia. Made in AT.
Catalog #: 466736 2
Style: Swing, Big Band, Vocal, Easy Listening
Year: 1990
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 324 mb
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We Are in Love is an album by American artist Harry Connick Jr., released in 1990. The multi-platinum album features Connick on piano & vocal, Russell Malone on guitar, Shannon Powell on drums, Benjamin Jonah Wolfe on double bass, and Branford Marsalis on saxophone. Joining the quartet is Connick's Big Band. Most of the tracks include an orchestral background.
Released in 1990, it topped the jazz charts in the same year, and crossed over to the pop charts as well, selling over 2 million copies worldwide. The album gave Connick a Grammy for Best Jazz Vocal Performance, Male, and he performed the title track live on the Grammy telecast in 1991. "Recipe for Love" also became one of Connick's biggest hits, peaking at #32 in the UK Singles Chart on re-release (the original release had only peaked at #86).

Performer: Fats Waller
Album: Misbehavin'
Label: Lafayette Music. Made in EU.
Catalog #: BSTCD 9105
Style: Jazz
Year: 2001
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 16
Size ZIP: ~ 195 mb
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Ain't Misbehavin' is a 1929 stride jazz/early swing composition with 32 bars in AABA measure with a slow-to-moderate pace. With lyrics by Andy Razaf and score by Thomas "Fats" Waller and Harry Brooks, the number was created specifically as a theme song for the Razaf/Waller/Brooks off-Broadway musical comedy Connie's Hot Chocolates. In a 1941 interview with Eddie "Rochester" Anderson, Fats said the song was written while "lodging" in alimony prison, and that is why he was not "misbehaving".

Performer: Fats Domino
Album: His Greatest Hits
Label: Warwick Records. Made in FR.
Catalog #: U 2057
Style: Rock&Roll, Piano Blues
Year: 1987
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 24
Size ZIP: ~ 425 mb
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Antoine "Fats" Domino Jr. (born February 26, 1928) is an American pianist and singer-songwriter. Domino released five gold (million-copy-selling) records before 1955. He also had 35 Top 40 American hits and has a music style based on traditional rhythm and blues ensembles of bass, piano, electric guitar, drums, and saxophone.