Дважды лауреат премии Ivor Novello, её первый альбом Frank (2003) был номинирован на Mercury Prize. 14 февраля 2007 года певица получила Brit Award как «Лучшая британская исполнительница» («Best British Female Artist»). Второй альбом Back to Black принёс ей 6 номинаций «Грэмми» и победу в 5 из них (включая Record of the Year), после чего она была занесена в Книгу рекордов Гиннесса, как первая и единственная британская певица, выигравшая пять наград Грэмми. В августе 2011 года альбом «Back to Black» признан самым успешным альбомом XXI века в Великобритании.

Michael Bublé is the third studio album by Canadian singer Michael Bublé. It was released on 143 Records and Reprise Records. The album was released on February 11, 2003. The album spawned four singles: "How Can You Mend a Broken Heart", "Kissing a Fool", "Sway" and "Spider-Man Theme".

Ray Charles Robinson Sr.- was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma.
Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company.

Nina Simone - was an American singer, songwriter, pianist, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop.
The sixth of eight children born from a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission,[4] which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree.

Visions of the Emerald Beyond is an album by the jazz fusion group Mahavishnu Orchestra, and the second released by its second incarnation.
According to the liner notes, the album was recorded at Electric Lady Studios in New York City from December 4 until December 14, 1974. It was then mixed at Trident Studios in London from December 16 until December 24, 1974.

Birds of Fire is the second studio album by American jazz fusion band the Mahavishnu Orchestra. It was released on January 3, 1973 by Columbia Records and is the last studio album released by the original band line-up before it dissolved.
As with the group's previous album, The Inner Mounting Flame, Birds of Fire consists solely of compositions by John McLaughlin. This includes the track "Miles Beyond (Miles Davis)", which McLaughlin dedicated to his friend and former bandleader.
A remastered version of the album was released on CD in 2000 by Sony Music Entertainment. It features a new set of liner notes by JazzTimes critic Bill Milkowski, as well as photographs of the band. In 2015 the album was re-issued on Super Audio CD by Audio Fidelity containing both the stereo and quad mixes.
The back cover of the album features the poem "Revelation" by Sri Chinmoy.

Apocalypse is the Mahavishnu Orchestra's fourth album, released in 1974.
It is performed by the second line-up of the Mahavishnu Orchestra and the London Symphony Orchestra. It was produced by George Martin, who regards it as “one of the best records [he has] ever made”.
The back cover features a poem by Sri Chinmoy as well as a group photo of those who created the album.

Joe Pass - американский джазовый гитарист. Его широкое использование «шагающего» баса, искусство одновременного сочетания нескольких мелодических линий в процессе импровизации и сочетание множества техник игры открыли новые возможности для мира джаз-гитары и оказали огромное влияние на современных джазовых гитаристов.

This is the first in a series of five CD reissues from guitar legend Joe Diorio's classic Spitball Records recordings from the mid-70's. Originally released in 1975 on Spitball Records and now available on CD for the first time ever! Includes the original album cover artwork and liner notes exactly as they appeared on the original LP release. Joe performs several standards including Chick Corea's "Windows", Django Reinhardt's "Nuages" as well as the classic songs "Invitation", "A Time for Love" and "Without You". Rounding out the recording are three of Joe's original compositions: "Poem", "India" (inspired by sitarist Ravi Shankar) and "Call to the Center". Joe accompanies himself via multi-tracking on the songs "Windows", "Invitation" and "Without You". All tracks have been digitally remastered using 24-bit digital technology. Art of Life Records is proud to make this long out-of-print recording available to the world once again. Stay tuned for more releases from guitar master Joe Diorio!!

This is a wonderful compilation for Raney fans in particular and circa 1950s jazz fans in general. More importantly this set is a treasure trove for guitarists who want to study Raney's incredible technique.
Fifty tracks from eight different albums and ironically none feature Raney with Woody Herman as the album's subtitle implies. However, the tracks are mainly from albums led by Stan Getz and Red Norvo, as well as by Raney himself.

The Gift of Time is an album by French jazz fusion artist Jean-Luc Ponty, released in 1987. It was his first recording for Columbia Records after twelve albums on the Atlantic label. It was reissued on CD in 1991.

A switch back to Atlantic finds Jean-Luc Ponty continuing to dabble in West African waters while re-establishing his earlier solid base in repeating sequenced patterns. The electronics are back, for Ponty splits his time between the electric violin and various synthesizers and sequencers while Abdou M'Boup and Sydney Thiam add African percussion, which often takes a back seat to the electronics as the rhythmic basis for the music.