The time has arrived for TESTAMENT to unleash new thunder to the masses and reveal their thirteenth studio album: Titans Of Creation. Just as the elements of this planet thrive within all living creatures, each musician in TESTAMENT represents a necessary component of this latest musical endeavour. Still filled with a massive and unstoppable energy since their last release, TESTAMENT has taken their style to the next level and present an album that is loyal to the roots of traditional thrash metal while still bringing alluring, brilliant, and progressive ingredients to the table. Bass is showcased, new vocals are introduced, and as expected, the guitarwork of Peterson and Skolnick is greatly complex and mesmerizing.

Old-School Classic Death Metal from St. Petersburg, Russia. “Chained to Ossuaries” is the 2nd studio album with 10 tracks and 41:03 runtime released on April 27th, 2020. The lineup on this album features drummer/singer Dmitry Dovzhenko (ex-SEPTORY), guitarist Eduard Bartosh (ex-CHAMBER OF TORTURE) and bassist/second guitarist Roman Dovzhenko. Cover artwork by Artem Grigoryev, a Russian graphic artist.

Obsidian… dark, reflective and black: it’s a pretty decent description of the music that PARADISE LOST have been making over the last 32 years, even though this most resilient of British metal bands have stoically refused to be pinned down to one easily defined formula. Powered by a lust for creativity and a stout devotion to haunting heaviness, PARADISE LOST have defied the odds by coming back stronger than ever over the past decade.
“We’re doing really well right now,” says guitarist and co-founder Greg Mackintosh. “The last few albums have gone down well and we’ve gradually moved back up the festival bills. But for me, I think about it more in terms of being relaxed and content. It’s a good time to be in PARADISE LOST.”

Human. :II: Nature. (stylized as HVMAN. :||: NATVRE.) is the upcoming ninth album by Finnish symphonic power metal band Nightwish. It is set to be released on April 10, 2020 through Nuclear Blast. It will be the band's first double album.
Following the departure of original drummer Jukka Nevalainen the previous year, it will be the first album to feature Kai Hahto as official band member, although he had already acted as Nevalainen's replacement on the band's previous album, Endless Forms Most Beautiful.

Как-то это всё прошло мимо меня, но на данный момент немецкая группа Lucifer активно собирает вокруг себя сторонников, в то время как многие поклонники тяжёлой музыки даже называют их новой надеждой классического металла. В то же самое время издания вроде Metal Hammer и Classic Rock активно генерируют хайп вокруг их творчества, а каждый новый их альбом удостаивается просто космических похвал. Так что если вы, как и я, провели последние лет пять где-нибудь под большим и сырым камнем, то вам примерная диспозиция: Lucifer - это проект немецкой вокалистки Иоанны Садонис, который она основала после безвременного распада группы Oath. Исходно одним из его участников был Газ Дженнингс, которого вы можете знать по его работе в Cathedral, - именно этим фактом, скорее всего, объясняется то, что музыка Lucifer с самого начала была пропитана духом дум-металла. Их неторопливые гитарные риффы и атмосферный звуковой напор можно сравнить с ранним творчеством Black Sabbath. Однако этим их творчество не исчерпывалось, - со своей стороны Иоанна вдохнула в песни Lucifer энергетику тяжёлого рока восьмидесятых, что выражается в хитовых и запоминающихся мелодиях и общей композиционной стройности. Если вас до сих пор не заинтересовали эти ребята, то, скажу честно, не знаю, чего вы в жизни этой ищете. Лично я искренне наслаждаюсь как этой группой, так и их новым релизом в лице "Lucifer III".

The highly anticipated debut full-length of this U.S. band. Hailing from the rustbelt Metal hotbed of Cleveland, Kurnugia was founded by ex-members of Decrepit, Nunslaughter, Embalmer, December Wolves and Delusion. Not surprisingly, this assembly of seasoned underground veterans is heavily influenced by the classic Death Metal of the early 90's, and that's exactly what Kurnugia aim for: to go back right to the roots of the genre and pay homage to the deeds of old, unaware of gimmicks, trends and mindless experimentation.

At the Heart of Winter is the fifth studio album by Norwegian black metal band Immortal. It was released on February 22, 1999 through Osmose Productions. It is the first Immortal album not to feature Demonaz on guitar, as he suffered from acute tendinitis in his hands. The album marks a shift in Immortal's musical sound, towards a black metal and thrash metal fusion.

After 5 years, we are back with our new album "Weltenwandel".
Darker sounds combined with our well-known Pagan flair leave nothing to be desired for fans of melodic metal.
The lyrics are about change in society, freedom and resistance to oppression. For the first time, all lyrics of the album were written and sung exclusively in German.
For the first time, we recorded in our own studio in Graz (AT). This resulted in a much freer, more creative and relaxed atmosphere that you can hear in the quality of the songs. In collaboration with co-producer and mixing / mastering engineering Adam Train, the finishing touches were made in London, UK.

Chile’s Extreme Metal scene continued to impress with COFFIN CURSE’s debut, “Ceased to Be,” an old school Death Metal record with riffs of maximum caliber. The album was eight tracks of fresh ideas mixed with old school stylings.
“Gathered unto Death” introduced the album with steady riffing and nice structure but nothing beyond what was expected of the release. The track jumped around with different riffs, progressing through them with ease before reaching a sort of grand finale. As a whole, the song was a strong start to the record.
Within the first half of the record, the scene was set for brutality. “Where Sickness Thrives” and “Chopped Clean Off” provided a look into the fierce riffing of the band. With very good transitioning and songwriting technique, the songs were effectively two of the strongest on the record.

"Thulêan Mysteries was made passively, in the sense that I never intended to make a new album; I just made music every now and then and at one point realized that I actually had enough to release it all on an album. When asked to do so I figured: why not? It was a good idea. The music is a little bit of this and a little bit of that, transcending any genre, and perhaps belonging to many different genres. The intention with it was always to create a certain atmosphere, often related to an idea or a situation. Since my true passion has never been music, but actually tabletop role-playing games, I figured I should make this an album intended for that use; as background music for my own MYFAROG (Mythic Fantasy Role-playing Game). Hopefully you will get a sense of Thulê when you listen to this, like always with Burzum, ideally when on your own. I hope you will enjoy this soundtrack to Thulê, to Mother Nature and life itself" – Varg Vikernes

Burning Witches ist eine Schweizer Heavy-Metal-/Power-Metal-Band aus Brugg.

Rosenrot is the fifth release from the popular Industrial German sextet. The album was originally slated as 'Reise-reise Vol. 2' as it contained songs that didn't make it onto the 2004 release as well as a few new songs. However, while Reise-reise experimented with different sounds, this album brings back a more traditional sound similar to that found on 2001's Mutter. Over their career, Rammstein has progressed from a riff-laden industrial sound to almost theatrical compositions of heavy guitars, oddly placed samples and Till's hollow but agressive deep vocals. This album is no exception, having progressed even further down that path. The end result is an album that I would rate second to Mutter and place high above its mediocre predecessor.

Metallica is the self-titled fifth studio album by American heavy metal band Metallica. Released on August 12, 1991, by Elektra Records, it is commonly referred to as The Black Album because of its packaging design. Its recording took place at One on One Studios in Los Angeles over an eight-month span that frequently found Metallica at odds with their new producer Bob Rock. The album marked a change in the band's music from the thrash metal style of their previous four albums to a slower, heavier, and more refined sound.