Performer: Wet Wet Wet
Album: Popped In Souled Out
Label: Virgin EMI Records | Universal Music. Made in EU.
Catalog #: 5760569 | 00602557605693
Style: Rock, Pop, Pop Rock, Synth Pop
Year: 1987 | 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 18+11+13+16
Size RAR: ~ 3.5 gb
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Recovery: 3%
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Wet Wet Wet have officially released the 30th Anniversary Edition of their debut album Popped In Souled Out which originally launched in 1987.
Performer: Quercus
Album: Nightfall
Label: ECM Records. Made in DE.
Catalog #: ECM 2522
Style: Vocal Jazz, Contemporary Jazz
Year: 2017
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size RAR: ~ 354 mb
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Recovery: 3%
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“Nightfall” is the second album for ECM by the British trio Quercus featuring the esteemed folk singer June Tabor accompanied by instrumentalists Iain Ballamy (tenor & soprano saxophones) and Huw Warren (piano), two musicians best known for their work in a wide variety of jazz contexts.
Performer: Tori Amos
Album: Gold Dust
Label: Deutsche Grammophon. Made in EU.
Catalog #: 00289 479 0897
Style: Pop, Classical
Year: 2012
Format: FLAC (tracks+.cue)
Bitrate: Lossless
Covers: in archive
Amount of tracks: 14
Size RAR: ~ 326 mb
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Recovery: 3%
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Tori Amos releases a new album featuring orchestral reworkings of previously released songs on 1 October 2012. Gold Dust will be her thirteenth studio album and was recorded with the Metropole Orchestra, conducted by Jules Buckley.
Performer: Tori Amos
Album: Night Of Hunters
Label: Deutsche Grammophon. Made in EU.
Catalog #: 00289 477 9791
Style: Acoustic, Contemporary, Folk, Alternative Rock
Year: 2011
Format: FLAC (image+ .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 14
Size RAR: ~ 451 mb
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Recovery: 3%
Password: without a password



Having flirted with classical music forms at various points in her 20-year recording career, Tori Amos has finally committed in full. On Night of Hunters, her 12th studio album and, notably, first for Deutsche Grammophon, the Peabody Conservatory prodigy draws on four centuries of European art music (Bach, Schubert, Chopin, Satie, among others), as well as on popular balladry and elements of contemporary musical theater, to create a song cycle by turns intricate and impressionistic, demanding and enchanting. There are no guitars on the album and, save for Amos’s signature Bösendorfer, no percussion instruments. Instead, the album’s 14 songs are arranged for piano, strings, woodwinds, and voice. Doubtless, it is the first and the last of these—Amos’s piano and her voice, more exquisite here than ever—onto which most listeners will immediately fasten.