The VIVALDI METAL PROJECT is a music creation born from an idea conceived and developed by Italian keyboard player, composer and producer MISTHERIA (solo artist, Bruce Dickinson, Rob Rock, Roy Z, Artlantica).
The project is a symphonic-metal opera based on Antonio Vivaldi’s Baroque masterwork “The Four Seasons”, featuring more than 130 amazing metal and classical artists, orchestra, a string quartet and three choirs from all over the world. The album features 14 tracks – all the movements from Antonio Vivaldi’s original score plus two original new songs written by MISTHERIA. The impressive roster of artists probably makes this titanic album the biggest all-star project ever!

Проект ударника "Scorpions", Herman Rarebel с участием различных вокалистов.

Album from the legendary director and composer behind Halloween, Escape From New York, They Live, Assault on Precinct 13, and many more.

Mantis is the sixth studio album by progressive rock band Umphrey's McGee.

Deluxe edition celebrating the 50TH anniversary of the German band. Eight albums have been published in total, mainly from 80's era. Some of them content rare, outtakes or previously unreleased songs as bonus tracks. Additionally, some of the CD editions are accompanied by a DVD with TV appearances, video-clips and or the band talking about the making of the album.
This was the first studio album recorded by Matthias Jabs, Michael Schenker participated in some songs as well, so this is Scorpions only album with three guitar players. This edition has two extra tracks and a DVD.

Stonedhenge is the second studio album released by the English rock/blues band Ten Years After, released in 1969.

Songs in the Attic is the first live album by Billy Joel, released in 1981

Streetlife Serenade is the third studio album by American singer-songwriter Billy Joel (his second with Columbia Records), released on October 11, 1974.
Joel's follow-up effort to 1973's Piano Man, Streetlife Serenade did not enjoy the relative success of its predecessor; it marked the beginning of his frosty relationship with critics and the music industry more generally.