Most of Bob Marley's early music was recorded with Peter Tosh and Bunny Wailer, who together with Marley were the most prominent members of the Wailers. In 1972, the Wailers had their first hit outside Jamaica when Johnny Nash covered their song "Stir It Up", which became a UK hit. The 1973 album Catch a Fire was released worldwide, and sold well. It was followed by Burnin', which included the song "I Shot the Sheriff". Eric Clapton's cover of the song became a hit in 1974.

Bob Marley and the Wailers were a Jamaican reggae and ska band created by Bob Marley, Peter Tosh and Bunny Wailer. The band formed when self-taught musician Hubert Winston McIntosh (Peter Tosh) met Neville Livingston (Bunny Wailer), and Robert Nesta Marley (Bob Marley) in 1963. By late 1963 Junior Braithwaite, Beverley Kelso, and Cherry Smith had joined the Wailers. After Peter Tosh and Bunny Wailer left the band in 1974, Bob Marley began touring with new band members. His new backing band included brothers Carlton Barrett and Aston "Family Man" Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The "I Threes", consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals.

Loudmouth – The Best of Bob Geldof and the Boomtown Rats is a 1994 greatest hits compilation album from Bob Geldof and the Boomtown Rats, consisting mostly of Boomtown Rats material but also some of Geldof's solo work. It peaked at No. 10 in the UK Albums Chart in July 1994.

Компиляция CD-Maximum включающая дебютный альбом Blue System Walking on a rainbow и седьмого альбома Hello America

This is a first Blondie release without original keyboardist Jimmy Destri who has been replaced by Kevin Topping after the work on The Curse of Blondie. This is also the band's first and only release with Topping.

An unwieldy four-disc, 52-track box set, Under Wheels of Confusion: 1970-1987 nevertheless contains the bulk of Black Sabbath's best work, dipping considerably in quality during the second half of the set, when Ozzy Osbourne left the group and was replaced by Ronnie James Dio. Even though all of the stone-cold classics are here, as are all of Dio's best tracks, Sabbath remains best appreciated through their original albums, which capture the essence of the metal giants much better than this box.

Российская версия издания 13 и 14 альбомов группы Black Sabbath The Eternal Idol и Headless Cross.

Российская версия издания 10 и 11 альбома группы Black Sabbath Mob Rules и Born Again.

This promotional disc was released to promote Vespertine. It is in many ways a precursor to her Greatest Hits album and it features CD ROM videos of "Hidden Place," "All is Full of Love," "Hyperballad" and "Hunter."

This is a compilation of some 1970s LPs. If you like Weather Report, Chick Corea, Santana or Miles Davis of this period, you'll enjoy this one. At 8 tracks and just over 40 minutes, one wishes they'd be a little more generous. What's here is a pretty good mix of Cobham compositions though; includes two Cobham's fusion classics: Spectrum and Crosswinds.

In the 1970s, Billy Cobham was one of the most dynamic names in jazz-rock fusion. He recorded with Miles Davis and John McLaughlin’s Mahavishnu Orchestra before striking out on his own. He became highly influential in jazz and rock drum sounds, with his high pitched, tuned drums and his interesting mixtures of traditional beats with experimental melodic drumming. This album is a re-release of the second of five albums that he cut for CBS records, released now by Sony with two additional tracks and a new attempt at mixing and mastering with all that digital equipment can bring to the original analog recordings.

Biddu Orchestra, which started an orchestral disco trend in Britain and Europe with 1975 hits "Summer of '42" and Blue Eyed Soul, his solo albums eventually sold 40 million copies worldwide. He also launched the careers of other British disco stars such as Tina Charles, helping her sell 36 million records within a few years, and Jimmy James; scored soundtracks for several British films such as The Stud (1978); and produced a hit song for late French singer Claude François. Biddu also experimented with electronic disco and Hi-NRG music from the mid-1970s, and influenced British New Wave bands such as The Buggles, founded by two of his former session musicians Trevor Horn and Geoff Downes.