CD double box set released by Alfa Records in Japan.
Cinco (Instrumentals) [34-44]
Sex (B-sides) [45-55]
Cemb (Live One) [56-67]
Oziem (Live Two) [68-79]

CD double box set released by Alfa Records in Japan.
Contains 4 CDs:
Uno (The Twelve Inches) [1-8]
Zwei (The Twelve Inches) [9-17]
Trois (The Twelve Inches) [18-26]
Four (Strange Mixes) [27-33]

Не стану перечислять, в каких других коллективах он успел поучаствовать в прошлом - список будет таким же внушительным (упомяну лишь Peste Noire). При всём имеющемся разнообразии, идея комбинации шугэйза с элементами звучания блэк-метала кажется мне очень удачной. Шугейз приобрёл больше структурности, блэковый бласт-бит стал очень выразительным и вариативным. На выходе такая комбинация может оказаться и отражением навязчивых фобий (Les Discrets), и причудливой экспериментальной шизофренией (Lantlôs). На этом фоне Alcest сморится как «луч света в тёмном царстве», как невероятно красивый цветок, непостижимым образом пробившийся сквозь ледяную толщу.

Разумеется, Accept, хоть и облачились в спандексы и сделали жуткую химию на головах, не докатились до исполнения глэм-метала a-la Warrant или Poison. «Eat the Heat» сделан по всем законам жанра hard-n-heavy. Жесткие гитарные партии, мощная ритм-секция, берущий за душу вокал. Благодаря уже упомянутому Риису, саунд группы обрел новые краски, стал более мелодичным и от этого только выиграл. При этом ряд песен, написанных при участии Удо, например, «X-T-C», оказались жизнеспособными и с новым вокалистом. Любая композиция, будь то немного напоминающая Scorpions «Prisoner», эталон мелодичной тяжести «Break the Ice», «Hell Hammer», баллада «Mistreated» достойна стать хитом.

Mit Rumours hatte die Band 1977 ein Album vorgelegt, das zu den erfolgreichsten der Band- und Rockgeschichte gehörte. Sie gewannen Grammy Awards für dieses Album und gingen 1978 erneut ins Studio, um neue Songs aufzunehmen. Der finanzielle Erfolg von Rumours sorgte dafür, dass die Band ein Budget für die Aufnahmen von 1 Mio. $ erhielt. Die Geldgeber von Warner erwarteten ein ähnlich kompaktes Mainstreamalbum, wie Rumours es war. Das monumentale Doppelalbum wurde dann jedoch von musikalischen Experimenten von Lindsey Buckingham geprägt und kam weit weniger gut an als das Vorgängeralbum. Tusk erreichte schließlich nicht die erwartete Topplatzierung in den US-Charts und kam nur bis auf den 4. Platz. Dennoch wurden in den nächsten Jahren über zwei Millionen Alben von Tusk verkauft. Tusk erklomm ebenso wie Rumours in Großbritannien den ersten Platz der Albumcharts, und in Deutschland war das Album mit Platz 3 als höchste Platzierung sogar erfolgreicher als Rumours, das nur den 6. Platz erreichen konnte.

Tusk is the twelfth studio album by British-American rock band Fleetwood Mac, released as a double album on 12 October 1979. It is considered more experimental than their previous albums: partly a consequence of Lindsey Buckingham's sparser songwriting arrangements and the influence of post-punk. The production costs were estimated to be over $1 million (equivalent to $3.57 million in 2020), making it the most expensive rock album recorded to that date.
The band embarked on a nine-month tour to promote Tusk. They travelled extensively across the world, including the U.S., Australia, New Zealand, Japan, France, Belgium, Germany, the Netherlands, and the UK. In Germany, they shared the bill with Bob Marley. On this world tour, the band recorded music for the Fleetwood Mac Live album released in 1980.

Time is the 16th studio album by British-American rock band Fleetwood Mac, released on 10 October 1995. This album features a unique line-up for the band featuring the addition of former Traffic guitarist Dave Mason and country vocalist Bekka Bramlett (daughter of Delaney and Bonnie). Lindsey Buckingham, who had left Fleetwood Mac in 1987, makes an appearance as a backing vocalist on one track, but Time is the only Fleetwood Mac album since 1974's Heroes Are Hard to Find not to feature any contribution from Stevie Nicks.
The album received unfavorable reviews from critics and was a commercial disappointment, failing to chart in the US and peaking at number 47 in the UK.

Then Play On ist das dritte Studioalbum der Rockband Fleetwood Mac und erschien im Herbst 1969 bei Reprise Records.

Then Play On est le troisième album studio du groupe de blues rock britannique Fleetwood Mac, sorti fin 1969. Il s'agit du dernier album avec Peter Green et marque l'arrivée du guitariste Danny Kirwan au sein de la formation. À nouveau, Christine McVie assiste au piano mais à titre d'invitée seulement.

Then Play On is the third studio album by the British blues rock band Fleetwood Mac, released on 19 September 1969. It was the first of their original albums to feature Danny Kirwan (although he is also listed on two tracks on the earlier compilation The Pious Bird of Good Omen) and the last with Peter Green. Jeremy Spencer did not feature on the album apart from "a couple of piano things" (according to Mick Fleetwood in Q magazine in 1990). The album offered a broader stylistic range than the classic blues of the group's first two albums. The album went on to reach No. 6 on the UK Albums Chart, subsequently becoming the band's fourth Top 20 hit in a row, as well as their third album to reach the Top 10. The album's title, Then Play On, is taken from the opening line of William Shakespeare's play Twelfth Night — "If music be the food of love, play on".

"Wish I Could Fly" is a song by Swedish pop music duo Roxette, released on 1 February 1999 as the lead single from their sixth studio album, Have a Nice Day (1999). An orchestral pop ballad containing elements of electronica, the song was written as an experiment by Per Gessle, who was attempting to establish if a prominently-placed drum loop would fit alongside a large orchestra. The track became a sizable hit for the duo, peaking inside the top twenty of Billboard's European Hot 100 Singles, and was the most-played song on European radio of 1999. It would also become their final top 40 hit on the UK Singles Chart.

Travelling: Songs from Studios, Stages, Hotelrooms & Other Strange Places is the ninth studio album by Swedish pop duo Roxette, released on 23 March 2012 by Roxette Recordings and Capitol. It is a direct sequel to their 1992 album Tourism. Unlike that album, which was recorded in numerous locations all over the world during the "Join the Joyride! Tour", Travelling was primarily recorded in Swedish studios in-between legs of "The Neverending World Tour". The album also contains three live recordings and four studio re-recordings of older songs, two of which were previously unreleased.

Tourism: Songs from Studios, Stages, Hotelrooms & Other Strange Places is the fourth studio album by Swedish pop duo Roxette, released on 28 August 1992 by EMI. Despite often being mistaken for a live album, the record was described by Roxette in its liner notes as a "tour album"; the band recorded the majority of its material in numerous recording studios in-between live dates of their worldwide Join the Joyride! Tour. The album contains three live concert recordings, while another track was recorded live in an empty nightclub in São Paulo. A further two tracks were recorded in Buenos Aires' Alvear Palace Hotel.

The Pop Hits is the third greatest hits compilation album by Swedish pop duo Roxette, released on 24 March 2003 by Roxette Recordings and Capitol Records. It was the second in a two-part series of "best of" albums released by the duo in quick succession, and was preceded by The Ballad Hits in November 2002. The album was not as commercially successful as its predecessor, although it did peak within the top twenty of various Scandinavian record charts. It was also certified gold in Brazil.