Prima Di Parlare – 12 (!) альбом итальянца, но знаменит Nek, конечно, исключительно благодаря "Laura Non Ce", "La Vita E" и "Se Una Regola Ce". А вообще его пластинки до 2006 года включительно были бомбическими, категорически добротный, красивый и мелодичный поп-рок, с хорошими гитарами, не виртуозными, но интересными.

David Sanborn is the second album by saxophonist David Sanborn.

Taking Off is a studio album by David Sanborn, released in 1975 through the record label Warner Bros. The album reached number 19 on Billboard's Jazz Albums chart.

Close-Up is very much a collaboration between altoist David Sanborn and Marcus Miller, who serves as producer, bassist and frequently the lead keyboardist. With the exception of Randy Newman's "Same Girl" and "You Are Everything," all of the music was written or co-composed by Sanborn and Miller. Some selections utilize such additional players as guitarist Hiram Bullock, keyboardist Ricky Peterson and drummer Vinnie Colaiuta. In general, the music fits the formula well, offering Sanborn's emotional sax backed by then-modern electronics and funky rhythms, all of it designed for maximum radio airplay. Sanborn's recording is worthier than most of the output by his many imitators, but one senses that even he knew he could do much better.

Love Songs is a compilation album of romantic songs by American Alto saxophonist David Sanborn and was released in 1995 through Warner Bros. Records.
This album sampler includes romantic tracks from albums released in 1976-1988 such as "Lisa", "Straight To The Heart", and the 1985 version of "The Water Is Wide" with vocalist Linda Ronstadt.

By the time of his third album, altoist David Sanborn's popularity and influence was growing month by month. Most of these numbers feature Sanborn with an enlarged rhythm section (with such studio vets as guitarists Hugh McCracken and David Spinozza, Don Grolnick or Richard Tee on keyboards, vibraphonist Mike Mainieri, bassist Herb Bushler and drummer Steve Gadd). However, "Short Visit" is something special, for Sanborn was joined by what was mostly the Gil Evans Orchestra; Evans even wrote the chart. Otherwise, this is a typical Sanborn release with plenty of danceable rhythms and the focus on his passionate alto.