Recovery is the seventh studio album by American rapper Eminem. It was released on June 18, 2010, by Aftermath Entertainment, Shady Records, and Interscope Records as the follow-up to Eminem's previous album Relapse (2009). Originally planned to be released as Relapse 2, the album was renamed to Recovery when Eminem found the music of the new album different from its predecessor.

Relapse is the sixth studio album by American rapper Eminem. The album was released on May 19, 2009, under Aftermath Entertainment, Shady Records, and Interscope Records. It was his first album of original material since Encore (2004), following a four-year hiatus from recording due to his writer's block and an addiction to prescription sleeping medication. Recording sessions for the album took place during 2007 to 2009 at several recording studios, and Dr. Dre, Mark Batson, and Eminem handled production. Conceptually, Relapse concerns the ending of his drug rehabilitation, rapping after a non-fictional relapse, and the return of his Slim Shady alter-ego.

...And Then There Was X is the third studio album by American rapper DMX. The album was released on December 21, 1999, by Ruff Ryders Entertainment and Def Jam Recordings. In 2000, it was certified 4× Platinum and then later 5× Platinum. The album was nominated for Best Rap Album at the 2001 Grammys.

The Writing's on the Wall is the second studio album by American girl group Destiny's Child, released on July 27, 1999, by Columbia Records. The album was produced by Missy Elliott, Kevin "She'kspere" Briggs, Rodney Jerkins, and Beyoncé Knowles among others and included guest appearances from rapper Missy Elliott and R&B trio Next. The Writing's on The Wall spawned four singles, including the US number one-hits "Bills, Bills, Bills" and "Say My Name" as well as "Bug a Boo" and "Jumpin', Jumpin'". This is the last album with the group's original line-up. The album saw the group taking creative control from writing and producing their own tracks working closely with producer and singer-songwriter Xscape member Kandi Burruss. "Bills, Bills, Bills" and "Bug a Boo" were among the first songs written and produced by the group.

Mind Adventures is the debut album by British soul singer-songwriter Des'ree. It was released on 17 February 1992 on the Sony Soho Square record label, and features the UK top 20 hit, "Feel So High". The album became Des'ree's first top 40 album, peaking at number 26 on the UK Albums Chart.
The album was not released in the USA at the time. It got a belated release on 4 April, 1995, after Des'ree's second album I Ain't Movin' had been released there the previous year and the artist was achieving success with the single "You Gotta Be". Since "Feel So High" had been included on the USA edition of I Ain't Movin', the USA edition of Mind Adventures excluded it from its track list.

Gangsta's Paradise is the second studio album by rapper Coolio, released on November 21, 1995. It is Coolio's best-selling album, with over three million copies sold in the United States. The album produced three singles, which became hits: "Gangsta's Paradise", "1, 2, 3, 4 (Sumpin' New)", and "Too Hot".

U Turn is an album by Brian McKnight released in 2003. The album takes much inspiration from Brian's split from his wife, which can be heard in songs such as "Shoulda, Woulda, Coulda" and "So Sorry" The album peaked at #7 on the Billboard 200, with the single, "Shoulda Woulda, Coulda" peaking at #35 on the Hot R&B/Hip-Hop Songs.

B'Day is the second studio album by American R&B recording artist Beyoncé, released on September 4, 2006 by Columbia Records in collaboration with Music World Music and Sony Urban Music. It was released to coincide with Beyoncé's twenty-fifth birthday.

Who I Am was the third studio album released by Beverley Knight in March 2002 by Parlophone Records. It entered the UK albums chart at #7 and remains her highest charting album to date. It went on to be certified Gold by the BPI for sales in excess of 100,000 and Music Week confirmed sales stood at 215,000 in June 2004.

Prodigal Sista is the second studio album by British soul singer, Beverley Knight released in August 1998. The album was the first to be released by Knight under her new contract with Parlophone Records, with whom she had signed a four album deal with in 1997 after leaving her previous label, Dome Records

'Affirmation' is the title of the fourth album from Beverley Knight, released in 2004 by Parlophone records.
The album was released on 28 June 2004, to much critical acclaim and is her most personal album to date. The album features three hit singles, "Come As You Are", "Not Too Late for Love" and "Keep This Fire Burning", which all entered the UK Singles Chart top 40.

Confessions is the fourth studio album by American singer Usher. It was released on March 23, 2004, by Arista Records. Recording sessions for the album took place during 2003 to 2004, with its production handled by his longtime collaborator Jermaine Dupri, along with Jimmy Jam and Terry Lewis and Lil Jon, among others. Primarily an R&B album, Confessions showcases Usher as a crooner through a mixture of ballads and up-tempos, incorporating musical genres of dance-pop, hip hop and crunk. The album's themes generated controversy about Usher's personal relationships; however, the album's primary producer Jermaine Dupri claimed the album reflects Dupri's own personal story.

Mama's Gun is the second studio album by American singer Erykah Badu. It was recorded between 1999 and 2000 at Electric Lady Studios in New York and released on November 21, 2000, by Motown Records. A neo soul album, Mama's Gun incorporates elements of funk, soul, and jazz styles. It has confessional lyrics by Badu, which cover themes of insecurity, personal relationships, and social issues. The album has been viewed by critics as a female companion to neo soul artist D'Angelo's second album Voodoo (2000), which features a similar musical style and direction. Critics have also noted that while Badu's first album Baduizm contained its share of cryptic lyricism, Mama's Gun is much more direct in its approach, and places the artist in a subjective position more than its predecessor.