Gangsta's Paradise is the second studio album by rapper Coolio, released on November 21, 1995. It is Coolio's best-selling album, with over three million copies sold in the United States. The album produced three singles, which became hits: "Gangsta's Paradise", "1, 2, 3, 4 (Sumpin' New)", and "Too Hot".

U Turn is an album by Brian McKnight released in 2003. The album takes much inspiration from Brian's split from his wife, which can be heard in songs such as "Shoulda, Woulda, Coulda" and "So Sorry" The album peaked at #7 on the Billboard 200, with the single, "Shoulda Woulda, Coulda" peaking at #35 on the Hot R&B/Hip-Hop Songs.

B'Day is the second studio album by American R&B recording artist Beyoncé, released on September 4, 2006 by Columbia Records in collaboration with Music World Music and Sony Urban Music. It was released to coincide with Beyoncé's twenty-fifth birthday.

Who I Am was the third studio album released by Beverley Knight in March 2002 by Parlophone Records. It entered the UK albums chart at #7 and remains her highest charting album to date. It went on to be certified Gold by the BPI for sales in excess of 100,000 and Music Week confirmed sales stood at 215,000 in June 2004.

Prodigal Sista is the second studio album by British soul singer, Beverley Knight released in August 1998. The album was the first to be released by Knight under her new contract with Parlophone Records, with whom she had signed a four album deal with in 1997 after leaving her previous label, Dome Records

'Affirmation' is the title of the fourth album from Beverley Knight, released in 2004 by Parlophone records.
The album was released on 28 June 2004, to much critical acclaim and is her most personal album to date. The album features three hit singles, "Come As You Are", "Not Too Late for Love" and "Keep This Fire Burning", which all entered the UK Singles Chart top 40.

Mama's Gun is the second studio album by American singer Erykah Badu. It was recorded between 1999 and 2000 at Electric Lady Studios in New York and released on November 21, 2000, by Motown Records. A neo soul album, Mama's Gun incorporates elements of funk, soul, and jazz styles. It has confessional lyrics by Badu, which cover themes of insecurity, personal relationships, and social issues. The album has been viewed by critics as a female companion to neo soul artist D'Angelo's second album Voodoo (2000), which features a similar musical style and direction. Critics have also noted that while Badu's first album Baduizm contained its share of cryptic lyricism, Mama's Gun is much more direct in its approach, and places the artist in a subjective position more than its predecessor.

The album was initially planned to be more "energetic" than his previous work, but ended up presenting a wide range of styles such as R&B, pop, reggae, rock, disco, funk and soul music. Lyrically, Unorthodox Jukebox revolves around the theme of relationships, incorporating more explicit lyrics and subjects than his previous material. Critical response to Unorthodox Jukebox was generally favorable; many reviewers compared Mars's work to that of his previous album, while others deemed its lyrics shallow.

Unorthodox Jukebox is the second studio album by American singer and songwriter Bruno Mars. It was released on December 7, 2012, by Atlantic Records and was made available to listen to in its entirety for a week before its release. It serves as the follow-up to Mars's debut record Doo-Wops & Hooligans (2010). Mars's writing and production team, the Smeezingtons, composed the whole record and worked with several past collaborators, Jeff Bhasker and Supa Dups, while enlisting new producers, such as Mark Ronson and Emile Haynie, and no guest vocalists.

Doo-Wops & Hooligans is the debut studio album by American singer-songwriter Bruno Mars. It was released on October 4, 2010, by Atlantic and Elektra Records and was made available to listen before its official release on September 24, 2010. After the release of the EP It's Better If You Don't Understand, Mars's writing and production team, the Smeezingtons, began working on the album with Needlz, Supa Dups and Jeff Bhasker as producers. The album title was chosen to reflect simplicity and appeal to males and females.

Ignore the silly "Mr. D.J." intro and you'll discover that Haddon is a bright new presence in the realm of hip-hop gospel who seeks to blend old-school musical values with funky modern production. The thumping grooves and smooth backing vocals behind Haddon's passionate pleas on "D.D." summarize the overall vibe here. Secular audiences can enjoy the beats and his rangy, soulful voice, but he's definitely Christ-centered in his themes. He's not always overly preachy. On the dreamy light funk ballad "Ain't Got Nothing," he's a little more general in his spiritual message, simply explaining that material gain without true love is meaningless.

Отличная компиляция треков Beyonce. Собрано все самое лучшее. Приятного прослушивания.