Following the same formula as Atlantic Crossing and A Night on the Town, but not explicitly breaking the record into fast and slow sides, Foot Loose & Fancy Free was a limp effort from an increasingly complacent Rod Stewart. With the exception of the dumb, sleazy "Hot Legs," none of the rockers are discernible from each other, and this time he doesn't have a strong set of ballads to save him. The affectionately sappy acoustic ballad "You're in My Heart" was the big hit, but Stewart sounds completely convincing only on "I Was Only Joking." Coming at the end of the album, the song seems like a justification for the uninspired, by-the-book record that preceded it.

The early German thrash has a special kind of appeal, largely due to its rawness and unrelenting approach, and of the Teutonic thrashers, Kreator were ahead of the rest in rawness and extremity by some way. This album in particular has gained a reputation for being one of the most ferocious assaults in thrash metal, while also drawing criticism because of its single-minded nature. I am not especially partial to all-out musical destruction, but I must say that Pleasure to Kill is one of the best examples of its kind, almost certainly better than that other 1986 all-out thrash album.

And by A.B.C. I mean: atrocious, bestial and chaotic, this album is the purest definition that can be found for the term "extreme metal", because it is fast, it's very aggressive, it's "hardcore" in that it has no 'soft moments or instrumentals' that go away from the chaos that the whole album creates, except maybe for the first 25 seconds of Dying Victims and fortunately is the last song on this album, so the album is pure aggression itself. This album was released in 1985, but it is way ahead of its time. In that year there wasn't yet any Darkness Descends, nor Reign in Blood, nor Shark Attack, nor anything like this; for 1985, this is the most merciless album that can exist (this one along with Seven Churches and maybe Sepultura's Bestial Devastation ep); however, that doesn’t mean that before 1985 there didn't exist other releases that were extreme, in 1984 Hellhammer released Triumph of Death, an homage to the most horrendous face of metal in their ep Apocalyptic Raids, and in that same year Bathory released their self titled album; although Endless Pain is more extreme than Bathory's, Bathory's album is darker and more sinister than Endless Pain. Maybe there will be people that will want to include To Mega Therion as an extreme and bestial album (same for Bulldozer's Day of Wrath), but I don't consider To Mega Therion as extreme as Seven Churches or this album (but that doesn't mean Mega Therion is bad, all the opposite, it is magnificent).

This article is about the album. For the song, see The Kids Are Alright (song). For the movie, see The Kids Are Alright (film).
The Kids Are Alright is a soundtrack album by British rock band The Who, as a companion to the band's documentary film of the same name.

Odds & Sods is an album that consists of studio outtakes and rarities by British rock band The Who released by Track Records in the UK and Track/MCA in the US in 1974.

Who Are You is the eighth studio album by English rock band The Who, released through Polydor Records in the United Kingdom and MCA Records in the United States. It peaked at number 2 on the US charts and number 6 on the UK charts. It is The Who's last album with Keith Moon as the drummer; Moon died twenty days after the release of this album.

Tommy - четвёртый альбом британской рок-группы The Who, выпущен в 1969 году. Впервые в истории на обложке альбома значилось название жанра «рок-опера».

The Who by Numbers is the seventh studio album by English rock band The Who, released on 3 October 1975 in the United Kingdom through Polydor Records, and on 25 October 1975 in the United States by MCA Records. It was named the tenth-best album of the year in The Village Voice Pazz & Jop critics poll.

Prevail I is part 1 of Canadian Hard Rock/Metal band Kobra and the Lotus‘s upcoming double album release; a big and a brave move from the band that few newer bands have attempted to do.
Kobra and the Lotus’s first release with Napalm Records Prevail I is a musical triumph; from the incredibly polished production through to the originality of each song. Through hard work and perseverance Kobra and the Lotus truly have Prevailed. This newly evolved sound, and their ability to pull it off live to perfection will see then to continue to grow and get the recognition they deserve in the rock and metal scene.