The Number of the Beast, третий альбом Iron Maiden и первый с участием Дикинсона. Альбом стал прорывом для группы, заняв первое место в чартах продаж в Британии, попав в десятку лучших в США, Канаде и Австралии. Спустя 16 лет Sanctuary Records выпускает цифровой ремастеринг альбома, на диске присутствуют так же: парочка видеоклипов, биография группы и фото галлерея.

Recorded live at Hanns-Martin-Schleyerhalle, Stuttgart, Germany, 16th October 1993.

Japanese edition of the Anniversary deluxe edition of Scorpions' seventh album. This remastered BLU-SPEC CD2 edition has six bonus tracks, outtakes and demos. One of them is Hey You, one of the singles of the album but only available in some editions of it, the singer in this song is Rudolf Schenker instead of Klaus Meine.

Presented with Metal & Hard Rock Hammer World Magazine.

Hailing out of Germany, you definitely get the impression that a lot of their countrymen, such as UDO and ACCEPT, have had a rather large influence on this band; also tinges of HELLOWEEN can be heard. It’s a great mix and a lot of awesome history with those bands and the whole German Metal scene.

After a career of nearly two decades, Italian power folk veterans Elvenking finally organized and recorded a special concert with numerous guest musicians and singers earlier this year. The final product features two hours of music and is both a perfect introduction to the band for new fans and a great Christmas gift for fans of long date who have been asking for a live release for many years by now.

Limited to 1000 copies.
Special underground live show recorded at Białystok/Poland in "Zmiana Klimatu" club. 04.III.2015
Excellent sound and the best live album recorded Vader ever!

"Dead Man’s Path" doesn’t quite reach such heights as the musicianship could be tightened up a notch, but the album features really catchy songwriting, an infectious enthusiasm beefed up by a solid production, and a great vocal performance from Hoffmann. His vocals shine on songs such as “Blood Of The Fallen” and, especially, “Extinction Personified,” which is probably the best song on the album.
Overall, Malevolent Creation have delivered a solid album in Dead Man’s Path, and have capably demonstrated that they are still a force in American death metal.

Previous Witchery albums, although certainly evil sounding in their own right, often maintained a morbid sense of humor about them that gave the impression the band didn’t always take themselves too seriously. Around five years has passed since the release of the group’s last studio effort, “Symphony For The Devil” and Witchery has grown a great deal more serious in the meantime. “Don’t Fear The Reaper” is easily the band’s darkest themed record yet.
As always, Tue Madsen makes the difference at the mixing desk and for the first time, the band has managed to come up with a record that you need not be a Witchery fan to appreciate out-of-hand. Seeking a musical middle ground in comparision to their past efforts, “Don’t Fear The Reaper” sees Witchery taking advantage of slower tempos at times but the primary shift in the band’s songwriting focus lies in the arrangements in particular, with the band making a conscious effort to shift between sounds from track to track, giving the album as a whole a diabolical yet defined character.