The Principle of Moments - второй сольный студийный альбом вокалиста группы Led Zeppelin Роберта Планта, вышедший в 1983 году. Диск попал в Топ-10 в США и Великобритании. Альбом включает в себя первый сольный хит Планта, попавший в Top 40 - «Big Log». Самым популярным треком на AOR-радио в США был «Other Arms», который достиг первой позиции в в чарте Top Tracks журнала Billboard. Барабанщик Genesis Фил Коллинз играл в шести из восьми песен альбома (как и в Pictures at Eleven). В остальных двух треках играл бывший барабанщик Jethro Tull Бэримор Барлоу.

This U.K. budget-priced Robert Palmer compilation offers up a nice selection of classics like "Addicted to Love," "Bad Case of Loving You (Doctor, Doctor)," "Woke Up Laughing," and "I Didn't Mean to Turn You On," but the lack of any Power Station cuts and the exclusion of one his biggest hits ("Simply Irresistible") keeps Icon from truly living up to its promise.

Sneakin' Sally Through the Alley is Robert Palmer's debut solo album, released in 1974. It was his first effort after three album releases co-fronting the band Vinegar Joe.
Palmer is backed by The Meters and Lowell George of Little Feat. Multiple reviewers have commented that Palmer sang confidently on this album, despite being backed by more accomplished musicians such as Lowell George, Art Neville and New Orleans singer-songwriter Allen Toussaint.

К своей 21 годовщине команда представила большое концертное шоу в Государственном концертном зале «Россия». В этой программе многие песни НС прозвучали в неожиданных аранжировках, а вокальные партии вместе с Алексеем Кортневым исполнили друзья команды - известные артисты и музыканты.
В альбом также вошли композиция Максима Леонидова и песня из кинофильма «Обыкновенное чудо». Кроме того, Алексей Кортнев и Андрей Макаревич исполнили известную песню Машины времени «Разговор в поезде».
Запись программы Zirkus стала единственным на сегодняшний день официальным концертным CD команды.

Dark Horse - шестой студийный альбом канадской рок-группы Nickelback, вышедший 18 ноября 2008 года. В качестве продюсеров альбома выступили музыканты Nickelback и композитор и продюсер Роберт Джон «Матт» Ланж, известный по своим работам с такими коллективами и исполнителями как AC/DC, Брайан Адамс, Def Leppard и Шанайя Твейн, являющийся также бывшим мужем последней. Альбом провёл больше года в Billboard 200 и по итогам года вошёл в тройку лидеров по продажам.

No Fixed Address crosses a sonic spectrum with pulsating vigor and innovation reflected throughout the diversity of the album's 11 tracks, each embodying the much-loved Nickelback sound propelled to tantalizing and unique new levels. While continuing to lure a broad spectrum of listeners into the trademark Nickelback party-brew of fast-lane indulgences and soaring power ballads, No Fixed Address ultimately proves an equally befitting title for its inspired and boundary-pushing musical map.

Paris is a live album by progressive rock band Supertramp, released in 1980 (see 1980 in music). It was recorded on Supertramp's Breakfast in America tour in Paris, France, with most of the tracks taken from a 29 November 1979 show at the Pavillon de Paris, a venue which was once a slaughterhouse. The album was originally going to be called Roadworks. Paris reached number 8 on the Billboard 200 in late 1980 and went Gold immediately, while the live version of "Dreamer" hit the US Top 20.

After his stint with Jethro Tull and as the wave of new romantic pop groups were taking control of the airwaves, Eddie Jobson entered the studio to record his first solo album, known as Zinc, although it was meant to be titled "The Green Album" and billed to the band name "Zinc" -- the record company messed things up quite a bit. This is an honest effort of when-prog rock-meets-synth pop. The songs are often better than Drama-era Yes and turn-of-the-'80s FM or Saga. In terms of writing and production, it sounds like Jobson is emulating Rupert Hine, whose art-pop gem Immunity came out two years before Zinc.

Cборник-приложение к 202-му номеру журнала Classic Rock

Crazy Lixx are another Swedish sleaze revivalist group, and sound exactly like you would expect them to. Take a base of Skid Row, add some Mötley Crüe attitude, a pinch of Europe’s pop-sheen and Def Leppard’s penchant for an anthemic chorus, package it in a shiny modern production job, then give it a ridiculous name and silly hairdo. The album starts as it means to go on with “Hell Raising Women:” simple, catchy hooks matching simple, catchy lyrics – nothing new to hear, but fun all the same.

Even in the Quietest Moments… is the fifth album by progressive rock band Supertramp, released in April 1977.
The album was recorded mainly at Caribou Ranch Studios in Colorado with overdubs, vocals and mixing completed at The Record Plant in Los Angeles and was Supertramp's first album to use engineer Peter Henderson, who would work with the band for their next three albums as well.

Finally! As of 2014, Lick My Decals Off, Baby, The Spotlight Kid, and Clear Spot had needed a proper remastering treatment for quite some time when Rhino came to the rescue, remastering all three in one fell swoop as Sun Zoom Spark: 1970 to 1972. As if that weren't enough for fans, they added an entire bonus disc of outtakes and alternates as well. The albums themselves are fairly different from each other. Lick My Decals followed directly after Trout Mask Replica and is the closest there is to Trout Mask's sonic assault.

Jerusalem was formed in the early 70's and released in 1972 a self-titled album on the infamous Deram label which was produced by Ian Gillan. They gigged all over Europe supporting Black Sabbath, Deep Purple, Uriah Heep and Status Quo before disbanding due to "musical differences". The band reformed again in 2008 releasing their second album "Escalator" to much acclaim.
Now for their third album with original members Lynden Williams and Bob Cooke they are joined by the cream of the Prog Rock crop Geoff Downes (ASIA,YES) and Nick D'Virgilio (Tears For Fears, Spocks Beard) and they have produced a stunning brand new Prog Rock album.

The Infinite Wonders Of Creation - третий сольный альбом итальянского гитариста-виртуоза Луки Турилли.
Альбом демонстрирует постепенный отход Луки от первоначального варианта «эпического звучания» - гитарные риффы стали намного проще, основную роль теперь играют клавишные. Если прибавить к этому сильный вокал Бриджит Фогль, то получается, что новый альбом имеет совсем мало общего с предыдущими работами маэстро.