Jerusalem was formed in the early 70's and released in 1972 a self-titled album on the infamous Deram label which was produced by Ian Gillan. They gigged all over Europe supporting Black Sabbath, Deep Purple, Uriah Heep and Status Quo before disbanding due to "musical differences". The band reformed again in 2008 releasing their second album "Escalator" to much acclaim.
Now for their third album with original members Lynden Williams and Bob Cooke they are joined by the cream of the Prog Rock crop Geoff Downes (ASIA,YES) and Nick D'Virgilio (Tears For Fears, Spocks Beard) and they have produced a stunning brand new Prog Rock album.

Гела Гуралиа - певец, обладающий голосом уникальной красоты, тенор-альтино.
Тембр редкой красоты, высокий сильный голос и необычная подача песни Гелы покорили зрителей и наставников телепроекта "Голос" — завоевав многочисленную армию поклонников, он дошёл до финала и занял третье место по результатам зрительского голосования.

Do It Again is an extended play (EP) by Norwegian electronic music duo Röyksopp and Swedish recording artist Robyn, released on 23 May 2014 by Dog Triumph. The extended play coincides with Röyksopp and Robyn's joint tour, the Röyksopp & Robyn Do It Again Tour 2014, featuring shows in Europe and North America.

Texas Flood is the debut album of American blues rock band Stevie Ray Vaughan and Double Trouble, released on June 13, 1983 by Epic Records. The album was named after a cover featured on the album "Texas Flood", recorded by blues singer Larry Davis in 1958. Produced by the band and recording engineer Richard Mullen, it was recorded in only three days at Jackson Browne's personal recording studio in Los Angeles.

Soul to Soul is the third studio album by American blues rock band Stevie Ray Vaughan and Double Trouble released on September 30, 1985 by Epic Records. Recording sessions took place between March and May 1985 at the Dallas Sound Lab in Dallas, Texas. Vaughan wrote four of Soul to Soul's ten tracks; two songs were released as singles. The album went to #34 on the Billboard 200 chart[3] and the music video for "Change It" received regular rotation on MTV. In 1999, a reissue of the album was released, which includes an audio interview segment and two studio outtakes.

In these days when every '60s act this side of Pinkerton's Assorted Colours is getting themselves anthologised in a chocolate box of CDs it would be naive to expect that the original Fleetwood Mac could escape without yet another tribute to their rugby shirt years. This 50-track, three-CD collection brings together anything of any consequence that Peter Green's group did in the way of a 12-bar. It includes the whole of their first two albums, the hit singles Albatross and Man Of The World, the comparative flops Black Magic Woman and Need Your Love So Bad, a few nuggets from Blues Jam At Chess wherein they skirmished with the likes of Willie Dixon and Otis Span; it even has the nerve to appropriate one Chicken Shack track in the shape of Christine McVie's terrific I'd Rather Go Blind from 1969.

Live in Boston (aka "Boston Live" and "Jumping at Shadows") is a live album by British blues-rock band Fleetwood Mac. It was recorded over three nights at the Boston Tea Party venue in Boston, between February 5 and February 7, 1970. The recordings were made for a proposed live album which was to have been released during 1970, but the project was shelved and the tapes remained unreleased until Shanghai Records issued seven songs from the performances as Live in Boston in February 1985.

Rod Stewart followed the faux-disco trash of Blondes Have More Fun with Foolish Behaviour, which sanded out most of the character of the previous album. The result was a bland but professional -- even at their worst, Rod and his band are always professionals -- collection, mainly comprised of dance-oriented, lightly synthesized pop/rock. The passionless "Passion" was the hit, but the only worthwhile song was the gorgeous "Oh God, I Wish I Was Home Tonight," which has the clever wit and self-depreciating melancholy of his finest work.

In its simplest terms, Blondes Have More Fun is Rod Stewart's disco album, filled with pulsating rhythms and slick, synthesized textures. It's also his trashiest, most disposable album, filled with cheap come-ons and bad double entendres. Of course, that makes Blondes Have More Fun one of his most enjoyable records, even if all the pleasures are guilty.

Rod Stewart's sixth album was called Atlantic Crossing because the singer was literally crossing the Atlantic, making America his new home for reasons of the heart (he was fully enamored with actress Britt Ekland at the time) and the wallet (he was eager to escape Britain's restrictive tax rates).

Relayer is the seventh studio album from the English progressive rock band Yes, released in November 1974 on Atlantic Records. It is their only studio album recorded with keyboardist Patrick Moraz in the band's line-up; he joined in August that year after Rick Wakeman left over differences regarding Tales from Topographic Oceans (1973) to pursue his solo career.

Larsen is a Norwegian string swing guitar virtuoso, and not the one we would suspect to record music inspired by Frank Zappa. This production is noteworthy for the way it accurately resembles the more jazzy excursions of Zappa, as well as for the fact that former Mothers of Invention members Tommy Mars, Bruce Fowler, Arthur Barrow and Jimmy Carl Black appear on it. In fact Barrow engineered the recording and Mars plays keyboards throughout, with Fowler adding some delicious trombone.