Вскоре Ronny вместе с Mojca основывает собственный лейбл Pandaimonium Records, на котором отныне и выпускается CLAN OF XYMOX. Первым альбомом для собственного лейбла стал «Creatures», вышедший в 1999-м и ставший одним из самых мрачных творений группы. Композиция «Jasmine And Rose» с этого альбома моментально стала клубной классикой. В Америке были переизданы два первые лонгплея CLAN OF XYMOX, а сами музыканты тем временем выступили хедлайнерами крупнейшего американского готического фестиваля Convergence в Новом Орлеане.

Быть может, если вы не склонны смотреть на мир через розовые очки, обладаете нетривиальным мышлением, способны критически осмысливать окружающую действительность, не зациклены на жанровых рамках и вас не пугает музыка, на которую навешивают ярлык «депрессивной», этот альбом надолго найдёт своего почитателя в вашем лице…

У них, несомненно, есть жутковатая атмосфера и дикие вопли (надо сказать лишь время от времени и к месту), часто появляющиеся около-думовые, медленные части, только дополняющие и без того мрачнющего саунда, но все же этого мало, когда под боком такие конкуренты. Конечно, это всего лишь дебютник и они еще всем покажут (то есть уже показали, это автор рецензии тормозит безбожно!), однако если все же оставаться объективным, то, несмотря на весь ажиотаж которые производили их демки и сей пласт, они не составляют здоровую конкуренцию, например, тевтонскому трэшу, правящему в Европе, образца середины восьмидесятых.

Supernature is Cerrone's third album, released in September 1977. It was released in France on Malligator Records. It is known also as Cerrone III, since it is the third album by Cerrone, who labeled his albums with a number.

My Love: Essential Collection topped the albums charts in the Netherlands, Belgium and Ireland, as well as the compilation album chart in France. My Love: Essential Collection peaked at number two in Canada, number five in the United Kingdom and number eight in the United States. It was certified four-times Platinum in the UK, double-Platinum in Canada and Ireland, Platinum in Belgium and Gold in Mexico, Finland, New Zealand and Hungary. In most territories, the album's first single was a live recording of "My Love", a semi-autobiographical song written for Dion by Linda Perry, originally released on Taking Chances (2007). In France, a new remix of "I'm Alive" was released as a promotional single instead.

Praised for its understated production, vintage aesthetic, and Adele's vocal performance, 21 was shortlisted for the 2011 Mercury Prize, and won the 2012 Grammy Award for Album of the Year and the Brit Award for British Album of the Year. It has since been ranked amongst Rolling Stone's 500 Greatest Albums of All Time and is included in the book 1001 Albums You Must Hear Before You Die.

21 defied the modest commercial expectations of her independent record label, XL. A sleeper hit, it topped record charts in more than 30 countries and became the world's best-selling album of the year for both 2011 and 2012, helping to revitalise the lagging sales of the global music industry. It is the best-selling album of the 21st century and the third best-selling album in the UK, while its 23-week tenure atop the UK Albums Chart is the longest by a female solo artist. In the United States, it is the best-performing Billboard 200 album of all time, holding the top position for 24 weeks, longer than any other album since 1985 and the longest by a female solo artist in Billboard 200 history.

The early German thrash has a special kind of appeal, largely due to its rawness and unrelenting approach, and of the Teutonic thrashers, Kreator were ahead of the rest in rawness and extremity by some way. This album in particular has gained a reputation for being one of the most ferocious assaults in thrash metal, while also drawing criticism because of its single-minded nature. I am not especially partial to all-out musical destruction, but I must say that Pleasure to Kill is one of the best examples of its kind, almost certainly better than that other 1986 all-out thrash album.

I'm sure "Terrible Certainty" may have some fans divided. This is Kreator's equivalent to "South of heaven", not because of musical similarities, but they had the awkward task of following up "Pleasure to kill" hailed by just as many as "Reign in blood." They were never going to top the sheer intensity of this album's predecessor, but this album sounds more stable, with plenty of catchy thrash riffs that will stay in the memory for years to come. If the mission was to release an album that was slightly more disciplined without sounding far too refrained, then the mission was surely accomplished. I'm not going to denounce anybody who prefers other Kreator albums over this one, because Kreator have released many a classic, I am just going to tell you why this album has a permanent place in my collection, and why I like it so much. Although I love this album, I can come to terms with why some might carefully tread around it, because it isn't a masterpiece either. The riffs are good which is a given considering it is a Kreator album from the 1980's, but I genuinely find the lyrics more interesting this time around. "Blind faith" is about Romans feeding Christian heretics to the lions in an arena, "Behind the mirror" is about a man who is having trouble facing the reality of the world, hiding behind his thoughts and the imaginary barriers he has set for himself. I find the good lyrics accompanied by catchy riffs, will have most bobbing their head to the lyric sheet.

Alright peoples, Extreme Aggression, my favorite Kreator album. Yes, I said it, this is my favorite Kreator album. The so-called weak point in Kreator's early career that is sandwiched between the technical yet vicious monster Terrible Certainty and the completely fuckin' godly Coma of Souls that outshines almost every thrash album ever. I just, you know, like this one more. Extreme Aggression was where Kreator started polishing their blade a little bit; they started out hacking people to death with a jagged, blood-stained battle axe but around Terrible Certainty and this one, they began introducing more streamlined songwriting elements, better crafted and catchier riffs, and an overall smarter approach to the thrash.