Performer: Bob Dylan
Album: Triplicate
Label: Columbia. Made in EU.
Catalog #: 88985413492
Style: Jazz, Pop, Folk, World, & Country, Vocal
Year: 2017
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 10+10+10
Size ZIP: ~ 685 mb
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Тридцать восьмой студийный альбом Боба Дилана, выпущенный Columbia Records 31 марта 2017 года. Как и два предыдущих студийных альбома Дилана, Triplicate включает кавер-версии классических американских песен.

Performer: Bob Dylan
Album: The Times They Are A-Changin'
Label: Columbia. Made in AT.
Catalog #: CD 32021
Style: Rock, Blues Rock, Folk Rock
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 10
Size ZIP: ~ 294 mb
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The Times They Are a-Changin' is the third studio album by the American singer-songwriter Bob Dylan. It was released on February 10, 1964, through Columbia Records. Whereas his previous albums, Bob Dylan (1962) and The Freewheelin' Bob Dylan (1963), combined original material and cover songs, this was the first to feature only original compositions.

Performer: Bob Dylan
Album: The Freewheelin' Bob Dylan
Label: CBS. Made in AT.
Catalog #: CDCBS 32390
Style: Rock, Blues Rock, Folk Rock
Year: 1989
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 13
Size ZIP: ~ 334 mb
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The Freewheelin' Bob Dylan is the second studio album by the American singer-songwriter Bob Dylan. It was released on May 27, 1963, through Columbia Records. The record marks the beginning of Dylan's writing contemporary lyrics to traditional melodies. His debut album Bob Dylan contains only two original songs, whereas eleven of the thirteen songs on Freewheelin' are Dylan's compositions. It opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul and Mary soon after the release of the album.

Performer: Bob Dylan
Album: New Morning
Label: Columbia, Sony Music. Made in EU.
Catalog #: 88697082302
Style: Rock, Blues Rock, Folk Rock
Year: 2009
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size ZIP: ~ 216 mb
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New Morning è l'undicesimo album di Bob Dylan, pubblicato nel 1970.
Pubblicato solo quattro mesi dopo il precedente album, raggiunse la settima posizione nella classifica degli album di Billboard e permise a Dylan di raggiungere la vetta della classifica inglese per la sesta volta. La canzone che ha avuto commercialmente più successo è If Not for You, rifatta anche da George Harrison, il quale suona la chitarra nella versione in The Bootleg Series Volumes 1-3 (Rare & Unreleased) 1961-1991 (1991), ed è stata un successo per Olivia Newton-John nel 1971.

Performer: Bob Dylan
Album: Love And Theft
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90340
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 12
Size ZIP: ~ 406 mb
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"Love and Theft" è il trentunesimo album in studio del cantautore statunitense Bob Dylan, venne pubblicato dalla Columbia Records l'11 settembre del 2001.
L'album continua il periodo di rinascita artistica di Dylan iniziato nel 1997 con il disco Time Out of Mind, e ricevette recensioni ancora più entusiaste da parte di quasi tutta la critica musicale. È il primo lavoro prodotto dallo stesso Bob Dylan utilizzando lo pseudonimo "Jack Frost" che in seguito utilizzerà anche per i dischi seguenti. Il disco è stato certificato disco d'oro e ha raggiunto la posizione numero 5 in classifica negli Stati Uniti e la posizione numero 3 nel Regno Unito. Dylan vinse anche un premio Grammy nel 2002 per Love and Theft, giudicato miglior album di musica Folk tradizionale dell'anno.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2097
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 14
Size ZIP: ~ 747 mb
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Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Performer: Bob Dylan
Album: The Freewheelin' Bob Dylan
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2178
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2017
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 13
Size ZIP: ~ 287 mb
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The Freewheelin’ Bob Dylan ist das zweite Album von Bob Dylan.

Es wurde zwischen Juli 1962 und April 1963 in New York aufgenommen, von John Hammond produziert und 1963 auf Columbia Records veröffentlicht. Nach dem Misserfolg seines Debütalbums Bob Dylan, das nur zwei eigene Songs enthielt, veröffentlichte Dylan auf Freewheelin’ nur noch zwei Coverversionen: das traditionelle Corrina, Corrina und Honey, Just Allow Me One More Chance, die er jedoch beide erheblich umschrieb.

Performer: Bob Dylan
Album: The Times They Are A-Changin'
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2179
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2017
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 246 mb
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The Times They Are a-Changin’ ist das dritte Studioalbum des amerikanischen Singer-Songwriters Bob Dylan. Es erschien am 13. Januar 1964 auf dem Plattenlabel Columbia Records und wurde von Tom Wilson produziert. Im Gegensatz zu den ersten beiden Alben enthält es ausschließlich Eigenkompositionen und festigte Dylans Ruf als wichtigster Protestsänger und Anführer der Jugendbewegung. Die Lieder handeln von Militarismus, Rassismusproblemen und sozialer Ungerechtigkeit. 

Performer: VA
Album: Concert For Bangladesh
Label: Sony BMG Music Entertainment, Epic. Made in EU.
Catalog #: 82876729862
Style: Pop Rock, Rock & Roll, Folk Rock
Year: 2005
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 10+10
Size ZIP: ~ 619 mb
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The Concert for Bangladesh est un triple album de George Harrison, enregistré lors du concert du même nom donné le 1er août 1971 au Madison Square Garden de New York en soutien aux réfugiés de la guerre de libération du Bangladesh. La paternité de l'événement revient à Ravi Shankar, ami du guitariste, qui l'a sensibilisé à cette cause et à l'urgence d'agir. 

Performer: VA
Album: Concert For Bangladesh
Label: Epic. Made in JP.
Catalog #: ESCA 5470-1
Style: Pop Rock, Rock & Roll, Folk Rock
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 9+9
Size ZIP: ~ 723 mb
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The Concert for Bangla Desh ist das erste Livealbum von George Harrison nach der Trennung der Beatles. Gleichzeitig ist es einschließlich der beiden Instrumental­alben aus den 1960er Jahren und des Studioalbums das insgesamt vierte Album Harrisons. Es wurde am 20. Dezember 1971 in den USA und am 10. Januar 1972 in Großbritannien veröffentlicht.

In den USA erreichte das Album Platz zwei und in Großbritannien Platz eins der jeweiligen Charts. Das Album enthält Aufnahmen, die beim Konzert für Bangladesch entstanden.

Performer: VA
Album: Concert For Bangladesh
Label: Epic. Made in BR.
Catalog #: 752.093-4-2-468835
Style: Pop Rock, Rock & Roll, Folk Rock
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 10+9
Size ZIP: ~ 633 mb
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The Concert for Bangladesh (originally spelt The Concert for Bangla Desh) is a live triple album credited to "George Harrison & Friends" and released on Apple Records in December 1971 in the United States and January 1972 in the United Kingdom. The album followed the two concerts of the same name, held on 1 August 1971 at New York's Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell, Eric Clapton and all members from Badfinger. 

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Columbia. Made in AT.
Catalog #: 460953 2
Style: Rock, Blues Rock, Folk Rock
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 396 mb
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Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2124
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 567 mb
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Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90324
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size ZIP: ~ 365 mb
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Highway 61 Revisited è il sesto album discografico di Bob Dylan, pubblicato nell'agosto del 1965
Secondo album e cuore della cosiddetta "trilogia elettrica" (iniziata con Bringing It All Back Home e conclusa con Blonde On Blonde), è universalmente considerato uno dei migliori lavori di Dylan, nonché una fondamentale pietra miliare della musica contemporanea. È al 18º posto della classifica dei 500 migliori album di tutti i tempi della rivista Rolling Stone. La canzone di apertura dell'album, Like a Rolling Stone (che alcuni ipotizzano scritta pensando a Edie Sedgwick, musa di Andy Warhol e amica di Dylan), riscosse un enorme successo tanto da essere collocata dalla rivista Rolling Stone al 1º posto della sua classifica delle 500 migliori canzoni di tutti i tempi.

Performer: Bob Dylan
Album: Good As I Been To You
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2258
Style: Rock, Folk Rock, Melodic Rock
Year: 2024
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 13
Size ZIP: ~ 372 mb
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Good as I Been to You is the twenty-eighth studio album by American singer-songwriter Bob Dylan, released on November 3, 1992, by Columbia Records. The title comes from the second line of side 2 track 4.
It is composed entirely of traditional folk songs and covers, and is Dylan's first entirely solo, acoustic album since Another Side of Bob Dylan in 1964. It is also his first collection not to feature any original compositions since Dylan in 1973.
On the charts, Good as I Been to You reached No. 51 in the US and No. 18 in the UK, and helped to restore Dylan's critical standing following the disappointing Under the Red Sky. The album's highest chart position worldwide was in Norway, where it peaked at No. 11.