Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Columbia. Made in AT.
Catalog #: 460953 2
Style: Rock, Blues Rock, Folk Rock
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 396 mb
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Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2124
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 567 mb
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Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90324
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size ZIP: ~ 365 mb
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Highway 61 Revisited è il sesto album discografico di Bob Dylan, pubblicato nell'agosto del 1965
Secondo album e cuore della cosiddetta "trilogia elettrica" (iniziata con Bringing It All Back Home e conclusa con Blonde On Blonde), è universalmente considerato uno dei migliori lavori di Dylan, nonché una fondamentale pietra miliare della musica contemporanea. È al 18º posto della classifica dei 500 migliori album di tutti i tempi della rivista Rolling Stone. La canzone di apertura dell'album, Like a Rolling Stone (che alcuni ipotizzano scritta pensando a Edie Sedgwick, musa di Andy Warhol e amica di Dylan), riscosse un enorme successo tanto da essere collocata dalla rivista Rolling Stone al 1º posto della sua classifica delle 500 migliori canzoni di tutti i tempi.

Performer: Bob Dylan
Album: Good As I Been To You
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2258
Style: Rock, Folk Rock, Melodic Rock
Year: 2024
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 13
Size ZIP: ~ 372 mb
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Good as I Been to You is the twenty-eighth studio album by American singer-songwriter Bob Dylan, released on November 3, 1992, by Columbia Records. The title comes from the second line of side 2 track 4.
It is composed entirely of traditional folk songs and covers, and is Dylan's first entirely solo, acoustic album since Another Side of Bob Dylan in 1964. It is also his first collection not to feature any original compositions since Dylan in 1973.
On the charts, Good as I Been to You reached No. 51 in the US and No. 18 in the UK, and helped to restore Dylan's critical standing following the disappointing Under the Red Sky. The album's highest chart position worldwide was in Norway, where it peaked at No. 11.

Performer: Bob Dylan
Album: Desire
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2119
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 648 mb
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Desire is the seventeenth studio album by American singer-songwriter Bob Dylan, released on January 5, 1976, through Columbia Records. It is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year (later documented on The Bootleg Series Vol. 5). Many of the songs also featured backing vocals by Emmylou Harris and Ronee Blakley. Most of the album was co-written by Jacques Levy, and is composed of lengthy story-songs, two of which quickly generated controversy: the 11-minute-long "Joey", which is seen as glorifying the violent gangster "Crazy Joey" Gallo, and "Hurricane", the opening track that tells a passionate account of the murder case against boxer Rubin "Hurricane" Carter, who the song asserts was framed. Carter was released in 1985, after a judge overturned his conviction on appeal.

Performer: Bob Dylan
Album: Bringing It All Back Home
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2096
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 11
Size ZIP: ~ 465 mb
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Bringing It All Back Home is the fifth studio album by the American singer-songwriter Bob Dylan, released in April 1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene.

Performer: Bob Dylan
Album: Bob Dylan
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2122
Style: Rock, Folk Rock, Pop Rock, Blues Rock, Ballad
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 13
Size ZIP: ~ 434 mb
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Bob Dylan is the debut studio album by the American singer-songwriter Bob Dylan, released on March 19, 1962, by Columbia Records. The album was produced by Columbia talent scout John H. Hammond, who had earlier signed Dylan to the label, a controversial decision at the time. The album primarily features folk standards but also includes two original compositions, "Talkin' New York" and "Song to Woody". The latter was an ode to Woody Guthrie, a significant influence in Dylan's early career.

Performer: Bob Dylan
Album: Bob Dylan
Label: CBS, Sony. Made in JP.
Catalog #: 25DP 5281
Style: Rock, Blues Rock, Folk Rock
Year: 1988
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 13
Size ZIP: ~ 352 mb
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The album did not receive much attention at first, but it achieved some popularity following the growth of Dylan's career, charting in the UK three years after its release, reaching No. 13.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2097
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 14
Size ZIP: ~ 747 mb
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Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90325
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 8+6
Size ZIP: ~ 473 mb
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Producer Bob Johnston, who had overseen the recording of Highway 61 Revisited, started work with Dylan and the Hawks at Columbia Studio A, 799 Seventh Avenue, New York, on October 5. They concentrated on a new arrangement of "Can You Please Crawl Out Your Window?", a song recorded during the Highway 61 Revisited sessions but not included on that album. Three further numbers were attempted, but none progressed into completed songs. Both the fragmentary "Jet Pilot" and "I Wanna Be Your Lover", a quasi-parody of the Beatles' "I Wanna Be Your Man", finally appeared on the 1985 box set retrospective, Biograph. Also attempted were two takes of "Medicine Sunday", a song that later evolved into "Temporary Like Achilles".

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Columbia. Made in US.
Catalog #: CGK 841
Style: Rock, Blues Rock, Folk Rock
Year: 1981
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 507 mb
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Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". It was one of the first double albums in rock music.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Columbia. Made in US.
Catalog #: CGK 841
Style: Rock, Blues Rock, Folk Rock
Year: 1995
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 497 mb
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After the release of Highway 61 Revisited in August 1965, Dylan set about hiring a touring band. Guitarist Mike Bloomfield and keyboard player Al Kooper had backed Dylan on the album and at Dylan's controversial electric debut at the 1965 Newport Folk Festival. However, Bloomfield chose not to tour with Dylan, preferring to remain with the Paul Butterfield Blues Band. After backing him at concerts in late August and early September, Kooper informed Dylan he did not wish to continue touring with him. Dylan's manager, Albert Grossman, was in the process of setting up a grueling concert schedule that would keep Dylan on the road for the next nine months, touring the U.S., Australia, and Europe. Dylan contacted a group who were performing as Levon and the Hawks, consisting of Levon Helm from Arkansas and four Canadian musicians: Robbie Robertson, Rick Danko, Richard Manuel and Garth Hudson.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Columbia. Made in AT.
Catalog #: 512352 2
Style: Rock, Blues Rock, Folk Rock
Year: 2004
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 515 mb
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At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: CBS. Made in AT.
Catalog #: CDCBS 22130
Style: Rock, Blues Rock, Folk Rock
Year: 1996
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 522 mb
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Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966,[4] by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)".

Performer: Bob Dylan
Album: Another Side Of Bob Dylan
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90327
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 11
Size ZIP: ~ 318 mb
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Dylan later left for Europe, completing a few performances in England before traveling to Paris where he was introduced to a German model, Christa Paffgen, who went by the name of Nico. After treating Dylan to a meal at her flat, Nico accompanied Dylan across Europe, a trip that passed through Germany before ending in Vouliagmeni, a small village outside of Athens, Greece. Dylan stayed at Vouliagmeni for more than a week, finishing many of the songs that would appear on his fourth and upcoming album. Nine songs of these would be recorded upon his return to New York: "All I Really Want to Do", "Spanish Harlem Incident", "To Ramona", "I Shall Be Free No. 10", "Ballad in Plain D", "It Ain't Me, Babe", "Mama, You Been on My Mind", "Denise Denise", and "Black Crow Blues". Dylan also completed another song called "I'll Keep It With Mine", which, according to Nico, was "about me and my little baby". Dylan gave the song to Nico, who would eventually record it for her own album, Chelsea Girl, released in 1967.