Performer: Bob Dylan
Album: The Freewheelin' Bob Dylan
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2178
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2017
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 13
Size ZIP: ~ 287 mb
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The Freewheelin’ Bob Dylan ist das zweite Album von Bob Dylan.

Es wurde zwischen Juli 1962 und April 1963 in New York aufgenommen, von John Hammond produziert und 1963 auf Columbia Records veröffentlicht. Nach dem Misserfolg seines Debütalbums Bob Dylan, das nur zwei eigene Songs enthielt, veröffentlichte Dylan auf Freewheelin’ nur noch zwei Coverversionen: das traditionelle Corrina, Corrina und Honey, Just Allow Me One More Chance, die er jedoch beide erheblich umschrieb.

Performer: Bob Dylan
Album: The Times They Are A-Changin'
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2179
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2017
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size ZIP: ~ 246 mb
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The Times They Are a-Changin’ ist das dritte Studioalbum des amerikanischen Singer-Songwriters Bob Dylan. Es erschien am 13. Januar 1964 auf dem Plattenlabel Columbia Records und wurde von Tom Wilson produziert. Im Gegensatz zu den ersten beiden Alben enthält es ausschließlich Eigenkompositionen und festigte Dylans Ruf als wichtigster Protestsänger und Anführer der Jugendbewegung. Die Lieder handeln von Militarismus, Rassismusproblemen und sozialer Ungerechtigkeit. 

Performer: VA
Album: Concert For Bangladesh
Label: Sony BMG Music Entertainment, Epic. Made in EU.
Catalog #: 82876729862
Style: Pop Rock, Rock & Roll, Folk Rock
Year: 2005
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 10+10
Size ZIP: ~ 619 mb
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The Concert for Bangladesh est un triple album de George Harrison, enregistré lors du concert du même nom donné le 1er août 1971 au Madison Square Garden de New York en soutien aux réfugiés de la guerre de libération du Bangladesh. La paternité de l'événement revient à Ravi Shankar, ami du guitariste, qui l'a sensibilisé à cette cause et à l'urgence d'agir. 

Performer: VA
Album: Concert For Bangladesh
Label: Epic. Made in JP.
Catalog #: ESCA 5470-1
Style: Pop Rock, Rock & Roll, Folk Rock
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 9+9
Size ZIP: ~ 723 mb
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The Concert for Bangla Desh ist das erste Livealbum von George Harrison nach der Trennung der Beatles. Gleichzeitig ist es einschließlich der beiden Instrumental­alben aus den 1960er Jahren und des Studioalbums das insgesamt vierte Album Harrisons. Es wurde am 20. Dezember 1971 in den USA und am 10. Januar 1972 in Großbritannien veröffentlicht.

In den USA erreichte das Album Platz zwei und in Großbritannien Platz eins der jeweiligen Charts. Das Album enthält Aufnahmen, die beim Konzert für Bangladesch entstanden.

Performer: VA
Album: Concert For Bangladesh
Label: Epic. Made in BR.
Catalog #: 752.093-4-2-468835
Style: Pop Rock, Rock & Roll, Folk Rock
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI) 
Amount of tracks: 10+9
Size ZIP: ~ 633 mb
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The Concert for Bangladesh (originally spelt The Concert for Bangla Desh) is a live triple album credited to "George Harrison & Friends" and released on Apple Records in December 1971 in the United States and January 1972 in the United Kingdom. The album followed the two concerts of the same name, held on 1 August 1971 at New York's Madison Square Garden, featuring Harrison, Bob Dylan, Ravi Shankar, Ali Akbar Khan, Ringo Starr, Billy Preston, Leon Russell, Eric Clapton and all members from Badfinger. 

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Columbia. Made in AT.
Catalog #: 460953 2
Style: Rock, Blues Rock, Folk Rock
Year: 1997
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 396 mb
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Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2124
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 567 mb
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Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.

Performer: Bob Dylan
Album: Highway 61 Revisited
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90324
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 9
Size ZIP: ~ 365 mb
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Highway 61 Revisited è il sesto album discografico di Bob Dylan, pubblicato nell'agosto del 1965
Secondo album e cuore della cosiddetta "trilogia elettrica" (iniziata con Bringing It All Back Home e conclusa con Blonde On Blonde), è universalmente considerato uno dei migliori lavori di Dylan, nonché una fondamentale pietra miliare della musica contemporanea. È al 18º posto della classifica dei 500 migliori album di tutti i tempi della rivista Rolling Stone. La canzone di apertura dell'album, Like a Rolling Stone (che alcuni ipotizzano scritta pensando a Edie Sedgwick, musa di Andy Warhol e amica di Dylan), riscosse un enorme successo tanto da essere collocata dalla rivista Rolling Stone al 1º posto della sua classifica delle 500 migliori canzoni di tutti i tempi.

Performer: Bob Dylan
Album: Good As I Been To You
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2258
Style: Rock, Folk Rock, Melodic Rock
Year: 2024
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 13
Size ZIP: ~ 372 mb
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Good as I Been to You is the twenty-eighth studio album by American singer-songwriter Bob Dylan, released on November 3, 1992, by Columbia Records. The title comes from the second line of side 2 track 4.
It is composed entirely of traditional folk songs and covers, and is Dylan's first entirely solo, acoustic album since Another Side of Bob Dylan in 1964. It is also his first collection not to feature any original compositions since Dylan in 1973.
On the charts, Good as I Been to You reached No. 51 in the US and No. 18 in the UK, and helped to restore Dylan's critical standing following the disappointing Under the Red Sky. The album's highest chart position worldwide was in Norway, where it peaked at No. 11.

Performer: Bob Dylan
Album: Desire
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2119
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 9
Size ZIP: ~ 648 mb
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Desire is the seventeenth studio album by American singer-songwriter Bob Dylan, released on January 5, 1976, through Columbia Records. It is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed Rolling Thunder Revue tours the previous year (later documented on The Bootleg Series Vol. 5). Many of the songs also featured backing vocals by Emmylou Harris and Ronee Blakley. Most of the album was co-written by Jacques Levy, and is composed of lengthy story-songs, two of which quickly generated controversy: the 11-minute-long "Joey", which is seen as glorifying the violent gangster "Crazy Joey" Gallo, and "Hurricane", the opening track that tells a passionate account of the murder case against boxer Rubin "Hurricane" Carter, who the song asserts was framed. Carter was released in 1985, after a judge overturned his conviction on appeal.

Performer: Bob Dylan
Album: Bringing It All Back Home
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2096
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2012
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 11
Size ZIP: ~ 465 mb
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Bringing It All Back Home is the fifth studio album by the American singer-songwriter Bob Dylan, released in April 1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene.

Performer: Bob Dylan
Album: Bob Dylan
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2122
Style: Rock, Folk Rock, Pop Rock, Blues Rock, Ballad
Year: 2014
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 13
Size ZIP: ~ 434 mb
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Bob Dylan is the debut studio album by the American singer-songwriter Bob Dylan, released on March 19, 1962, by Columbia Records. The album was produced by Columbia talent scout John H. Hammond, who had earlier signed Dylan to the label, a controversial decision at the time. The album primarily features folk standards but also includes two original compositions, "Talkin' New York" and "Song to Woody". The latter was an ode to Woody Guthrie, a significant influence in Dylan's early career.

Performer: Bob Dylan
Album: Bob Dylan
Label: CBS, Sony. Made in JP.
Catalog #: 25DP 5281
Style: Rock, Blues Rock, Folk Rock
Year: 1988
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 13
Size ZIP: ~ 352 mb
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The album did not receive much attention at first, but it achieved some popularity following the growth of Dylan's career, charting in the UK three years after its release, reaching No. 13.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Mobile Fidelity Sound Lab. Made in US.
Catalog #: UDSACD 2097
Style: Rock, Folk Rock, Pop Rock, Blues Rock
Year: 2013
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (300 DPI)
Amount of tracks: 14
Size ZIP: ~ 747 mb
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Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Performer: Bob Dylan
Album: Blonde On Blonde
Label: Sony Music, Columbia. Made in US.
Catalog #: CH 90325
Style: Rock, Blues Rock, Folk Rock
Year: 2003
Format: FLAC (tracks + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 8+6
Size ZIP: ~ 473 mb
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Producer Bob Johnston, who had overseen the recording of Highway 61 Revisited, started work with Dylan and the Hawks at Columbia Studio A, 799 Seventh Avenue, New York, on October 5. They concentrated on a new arrangement of "Can You Please Crawl Out Your Window?", a song recorded during the Highway 61 Revisited sessions but not included on that album. Three further numbers were attempted, but none progressed into completed songs. Both the fragmentary "Jet Pilot" and "I Wanna Be Your Lover", a quasi-parody of the Beatles' "I Wanna Be Your Man", finally appeared on the 1985 box set retrospective, Biograph. Also attempted were two takes of "Medicine Sunday", a song that later evolved into "Temporary Like Achilles".