Roll the Bones is the fourteenth studio album by Canadian rock band Rush, released September 3, 1991 on Anthem Records. The band began working on Roll the Bones after a brief creative hiatus following the tour promoting their previous release, Presto.
Roll the Bones was a return to commercial success for the band, reaching No. 3 in the United States, No. 10 in the UK, and No. 11 in Canada. The album won a Juno Award for Best Album Design at the 1992 awards. In August 2001, the album was certified platinum by the Recording Industry Association of America for selling one million copies in the US. It was remastered in 2004 and again in 2013 as part of The Studio Albums 1989–2007 box set. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

Presto is generally held by fans to have marked the beginning of a transition period, moving away from a sound dominated by synthesizers and toward more traditional rock instrumentation and pop songwriting.

Counterparts is the fifteenth studio album by Canadian rock band Rush, released October 19, 1993 on Anthem Records. After the band finished touring its previous album Roll the Bones (1991) in mid-1992, the members took a break before starting work on a follow-up.
Counterparts reached No. 2 in the United States, one of the band's two highest-charting albums in the country, and No. 6 in Canada. The first single, "Stick It Out", was No. 1 on the Billboard Album Rock Tracks chart for four weeks. In 1994, the instrumental "Leave That Thing Alone" was nominated for a Grammy Award for Best Rock Instrumental Performance. Counterparts was remastered in 2004 and reissued in 2013 as part of The Studio Albums 1989–2007 box set. In 2015 it was reissued after being remastered by Sean Magee at Abbey Road Studios following a direct approach by Rush to remaster their entire back catalogue.

Second Helping is the second studio album by Lynyrd Skynyrd, released April 15, 1974. It featured the band's biggest hit single, "Sweet Home Alabama," an answer song to Neil Young's "Alabama" and "Southern Man".[2] The song reached #8 on the Billboard Hot 100 chart in August 1974. This L.P. was the last to feature Bob Burns on drums.
The album reached #12 on the Billboard album charts. It was certified Gold on September 20, 1974, Platinum and 2x Platinum on July 21, 1987 by the RIAA.

Blues Breakers with Eric Clapton (a.k.a. The Beano Album) is a 1966 blues/blues rock album recorded by John Mayall & the Bluesbreakers with Eric Clapton as part of the band. It is the second album credited to John Mayall after the live John Mayall Plays John Mayall. Clapton left to form Cream after this recording, though would team up again in 1971 for the double LP Back to the Roots.

Minute by Minute is the eighth studio album by American rock band The Doobie Brothers, released in 1978. The album contains their biggest hit, the Grammy-winning "What a Fool Believes," which was co-written by Kenny Loggins and simultaneously released on his 1978 album Nightwatch. "Depending on You" and the title track were also released as singles. The album would be the last to include members Jeff "Skunk" Baxter and John Hartman.

The album consists of four charted singles. "The Best of Times", written by Dennis DeYoung, went to #3 on the Billboard Hot 100. "Too Much Time on My Hands", written by Tommy Shaw, went to #9 on the Billboard Hot 100, Shaw's only top 10 hit for Styx. "Nothing Ever Goes as Planned", written by DeYoung, went to #54 on the US Pop Chart. "Rockin' the Paradise" — written by DeYoung, Shaw and James Young — went to #8 on the Top Rock Track Chart.

In the Wind is the third album by the American folk music trio Peter, Paul & Mary, released in 1963 (see 1963 in music). It was reissued on audio CD in 1990. In the Wind was so successful that when it hit #1 on the Billboard album charts, it caused their two previous albums to re-enter the Top 10 as well. The album was released in October 1963, a few months before the arrival of the Beatles heralded the British Invasion. At this point in musical history the folk music revival was in full flower.