Beth Hart is on fire. Right now, the Grammy-nominated singer/songwriter is riding a creative tidal wave, firing out acclaimed albums, hooking up with the biggest names in music and rocking the house each night with that celebrated burnt-honey voice. In 2016, the headline news is Los Angeles’ singer Beth’s latest album, Fire On The Floor: a release that even this fiercely self-critical artist describes as “pretty frickin’ good”.
Despite all the emotionally bare moments, for Beth, this record represents a catharsis. “I think Better Than Home is one of the best records I’ve ever done,” she says, “but it was a brutal experience. Fire On The Floor has more energy and I think, overall, it’s just got more balls. And I think I really needed that, just to balance out that heavier mood on Better Than Home.”
Fire On The Floor is the album that Beth Hart needed to make. Likewise, it’s a record that you need to hear. “I’m so pleased with it,” she concludes. “I recently had to organise the sequence of the record, and while I was doing that, I was thinking to myself, ‘Y’know, this is pretty frickin’ good…!’”

Grammy-nominated singer/songwriter, Beth Hart, has never sounded better (musically and spiritually) that she does on her new album, Better Than Home. What makes Better Than Home quite possibly her greatest album is that it is her most introspective work ever, because it goes to the depth of her soul, revealing terrible pain in her past, family issues and personal demons as well as her coming to grips with them and using that knowledge to find the real beauty in her life.
This is an incredibly moving, self written and composed, album that’s going to reach people on a very personal level, because a one-of-a-kind artist found the perfect formula for exposing her very private inner voice and empowering it with her legendary outer voice.

Beth Hart received a considerable boost from her collaboration with guitarist Joe Bonamassa, but her 2013 album, Bang Bang Boom Boom, finds the blues-rock belter returning to her comfort zone, working with producer Kevin Shirley and running through a selection of songs that are originals; songs that emphasize Hart's range and power. In some ways, this is the purest record Hart has yet recorded; there is a real sense of what she can sing and how she lays back, waiting for the moment when her wailing would create the strongest disruption.

Bang Bang Boom Boom is the sixth studio album by American singer-songwriter Beth Hart, released on October 5, 2012 by Provogue/Mascot Label.

Immortal is the debut solo album by Beth Hart. It was listed as released by Beth Hart Band.

37 Days is an album by American singer Beth Hart released in parts of Europe in 2007, followed in the UK in 2008. A DVD version of the album is also available, where each track is played to synced pro-shot video footage of that given song being recorded in studio. The UK version of the CD release contains live bonus tracks of "LA Song," "Learning to Live," and "Leave the Light On" tacked on at the end of the disc. The track "Soul Shine" is a cover of the song "Soulshine", originally written by Allman Brothers guitarist Warren Haynes.

Critical reaction to the album has been largely positive. At the time of release Robert Christgau said the album contained "AM and FM faves" which were "served hot, raw, or both". "Ultimate Classic Rock" ranked the album in the "Top 100 Live Albums", and suggested that it was superior to the studio albums recorded by Clapton at the time.

Backless is the sixth full-length studio album by Eric Clapton. Produced by Glyn Johns, and released by RSO Records, Backless reached No. 8 on the pop charts. While the single "Promises" only reached No. 37 in the UK, it was a much bigger success in the US, reaching No. 9 on the Billboard charts. The follow-up single, "Watch Out for Lucy", was the B-side of "Promises", but reached #40 on the Billboard charts on its own merit. This was Clapton's last studio album to feature his longtime bassist Carl Radle who died in 1980.

Pilgrim is the thirteenth solo studio album by the British rock musician Eric Clapton, released on 10 March 1998 for Reprise Records. The album features all-new studio-recorded material, the first to do so since Clapton's 1989 hit album Journeyman and was nominated for several music awards. Although most of the critics responded negatively to the 1998 studio effort, it was one of Clapton's most commercially successful albums, reaching the Top 10 in twenty-two countries.

461 Ocean Boulevard is the second studio album by Eric Clapton that marked his return to recording after recovering from a three-year addiction to heroin. The album was released in late July 1974 for RSO Records, shortly after the record company released the hit single "I Shot the Sheriff" in early July the same year. The album topped various international charts and sold more than two million copies.
The album title refers to the address on Ocean Boulevard in Golden Beach, Florida where Clapton lived while recording the album. The street address of the house was changed after the album's release due to fans flocking to the property. The house has since been rebuilt and the street address restored.
A remastered two-disc deluxe edition of the album was released in 2004, which included a live concert recorded at the Hammersmith Odeon and additional studio jam sessions.

Backless — шестой студийный альбом Эрика Клэптона, выпущенный лейблом Polydor Records в ноябре 1978 года. Хотя Backless не смог повторить успех альбома Slowhand, он стал серебряным в Великобритании и платиновым в Канаде и США, а также достиг позиции 8 в Billboard 200.

You & Me is the fifth studio album by American blues rock musician Joe Bonamassa. Produced by Kevin Shirley, it was released on June 6, 2006 by J&R Adventures and topped the US Billboard Top Blues Albums chart. It is Bonamassa's first album not to contain a title track.

So, It's Like That is the second studio album by American blues-rock musician Joe Bonamassa. Recorded largely at Harddrive Recording Studio in North Hollywood, California and Blue Iron Gate Studio in Santa Monica, California, it was primarily produced by Clif Magness, with additional production by Dave Bassett, Matt Chiaravalle and Richard Feldman. The album was released on August 13, 2002 by Medalist Entertainment and topped the US Billboard Top Blues Albums chart.
Contrary to Bonamassa's 2000 debut album A New Day Yesterday, which featured a mix of original songs and cover versions, So, It's Like That is made up almost entirely of tracks written by Bonamassa and a range of collaborators. The album is the first to feature bassist Eric Czar and drummer Kenny Kramme, with producer Magness performing organ, piano and percussion. Media response to So, It's Like That was mixed, with some commentators criticising Bonamassa's songwriting.

Sloe Gin is the sixth studio album by American blues rock musician Joe Bonamassa. Produced by Kevin Shirley, it was released on August 21, 2007 by J&R Adventures and topped the US Billboard Top Blues Albums chart.