Bang Bang Boom Boom is the sixth studio album by American singer-songwriter Beth Hart, released on October 5, 2012 by Provogue/Mascot Label.

Immortal is the debut solo album by Beth Hart. It was listed as released by Beth Hart Band.

Live in Amsterdam is a live album by Beth Hart and Joe Bonamassa. It was recorded at a live performance at the music venue Carré Theatre in Amsterdam, the Netherlands. A DVD version is also available. The album peaked No. 49 in the United Kingdom and No. 13 in the Netherlands.

Don't Explain is a 2011 cover album recorded by American singer Beth Hart and blues rock guitarist Joe Bonamassa.

Don't Explain è un album in studio di cover collaborativo dei musicisti statunitensi Beth Hart e Joe Bonamassa, pubblicato nel 2011.

The aspiring musician moved back to Mississippi in late 1979 and opened a stained glass studio, which he continues to operate today. Shelton also began to perform locally, primarily as a solo performer. By the mid 1990s he decided to push himself more as a musician and began putting together electric blues bands and writing his own material. Shelton currently performs with his four piece band as well as in solo and duo format. In addition to regular club gigs, he performs at festivals throughout the region, including the Howlin’ Wolf Memorial Blues Festival, Willie King’s Freedom Creek Blues Festival, and the Beale Street Mess Around.

You & Me is the fifth studio album by American blues rock musician Joe Bonamassa. Produced by Kevin Shirley, it was released on June 6, 2006 by J&R Adventures and topped the US Billboard Top Blues Albums chart. It is Bonamassa's first album not to contain a title track.

So, It's Like That is the second studio album by American blues-rock musician Joe Bonamassa. Recorded largely at Harddrive Recording Studio in North Hollywood, California and Blue Iron Gate Studio in Santa Monica, California, it was primarily produced by Clif Magness, with additional production by Dave Bassett, Matt Chiaravalle and Richard Feldman. The album was released on August 13, 2002 by Medalist Entertainment and topped the US Billboard Top Blues Albums chart.
Contrary to Bonamassa's 2000 debut album A New Day Yesterday, which featured a mix of original songs and cover versions, So, It's Like That is made up almost entirely of tracks written by Bonamassa and a range of collaborators. The album is the first to feature bassist Eric Czar and drummer Kenny Kramme, with producer Magness performing organ, piano and percussion. Media response to So, It's Like That was mixed, with some commentators criticising Bonamassa's songwriting.

Sloe Gin is the sixth studio album by American blues rock musician Joe Bonamassa. Produced by Kevin Shirley, it was released on August 21, 2007 by J&R Adventures and topped the US Billboard Top Blues Albums chart.

Redemption is the thirteenth studio album by American blues rock guitarist Joe Bonamassa. It was released on September 21, 2018 through Provogue / Mascot Music Productions.

Had to Cry Today is the fourth studio album by American blues rock musician Joe Bonamassa. Produced by Bob Held, it was released on August 24, 2004 by J&R Adventures and reached number five on the US Billboard Top Blues Albums chart. The title of the album is a reference to the song of the same name by English blues rock band Blind Faith from their 1969 self-titled album.

Dust Bowl is the ninth studio album by blues rock guitarist Joe Bonamassa. It was released worldwide on March 22, 2011. The cover art is based on a famous 1936 photograph by Arthur Rothstein.

Driving Towards the Daylight is the tenth studio album by blues rock guitarist Joe Bonamassa, released on May 22, 2012. Recorded at The Village Recorder in Los Angeles, CA and Studio at the Palms in Las Vegas, NV, Driving Towards the Daylight is a balanced and "back-to-basics album that highlights Bonamassa’s signature style of blues, roots, and rock & roll". Driving Towards the Daylight was produced by Kevin “Caveman” Shirley (Black Crowes, Aerosmith, Led Zeppelin), making this Bonamassa and Shirley’s seventh album collaboration in six years.

“It’s been a while since I’ve been involved in the writing on an entire album. So I decided I wanted to make a completely original blues album,” said Bonamassa. “I’ve really had to push myself to make everything I do better than the last project. I know the fans expect it. And I feel like I owe it to the fans to give them an original record after all these years.”