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C.C. Catch - Back Seat Of Your Cadillac (1991)
Music genres / Disco, Eurodance maestro 29.11.25 3 168
+5

Performer: C.C. Catch
Album: Back Seat Of Your Cadillac
Label: Ariola Express. Made in DE.
Catalog #: 290 382
Style: Synth-pop, Disco
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 16
Size ZIP: ~ 462 mb
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Password: without a password

Backseat of Your Cadillac ist ein Synthiepop-Song von C. C. Catch, der von Dieter Bohlen geschrieben und produziert wurde. Er wurde am 10. Oktober 1988 bei Hansa Records veröffentlicht und war der letzte große Hit der Interpretin.

C.C. Catch
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Supermax - Electricity (1995)
Music genres / Disco, Eurodance maestro 29.11.25 11
0

Performer: Supermax
Album: Electricity
Label: Ariola, Star ltd. Made in RU.
Catalog #: 74321 12518 2
Style: Disco, Electro, Pop Rock, Reggae
Year: 1995
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI) 
Amount of tracks: 8
Size ZIP: ~ 260 mb
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Password: without a password


Supermax was a project of Austrian musician and producer Kurt Hauenstein (1949–2011), best known for the 1979 hit "It Ain't Easy", and "Lovemachine", a 1977 German #4 single, that peaked at #6 in Switzerland, #9 in Austria and #96 in US.

The first members of the band were Kurt Hauenstein (Mini Moog, vocals), Hans Ochs (guitar), Ken Taylor (bass guitar), Lothar Krell (keyboards), Peter Koch (percussion), Jürgen Zöller (drums) and the singers Cee Cee Cobb and Jean Graham. After Ken Taylor left the band in 1979, Kurt Hauenstein returned to his original music instrument, the bass guitar. Later, Bernadet Onore Eben and Jessica Hauenstein, the daughter of Kurt Hauenstein, joined the group as backing vocal singers. From 2006 Raimund Bretterbauer joined as his Sound Engineer and Co Producer.

Supermax
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Ace Of Base - Happy Nation (U.S. version) (1993)
Releases FM / Disco, Eurodance maestro 18.09.25 117
0
Performer: Ace Of Base
Album: Happy Nation (U.S. version)
Label: Metronome Music. Made in UK.
Catalog #: 524 472-2
Style: Euro House, Eurodance
Year: 1993
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 15
Size ZIP: ~ 403 mb
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Password: without a password

Happy Nation is the debut album by the Swedish pop group Ace of Base. It was initially released in Denmark on 2 November 1992 by Mega Records. During the album's development, the group was significantly influenced by a Jamaican reggae band that was recording in a nearby studio. For its release in North America, Japan, and some Latin American countries, the album was retitled The Sign, featuring a heavily revised track listing along with three new tracks. To coincide with this, Happy Nation was reissued with the new tracks in other territories under the title Happy Nation (U.S. Version).
Ace Of Base
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Cerrone - Supernature (2011)
Music genres / Disco, Eurodance maestro 14.09.25 4 063
+15

Performer: Cerrone
Album: Supernature
Label: Big Break Records. Made in EU.
Catalog #: CDBBR 0089
Style: Disco
Year: 2011
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 6
Size ZIP: ~ 354 mb
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Password: without a password

Supernature is Cerrone's third album, released in September 1977. It was released in France on Malligator Records. It is known also as Cerrone III, since it is the third album by Cerrone, who labeled his albums with a number.

Cerrone
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Cerrone - Cerrone's Paradise (2011)
Music genres / Disco, Eurodance maestro 14.09.25 126
0

Performer: Cerrone
Album: Cerrone's Paradise
Label: Big Break Records. Made in EU.
Catalog #: CDBBR 0081
Style: Disco
Year: 2011
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 4
Size ZIP: ~ 307 mb
Upload: nitroflare.com
Password: without a password

Cerrone’s Paradise opens with the title track Cerrone’s Paradise, which is a sixteen minute Magnus Opus, complete with erotic sounding backing vocals. Opening with the sound of background noise and female conversations, chiming guitars, lush, cascading strings and chiming guitars combine with keyboards as the track gets underway. With strings, rhythm section and guitars driving the track along, bursts of rasping horns punctuate the track, while backing vocalists unite, contributing sweet, sultry harmonies. The strings swirl and sweep, drums pound relentlessly, while flourishes of keyboards and percussion augment the arrangement. A searing guitar solo, breathless, sensuous vocals and swathes of cascading strings, combine with the relentless pounding drums and percussion. Later they give way to erotic sounding vocals as the track reaches 126 beats per minute. For sixteen majestic minutes, a true, timeless disco classic reveals its charms, subtleties and sensuous sound.

Cerrone
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