It Won't Be Soon Before Long. is the second studio album by the American pop rock band Maroon 5. It was released on May 22, 2007. The name was inspired by a phrase the band adopted to keep themselves motivated while on their tour. The album debuted at number one on the U.S. Billboard 200, selling around 430,000 copies in its first week and, as of 2011, approximately 5 million copies worldwide.

Oil on Canvas is a live album by the English band Japan, released in June 1983 by Virgin Records. It was released six months after the band had broken up, and became their highest charting album in the UK, peaking at number 5. It has been certified Gold by the British Phonographic Industry for sales in excess of 100,000 copies.

Travelling Without Moving ist das dritte Musikalbum der britischen Band Jamiroquai, auf dem auch der international bekannte Hit Virtual Insanity veröffentlicht wurde und das als erfolgreichstes Werk der Band gilt. Es stieg in Deutschland am 23. September 1996 in die Charts ein und erreichte Platz neun. Insgesamt blieb das Album 52 Wochen in den deutschen Albumcharts. In Großbritannien stieg es bis auf Platz zwei und in den USA bis Platz 24 der offiziellen Charts.

Emergency on Planet Earth is the debut studio album by British funk/acid jazz band Jamiroquai, first released on 14 June 1993 in both Japan and the United Kingdom and 10 August 1993 in the United States. A remastered version of the album was released in 2013 to coincide with the 20th anniversary of the album's release.

Bassomatic (sometimes written as Bass-O-Matic) were a British band that recorded house music in the 1990s. A project of William Orbit, the band included vocalist Sharon Musgrave and rapper MC Inna Onestep amongst others. For the second album, singer Sindy Finn replaced Sharon Musgrave on vocals. Both albums were produced at Guerilla Studios, founded by William Orbit with Laurie Mayer and Grant Gilbert, and released by Virgin Records.

A State of Trance 2008 is the fifth compilation album in the A State of Trance compilation series mixed and compiled by Dutch DJ and record producer Armin van Buuren. The double disc album was released on 29 September 2008 by Armada Music.

De-Phazz's third album is another off-color mixture of Heidelberg-based lounge jazz, and its lazy breakbeats, trip-hop strings, and idly soulful singers are the least willfully ironic out there. The Latin touches are sprawling yet snug, like Beatless or Fila Brazillia by way of Air. Even better are the reggae-jazz experiments that pop out from time to time, as if to remind you that chillout collectives, even German ones, still know how to be sobered and eclectic. But it also can't seem to get around the idea that comedic late-night music is a tough, rubber-nosed beast to tame. Like Bent on a bad day, "Heartfixer" is an unfortunately upbeat clod-rock take on downtempo cheek, and "Trash Box" is even worse. Nothing groundbreaking, all said, just braver than Zero 7.

Who Can You Trust? is the debut studio album by English electronic music group Morcheeba. It was released in 1996 on China Records in the United Kingdom and Discovery and Sire Records in the United States. Stylistically, the album is by far the band's most trip hop oriented release, consisting of languid, looping grooves, using mostly Rhodes piano, electric guitar and scratching. At the end of 1998 the album was re-issued as 2-CDs with the 8 track disc Beats & B-Sides collection.
By 1998, Who Can You Trust? had sold around 500,000 copies worldwide, and by 2003 it had passed the one million mark in worldwide sales. By 2000, combined sales of Who Can You Trust? and the group's second album Big Calm stood at 315,000 copies in the United States.

The Antidote is the fifth album by Morcheeba, released in 2005. It featured Daisy Martey on vocals, who replaced Skye Edwards. It was the band's first album with Echo Records. The album reached 17 in the UK album charts.

Charango is an album by the British group Morcheeba, released in the first week of July 2002 through Warner Bros. Records. It also appeared as a limited edition 2-CD version with a second CD containing instrumental versions of all the tracks. The album included a number of guest-appearances ranging from the singer Kurt Wagner, rapper Slick Rick, singer Miriam Stockley and bassplayer Pino Palladino. The album became one of the most successful ones for the band, reaching the top ten in the UK charts.

Big Calm is the second studio album by English electronic music group Morcheeba. It was released in March 1998 by Indochina Records and Sire Records. The album reached the top 20 of the UK album chart, while the single "Part of the Process" charted in the UK singles top 40 in August of the same year. "The Music That We Hear", included on special-edition versions of the album, is a reworking of "Moog Island" from Morcheeba's first album, Who Can You Trust?. The album cover was inspired by that of the 1966 Ray Conniff compilation Hi Fi Companion.

18 is the sixth studio album by American electronica musician Moby released in 2002. The most successful single from the album was "We Are All Made of Stars", which reached number 11 on the UK Singles Chart. Another notable single from the album is "Extreme Ways", which is played to introduce the credits in all five Bourne movies from The Bourne Identity onwards. The album features guest appearances by Azure Ray, MC Lyte, Angie Stone, and Sinéad O'Connor.

Дебютный альбом бристольского трио Kosheen назван в Англии "самым ожидаемым релизом года". Комплимент на первый взгляд может показаться сомнительным. Неужели молодым музыкантам уже нечем удивить слушателей? Действительно, Kosheen трудно назвать новым словом в электронной музыке, но вот уже открытые кем-то средства и приемы ребята используют очень грамотно и со вкусом. Немножко брейк-бита и драм-энд-бейса, немножко трип-хопа и эмбиент-хауса (границы между которыми, честно говоря, давно уже слились) — все это необыкновенно мило и заставляет вспомнить одновременно Portishead, Morcheeba, Olive... Ритм — то нервно-"эйсидный", то ненавязчиво-танцевальный, то абсолютно "рассеянный", выпуклая мелодика, очаровательный женский вокал с едва различаемым фолковым колоритом (уроженка Уэльса Шин Эванс), настроения то сгущенно-печальные, то просветленно-созерцательные, в саунде — легкая атмосферность. Пожалуй, вот эта атмосферность, "сюрраундность", "ландшафтность" и является изюминкой Kosheen. Несмотря на электронную начинку, творчество Kosheen очень "природно", экологично. Впрочем, стоит только посмотреть на обложку, чтобы понять — так вот ты какой, северный олень!.. Пустые небеса не могут укрыть природу, на которую наступает пята цивилизации — в этом главный пафос Kosheen. Мы, как люди интеллигентные, не можем об этом не переживать. Потому и будем слушать "ожидаемый" Kosheen. А может, просто потому, что музыка и в самом деле неплоха. Трогает она какие-то потаенные струны души, понимешь, а вы все — бристольский саунд, бристольский саунд...