Сборник самых лучших песен израильской певицы Ofra Haza. Компиляции выполнены Ferris Bueller и Kai Panschow из разных альбомов Офры на самые популярные песни. Диск приурочен к 20-й годовщине международного прорыва Офры Хазы с йеменской песней «Im Nin Alu», которая в 1988 году попала в двадцатку лучших британских хитов и заняла первые места в западногерманском и европейском хит-парадах.

В 1989 году Офра Хаза была одной из самых популярных певиц в Израиле. Однако альбом "Desert Wind" был направлен на международный рынок. Главный язык альбома - английский, но Ofra также поет на арабском языке, иврите и древнем арамейском языке. Очень восточный, в основном с танцевальной музыкой с элементами synth pop. Альбом заканчивается "Kaddish", еврейской молитвой, как символ всемирного искупления и спасения. Молитва имеет короткое англоязычное вступление, но главная часть исполняется на арамейском языке.

Kirya - древнееврейское название для Иерусалима. Одноименный альбом выпущен в продолжение альбомов "Shaday" (1988) и "Desert Wind" (1989), органичное сочетание европейской поп музыки и средневосточных мотивов, смешение нескольких языков. Альбом занял первое место в Top World Music Albums. Офра Хаза сотрудничала с разными западными музыкантами, в этом альбоме в дуэте с Iggy Pop исполнена композиция "Daw Da Hiya", песня о девушке, которая приговорена к смерти за беременность вне брака, в то время как мужчина не несет ответственности и остается свободным.

Shaday is an album by Israeli singer Ofra Haza, released in 1988. Shaday, recorded both in Tel Aviv and England, became Haza's international breakthrough album and includes the Hebrew-English language remix singles "Im Nin'alu" and "Galbi," as well as "Shaday" and "Da'Ale Da'Ale," also released as remix singles. The name of the album is a somewhat controversial double entendre, meaning one of the acronyms for Yahweh but also a Modern Hebrew translation for "my breasts".

Armik - виртуоз в своем жанре. Вся страсть и радость испанской гитары, традиционные испанские мелодии с джазовыми импровизациями и прогрессивными ритмами, Armik приготовил чувственный и страстный альбом Casa De Amor.

Armik's Bolero Records debut, Lost in Paradise, paints a lush landscape of a unique style he calls "gypsy jazz," joyfully blending classic elements of rhumba, cha-cha, bolero, jazz, and, taking a rhythmic sojourn down to Brazil, a bit of bossa nova. The bold, percussive opening rhumba track "Barcelona Sunsets" thrusts the listener full throttle into the raw, emotional power of the Armik experience; his powerful fingerstyling is enhanced by a lively piano harmony.

While flamenco forms the musical structure for Armik's fifth effort Isla del Sol, the renowned guitarist adds the warmth of tropical elements to the album's compositions. Spicy and sensuous, Isla del Sol will not disappoint Armik's many fans.

Armik's beautifully blends seductive, snappy toe-tappers as on Mi Pasion's opening track "Calima" (punctuated with scorching horn accents) and "Rumba de Noche" (featuring some of his best acoustic soloing over hypnotic percussion) with suavely romantic gestures à la the sweetly ambient title track and the swaying contemplation "Bolero." These softer tunes, as well as graceful midtempo pieces like "Warm Summer Nights" (which includes a dash of flute and horns), show a gentler side to his artistry - and it's nice to see that melodic expression takes precedence over any tendency towards a barrage of notes for notes' sake. Armik's explored his passion before but, like the sunset, it's always nice to capture the latest moment in time.

Piano Nights is Armik's first-ever piano project. It is a deft treatment of ten original songs that spotlight his ability to devise amazing piano melodies to accompany his internationally renowned guitar virtuosity. The title track is a bossa nova that has the feeling of choreography by being both lyrical and catering to the dancing impulse. "Flames of Passion" combines attributes of both the love song and the dance number. Armik layers the moods throughout this excellent set with beautiful solos and his flair for fusing emotional melodic fragments with intense rhythmic timing. With the addition of Joe Vannelli on pianos, Armik's music is taken to a new level of pleasure. This is a superb offering from one of the world's most gifted guitarists, who now presents the piano as a participant in his great music.

World-class guitar virtuoso Armik plays 12 exquisite songs on his sixth release for the BajaTSR label titled Rosas Del Amor. He tops his best-selling Isla del Sol by using fresh romantic themes based on his journeys through Spain. Each song is as pure and fragile as a moment in life itself, simply said, like the life of a rose. Armik plays 12 different guitars in order to bring the individual melodies and arrangements of each song to the anticipated desire of his listeners.

It's ironic that Bolero Records released this disc to specially coincide with Valentine's Day 2004, as if it's presenting a different, more romantic side of the brilliant modern flamenco player's artistry. The truth is that while he's never gotten the attention that Ottmar Liebert has, Armik's music has been for ten years a vibrant and ultra-sensuous part of the whole nouveau flamenco movement. This hits on the heels of Amor de Guitarra and keeps the love flowing from the get-go, opening with the midtempo dance-driven title track, which blends his sensual strains and string vibrato over sexy percussion lines and instantly catchy horn harmonies.