A classic Tony Bennett album has to be among any collection of the best singers of the second half of the 20th century. His definitive versions of so many songs, especially Stranger in Paradise and I Left My Heart in San Francisco, are part of the memories of practically anyone born before 1950. This album brings together the favourites and is one I shall keep in the car to make every journey that bit pleasanter.

Let the Good Times Roll: The Music of Louis Jordan — Трибьют-альбом посвящённый американскому джазовому саксофонисту и певцу Луису Джордану (Louis Jordan). B.B. King выиграл премию Грэмми за трек '' Is you is, or is you ain't (My baby) '' в дуэте с Dr. John, в номинации ''Лучшее вокальное поп сотрудничество''.

To Know You Is to Love You is the 22nd studio electric blues album by B. B. King, released in 1973. Produced by the musician and producer Dave Crawford in Philadelphia, it features the participation of Stevie Wonder, the Memphis Horns, and members of the famed MFSB session group, who formed the house band for Philadelphia International Records in the early and mid 1970s.

Monk's Dream is an album by jazz pianist Thelonious Monk that was released by Columbia Records in March 1963. It was Monk's first album for Columbia following his five-year recording period with Riverside Records.

In 1981, trumpeter Wynton Marsalis and saxophonist Branford Marsalis burst on the scene as the young lions who started a jazz renaissance. They were followed by their younger brothers, trombonist Delfeayo and drummer Jason. Incredible as it sounds, they’ve never recorded together as a family. On August 4, 2001, at the University of New Orleans, they performed with their father, the esteemed pianist and educator Ellis Marsalis in a concert that marked his retirement from the school’s jazz department. Supported by bassist Roland Guerin, the family delivers a swinging live program of standards and original works in trio, quartet, and sextet combinations. The elder Marsalis’s pristine pianism colors his midtempo tune “Swingin’ at the Haven,” while Jason Marsalis’s Afro-tinged intro peppers the standard “The Surrey with the Fringe on Top.” Wynton and Branford declare their brotherly love on the saxophonist’s Ornette Coleman-esque “Cain and Abel.” Actor-singer-pianist Harry Connick Jr. joins in on the fun with “Twelve’s It” and “St. James Infirmary.”

Everything that the mellow-toned tenor Fraser MacPherson played was "in the tradition," but some of the music on this CD reaches back even further than usual. Several of the songs (such as "Louisiana," "Struttin' With Some Barbecue" and "You're Lucky to Me") are from the 1920s, and even the three group originals hint at that early style. MacPherson, whose sound often resembles Zoot Sims and Stan Getz, was one of the last of the "Four Brothers" cool tenors. He is assisted by trombonist Ian McDougall, guitarist Oliver Gannon, bassist Steve Wallace, and drummer John Sumner (all fellow Canadians) throughout the delightful set, one of MacPherson's last before his 1993 death.

B.B. King & Friends: 80 — сорок первый студийный альбом Би Би Кинга. Был записан к празднованию 80-летия короля блюза.

"Let's Go Round Again" was a single released by the Scottish funk and R&B group Average White Band. The single achieved in the charts UK #12, US Pop #53, US R&B #33.

Пластинка выиграла премию Грэмми в номинации ''Лучший альбом традиционного блюза''.

Chance Meeting is an album by jazz guitarists Tal Farlow and Lenny Breau that was released in 1997.

It's almost too easy to tag a pair of French guitarists with the Django Reinhardt label, but in the case of Sylvain Luc and Bireli Lagrene's beautiful new Duet, there are moments when the tag is wonderfully accurate. Throughout a swinging rendition of Reinhardt's "Douce Ambiance" and the classic "Stompin' at the Savoy," Luc and Birelli display an affinity for the legendary French jazzman's subtle swing and Gypsy modalities that goes well beyond a mere copycat gesture. The pair are equally masterful in turning pop songs like Cyndi Lauper's "Time after Time" and Stevie Wonder's "Isn't She Lovely" into gorgeous jazz balladry. Luc and Lagrene play off one another with an almost telepathic ease, and their delicate rapport lights up the pared-down instrumentation of two acoustic guitars, whether they're getting subtly funky on Wes Montgomery's "Road Song" or fingerpicking through the Beatles' "Blackbird." Jazz guitar aficionados may find some of Duet reminiscent of John McLaughlin, Al Dimeola, and Paco de Lucia's hugely popular Friday Night in San Francisco. Duet's appeal comes from making masterfully rendered, stripped-down music that shines. --Ezra Gale