Performer: Royal Air Force Squadronaires
Album: In The Mood - The Glenn Miller Celebration
Label: Decca. Made in DE.
Catalog #: 2736453
Style: Jazz, Instrumental, Musical
Year: 2010
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 14
Size ZIP: ~ 352 mb
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Performer: Ron Carter
Album: The Golden Striker
Label: Астра. Made in UA.
Catalog #: none
Style: Jazz
Year: 2003
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 9
Size ZIP: ~ 224 mb
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Ron Carter is among the most original, prolific, and influential bassists in jazz. With more than 2,000 albums to his credit, he has recorded with many of music's greats: Tommy Flanagan, Gil Evans, Lena Horne, Bill Evans, B.B. King, the Kronos Quartet, Dexter Gordon, Wes Montgomery, and Bobby Timmons. In the early 1960s he performed throughout the United States in concert halls and nightclubs with Jaki Byard and Eric Dolphy.
Performer: Return To Forever
Album: Hymn Of The Seventh Galaxy
Label: Polydor. Made in DE.
Catalog #: 825 336-2
Style: Fusion
Year: 1991
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 6
Size ZIP: ~ 278 mb
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Hymn of the Seventh Galaxy is the third studio album by American jazz fusion band Return to Forever. It was released in October 1973 by Polydor. Flora Purim, Joe Farrell, and Airto Moreira were replaced by drummer Lenny White and guitarist Bill Connors.
Performer: Regina Carter
Album: I'll Be Seeing You - A Sentimental Journey
Label: Ukrainian Records. Made in UA.
Catalog #: 0602498509623
Style: Contemporary Jazz, Americana, Folk Jazz
Year: 2007
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 12
Size ZIP: ~ 395 mb
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Dedicated to her mother, who passed away in 2005, I'll Be Seeing You: A Sentimental Journey finds jazz violinist Regina Carter showcasing the American popular songs her mother loved. Centered around Carter's supple violin chops, the album also features pianist and fellow Detroiter Xavier Davis, bassist Matthew Parrish, and drummer Alvester Garnett.
Performer: Ray Conniff
Album: Hello Young Lovers
Label: Pickwick Music. Made in UK.
Catalog #: PWKS 579
Style: Easy Listening
Year: 1990
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 15
Size ZIP: ~ 274 mb
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Музыкальный стиль Конниффа заключается в сочетании большого хора человеческих голосов, которые разложены на небольшое число партий, при этом все группы голосов дублируют партии аккомпанирующих или солирующих музыкальных инструментов, тембрально дополняя их звучание.
Performer: B.B. King
Album: Blues In My Heart
Label: P-Vine Records. Made in Japan.
Catalog #: PCD-4368
Style: Blues
Year: 1963
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: in archive
Amount of tracks: 10
Size RAR: ~ 230 mb
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Recovery: 3%
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Симпатичный во всех отношениях диск Короля Блюза. Хороший, прозрачный звук, красивый соул-блюз и ритм-н-блюз, пение и игра Би Би на гитаре выше всяких похвал.
Performer: Philip Catherine
Album: Transparence
Label: Sanyo Electric. Made in JP.
Catalog #: Inak 1706-2, DIDX 014840
Style: Jazz
Year: 1986
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 10
Size ZIP: ~ 309 mb
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Philip Catherine was born in London to an English mother and Belgian father and was raised in Brussels. His grandfather played violin in the London Symphony Orchestra. Catherine started on guitar in his teens, and by seventeen he was performing professionally at local venues.
He released his debut album, Steam, in 1970. During the next few years, he studied at Berklee College of Music in Boston and with Mick Goodrick and George Russell. In 1976, he and guitarist Larry Coryell recorded and toured as an acoustic duo. The following year he recorded with Charles Mingus, who dubbed him "Young Django". In the early 1980s, he toured briefly with Benny Goodman. He was in trio with Didier Lockwood and Christian Escoudé, then in a trio with Chet Baker. During the 1990s, he recorded three albums with trumpeter Tom Harrell.
Catherine has also worked with Lou Bennett, Kenny Drew, Dexter Gordon, Stéphane Grappelli, Karin Krog, Paul Kuhn, Sylvain Luc, Michael Mantler, Charlie Mariano, Palle Mikkelborg, Niels-Henning Ørsted Pedersen, Enrico Rava, Toots Thielemans, and Miroslav Vitous.
Performer: Mahavishnu Orchestra & John McLaughlin
Album: Inner Worlds
Label: Columbia, Sony Music. Made in AU.
Catalog #: 476905 2
Style: Fusion, Jazz-Rock
Year: 1975 (1994)
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 10
Size ZIP: ~ 289 mb
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Inner Worlds is an album by the Mahavishnu Orchestra. It was the group's sixth album release.
In 1975, violinist Jean-Luc Ponty and keyboardist Gayle Moran left the band. Stu Goldberg was brought in as a replacement for Moran. Although they were not officially recorded, initially this version of the group still retained Norma Jean Bell, Carol Shive, Phillip Hirschi, Russell Tubbs and Steve Kindler. After some hasty rehearsals, this line-up toured with Jeff Beck. After the tour, McLaughlin pared the band down to a quartet of himself, Goldberg, Walden and Armstrong, and then the album was recorded.
Performer: Luis Salinas
Album: Solo Guitarra
Label: Distribuidora Belgano. Made in AR.
Catalog #: CD 51.785
Style: Jazz
Year: 2003
Format: FLAC (image + .cue)
Bitrate: lossless
Covers: full (600 DPI)
Amount of tracks: 22
Size ZIP: ~ 297 mb
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'Guitar Only', produced by Salinas together with Daniel González, was recorded at ION studios under the technical supervision of Jorge Da Silva, 'El Portugués'. "The emphasis on the album was the simplicity of the recording process Playing the guitar with a microphone in front, not much production and songs that mean a lot to me, " says Salinas. The guitarist says " this is the album I've wanted to make. The variety of songs and styles show that I don't want to limit myself to some trend and, as music has no borders, I don't use a passport. I play what like to play and I hope people enjoy it as much as I do." Salinas is a great technical guitarist with an almost superhuman dominance of the "diapason". His "fraseos" are rich in their timbre nuances, he connects major scales with minor ones which keeps your attention on the guitar.