Ascendancy is the second studio album by American heavy metal band Trivium. It was released on March 15, 2005 through Roadrunner Records and was produced by Jason Suecof and Matt Heafy.

Amplified // A Decade of Reinventing the Cello, is the second greatest hits album by Apocalyptica.
It consists almost entirely of the band's most notable covers and original songs, however it also contains two new songs: "Repressed" and Slayer's "Angel of Death". The album was released on Tuesday, May 30, 2006.

Обязательно к ознакомлению считающими себя блэк-металлистами и не слышавшими эту запись.Уж на что я считаю Sodom прекрасной группой, но всё равно чаще всего возвращаюсь именно к этой безумной пластинке. Примитивность на грани гениальности - вот что такое In the Sign of Evil!

Reload is the seventh studio album by American heavy metal band Metallica, released on November 18, 1997 by Elektra Records. The album is a follow-up to Load, released the previous year, and Metallica's last studio album to feature bassist Jason Newsted. Reload debuted at number one on the Billboard 200, selling 436,000 copies in its first week. It was certified 3× platinum by the Recording Industry Association of America (RIAA) for shipping three million copies in the United States.

Death Magnetic is the ninth studio album by American heavy metal band Metallica, released on September 12, 2008 through Warner Bros. Records. The album was produced by Rick Rubin, marking the band's first album since ...And Justice for All (1988) not to be produced by longtime collaborator Bob Rock. It is also the first Metallica album to feature bassist Robert Trujillo, and the second to be completely co-written by all of the band's members.
Musically, Death Magnetic is a radical departure from Metallica's previous album, St. Anger (2003), and is considered a return to the band's thrash metal roots, with more complex compositions, standard guitar tuning on most songs and long guitar solos from Kirk Hammett and James Hetfield. It also includes the band's first instrumental ("Suicide & Redemption") since "To Live Is to Die" from ...And Justice for All.

Kill 'Em All is the debut studio album by the American heavy metal band Metallica, released on July 25, 1983, by the independent record label Megaforce Records. Kill 'Em All is regarded as a groundbreaking album for thrash metal because of its precise musicianship, which fuses new wave of British heavy metal riffs with hardcore punk tempos. The album's musical approach and lyrics were markedly different from rock's mainstream of the early 1980s and inspired a number of bands who followed in similar manner. The album did not enter the Billboard 200 until 1986, when it peaked at number 155, following Metallica's commercial success with its third studio album Master of Puppets; the 1988 Elektra reissue peaked at number 120. Kill 'Em All was critically praised at the time of its release and in retrospect, and was placed on a few publications' best album lists. It was certified 3× Platinum by the Recording Industry Association of America (RIAA) in 1999 for shipping three million copies in the United States. The album generated two singles, "Whiplash" and "Jump in the Fire".

Sehnsucht - is the second studio album by German Neue Deutsche Härte band Rammstein. It was released on 22 August 1997 through Motor Music in Europe and Slash Records in the United States. It is the only album entirely in German to be certified platinum by the RIAA in the US. The album peaked at No. 1 on the Austrian and German charts.
In 2020, Metal Hammer included it in their list of top 10 1997 albums.

The time has arrived for TESTAMENT to unleash new thunder to the masses and reveal their thirteenth studio album: Titans Of Creation. Just as the elements of this planet thrive within all living creatures, each musician in TESTAMENT represents a necessary component of this latest musical endeavour. Still filled with a massive and unstoppable energy since their last release, TESTAMENT has taken their style to the next level and present an album that is loyal to the roots of traditional thrash metal while still bringing alluring, brilliant, and progressive ingredients to the table. Bass is showcased, new vocals are introduced, and as expected, the guitarwork of Peterson and Skolnick is greatly complex and mesmerizing.

Old-School Classic Death Metal from St. Petersburg, Russia. “Chained to Ossuaries” is the 2nd studio album with 10 tracks and 41:03 runtime released on April 27th, 2020. The lineup on this album features drummer/singer Dmitry Dovzhenko (ex-SEPTORY), guitarist Eduard Bartosh (ex-CHAMBER OF TORTURE) and bassist/second guitarist Roman Dovzhenko. Cover artwork by Artem Grigoryev, a Russian graphic artist.

Obsidian… dark, reflective and black: it’s a pretty decent description of the music that PARADISE LOST have been making over the last 32 years, even though this most resilient of British metal bands have stoically refused to be pinned down to one easily defined formula. Powered by a lust for creativity and a stout devotion to haunting heaviness, PARADISE LOST have defied the odds by coming back stronger than ever over the past decade.
“We’re doing really well right now,” says guitarist and co-founder Greg Mackintosh. “The last few albums have gone down well and we’ve gradually moved back up the festival bills. But for me, I think about it more in terms of being relaxed and content. It’s a good time to be in PARADISE LOST.”

Human. :II: Nature. (stylized as HVMAN. :||: NATVRE.) is the upcoming ninth album by Finnish symphonic power metal band Nightwish. It is set to be released on April 10, 2020 through Nuclear Blast. It will be the band's first double album.
Following the departure of original drummer Jukka Nevalainen the previous year, it will be the first album to feature Kai Hahto as official band member, although he had already acted as Nevalainen's replacement on the band's previous album, Endless Forms Most Beautiful.

Как-то это всё прошло мимо меня, но на данный момент немецкая группа Lucifer активно собирает вокруг себя сторонников, в то время как многие поклонники тяжёлой музыки даже называют их новой надеждой классического металла. В то же самое время издания вроде Metal Hammer и Classic Rock активно генерируют хайп вокруг их творчества, а каждый новый их альбом удостаивается просто космических похвал. Так что если вы, как и я, провели последние лет пять где-нибудь под большим и сырым камнем, то вам примерная диспозиция: Lucifer - это проект немецкой вокалистки Иоанны Садонис, который она основала после безвременного распада группы Oath. Исходно одним из его участников был Газ Дженнингс, которого вы можете знать по его работе в Cathedral, - именно этим фактом, скорее всего, объясняется то, что музыка Lucifer с самого начала была пропитана духом дум-металла. Их неторопливые гитарные риффы и атмосферный звуковой напор можно сравнить с ранним творчеством Black Sabbath. Однако этим их творчество не исчерпывалось, - со своей стороны Иоанна вдохнула в песни Lucifer энергетику тяжёлого рока восьмидесятых, что выражается в хитовых и запоминающихся мелодиях и общей композиционной стройности. Если вас до сих пор не заинтересовали эти ребята, то, скажу честно, не знаю, чего вы в жизни этой ищете. Лично я искренне наслаждаюсь как этой группой, так и их новым релизом в лице "Lucifer III".

The highly anticipated debut full-length of this U.S. band. Hailing from the rustbelt Metal hotbed of Cleveland, Kurnugia was founded by ex-members of Decrepit, Nunslaughter, Embalmer, December Wolves and Delusion. Not surprisingly, this assembly of seasoned underground veterans is heavily influenced by the classic Death Metal of the early 90's, and that's exactly what Kurnugia aim for: to go back right to the roots of the genre and pay homage to the deeds of old, unaware of gimmicks, trends and mindless experimentation.

At the Heart of Winter is the fifth studio album by Norwegian black metal band Immortal. It was released on February 22, 1999 through Osmose Productions. It is the first Immortal album not to feature Demonaz on guitar, as he suffered from acute tendinitis in his hands. The album marks a shift in Immortal's musical sound, towards a black metal and thrash metal fusion.