The Eurovision Song Contest 2020 was planned to be the 65th edition of the Eurovision Song Contest. It would have taken place in Rotterdam, Netherlands, following the country's victory at the 2019 contest with the song "Arcade" by Duncan Laurence. This was the first and only edition in the contest's history to be cancelled, being called off on 18 March 2020 due to the COVID-19 pandemic.

Can’t Take Me Home - дебютный студийный альбом американской поп-певицы P!nk, выпущенный в США 4 апреля 2000 года компанией LaFace Records.

Try This - третий студийный альбом поп-певицы Pink, выпущенный 11 ноября 2003. На нём есть такие синглы, как «Trouble», «God Is a DJ» и «Last to Know». Также это первый альбом этой американской певицы, получивший пометку Ненормативная лексика. Try This стал самым низкопродаваемым альбомом P!nk c продажами более 1,000,000 экземпляров в США и 6 миллионами копий в мировом масштабе.

Missundaztood - второй студийный альбом поп-певицы Pink, выпущенный в 2001 году. Он включает хиты: «Get the Party Started», «Don't Let Me Get Me», «Just Like a Pill» и «Family Portrait». На тот момент он стал самым успешным альбомом Pink, распроданный более 15 миллионами экземплярами по всему миру.

Funhouse - пятый студийный альбом американской поп-певицы Pink, выпущенный LaFace Records во всем мире в октябре 2008 года. К своему релизу альбом достиг первой позиции в чартах 6 стран, включая Австралию, Новую Зеландию, Нидерланды и Великобританию, наряду с тем, что дебютировал вторым номером в Германии, Ирландии и США.

I’m Not Dead - четвёртый студийный альбом поп-певицы P!nk, выпущенный 3 апреля 2006 года в мире и 4 апреля 2006 года в Северной Америке. Pink работала с продюсерами и авторами песен Билли Манном, Джошем Абрахамом, Максом Мартином, Dr. Luke, Бутчем Уолкером и Майком Элизондо. Содержание текстов песен - от личных до политических. Диск изначально был назван Long Way to Happy по одноимённой песне из альбома, но Pink изменила его на I’m Not Dead, считая, что это более точная формулировка для альбома, выпущенного после некоторого перерыва.

Beggars Banquet is the seventh studio album by the English rock band the Rolling Stones, released on 6 December 1968 by Decca Records in the United Kingdom and London Records in the United States. It was the first Rolling Stones album produced by Jimmy Miller, whose production work formed a key aspect of the Rolling Stones' sound throughout the late 1960s and early 1970s.

This very special sampler is a celebration of the TRUE STEREO process for recording Naim has used for the majority of their releases over the last ten years. “True Stereo” is one of the most faithful techniques that exists to capture music in a recorded format. The final sound results from recoding with just a single pair of microphones set up in a space with good natural acoustics. The end result offers the listener a ‘live’, acoustically realistic perspective on the music without processing or electronic manipulation of any kind. Because the sound is recorded direct to stereo, there is no opportunity for mixing or manipulating it after the recording has been made.
The positioning of the microphones is critical for this kind of recording: microphone placement represents the only opportunity that our engineer, Ken Christianson, has to adjust the levels. For example, more or less bass is achieved by positioning the bassist closer to or further from the microphones.
Ken’s techniques – developed over a period of many years – are illustrated in the booklet which accompanies the True Stereo Sampler. There are diagrams showing the placement of instruments and microphones, and details on the specific sound characteristics of the room that was used for the recording.

30 reached number one in twenty five countries. In the UK, it achieved the highest first-week sales for any album by a female artist since Adele's third studio album, 25 (2015). It spent five weeks at number one there and six in the US. 30 was the best-selling album of the year in both countries, as well as worldwide, with 5.54 million copies sold. And also debut on Billboard jazz chart and spend 4 weeks at #1 including all night parking (interlude) spend 31 weeks at #1 Spotify jazz song

Dans ce nouvel album, Hang with you, Steve Shehan se consacre avant tout au hang dont il explore les multiples possibilités dans de très différents contextes, démontrant ainsi les incroyables capacités musicales de cet instrument apparemment insolite, mais de plus en plus pratiqué dans le monde entier… Le résultat est époustouflant : entouré d’invités d’horizons différents comme l’actrice Golshifteh Farahani (Mensonges d’Etat, Syngue Sabour, film inspiré de la vie de l’actrice iranienne et d’un livre Prix Goncourt 2008…), passionnée de Hang qu’elle pratique régulièrement en duo avec Steve, le trompettiste Ibrahim Maalouf ou Didier Malherbe au doudouk, ou encore le chanteur baryton Ugo Rabec, la violoncelliste Charlotte Castellat ou Vladiswar Nadishana, virtuose du ney et de la flute bansuri. Au gré des rencontres, c’est à un véritable tour du monde musical que nous convie.

The BAROCK PROJECT idea generates from a desire to deliver the finest and perfect structure of classical music (mainly baroque music) with a rock-style and a little bit of jazz harmony, supported by a pop framework with the intention to revamp the appeal of '70s progressive-rock.
The project founder, pianist and composer Luca Zabbini, states that his passion for the music of famous keyboardist Keith Emerson (ELP), has fuelled his desire to compose and play a full range of styles, from classical to rock and jazz.
In the summer of 2004, Giambattista "GB" Giorgi, a young bassist influenced by rock sounds with big passion for jazz, and drummer Giacomo Calabria joined the band.
After a long European tour with "Children of the Damned" and Iron Maiden's singer Paul Di'Anno, Luca Pancaldi joins the band as lead vocals in 2002.

One of the fastest rising guitarists in the Northeast, Tyler Morris makes his debut as a vocalist on his one as he teams up with three of the top fret masters in the business – Ronnie Earl, Joe Louis Walker and Mike Zito –for this intense, pleasing follow-up to Next in Line, his promising first appearance on the VizzTone imprint.
Still only 21 years old and someone whose skill on the six-string is a fiery as his red locks, the Boston native proves to be as solid at the mike, too, adding his pleasant tenor to seven of the ten cuts with Walker, Zito and former Blues Blast Sean Costello Rising Star nominee Amanda Fish sitting in for another.