Invisible Touch is the 13th studio album by the English rock band Genesis, released on 6 June 1986 by Atlantic Records in the United States and 9 June 1986 by Charisma and Virgin Records in the United Kingdom. After taking a break in group activity for each member to continue with their solo projects in 1984, the band reconvened in October 1985 to write and record Invisible Touch with engineer and producer Hugh Padgham. As with their previous album, it was written entirely through group improvisations and no material developed prior to recording was used.

From Genesis to Revelation is the debut studio album by the English rock band Genesis, released in March 1969 on Decca Records. The album originated from a collection of demos recorded in 1967 while the members of Genesis were pupils of Charterhouse in Godalming, Surrey. It caught the attention of Jonathan King who named the group, organised deals with his publishing company and Decca, and studio time at Regent Sound Studios to record a series of singles and a full album. A string section arranged and conducted by Arthur Greenslade was added later on some songs. By the time Genesis had finished recording, John Silver had replaced original drummer Chris Stewart.

Foxtrot is the fourth studio album by the English progressive rock band Genesis, released in October 1972 on Charisma Records. It features their longest recorded song; the 23-minute epic "Supper's Ready".
The album was recorded following the tour in support of their previous album, Nursery Cryme (1971), which saw them gain popularity, including a well-received slot at the Lincoln Great Western Festival. The album was written over the summer of 1972 and combined songs that had already been performed live with new material worked out in jam sessions. Recording began in August with John Anthony, but sessions were prone to tension and disagreements. After a short Italian tour, sessions resumed with Dave Hitchcock taking over production duties. The cover was the final Genesis work to be designed by Paul Whitehead, featuring a fox wearing a red dress. Frontman Peter Gabriel wore the dress and a fox's head on stage for the following tour, which gathered press attention and greatly improved the group's profile.

Duke is the tenth studio album by English rock band Genesis, released in March 1980 on Charisma Records. The album followed a period of inactivity for the band in early 1979. Phil Collins moved to Vancouver, Canada, in an effort to salvage his failing first marriage, while Tony Banks and Mike Rutherford recorded solo albums. Collins returned to the UK after his marriage ended and wrote a significant amount of material, some of which was used for Duke and some was later reworked for his first solo album, Face Value. Duke contained a mix of individually-written songs and tracks that evolved from jam sessions in mid-1979, while recording took place at the end of the year. The break in activity rejuvenated the band, and they found the album an easy one to work on.

Calling All Stations is the fifteenth and most recent studio album by English rock band Genesis, released on 1 September 1997 by Virgin Records. After longtime drummer and lead vocalist Phil Collins left the group in 1996, the remaining members—founding keyboardist Tony Banks and guitarist/bassist Mike Rutherford—decided to continue and write new music for an album. After an auditioning process throughout 1996, they chose Scottish singer Ray Wilson as Genesis's new lead singer.

Abacab is the eleventh studio album by English rock band Genesis, released on 18 September 1981 by Charisma Records. After their 1980 tour in support of their previous album, Duke (1980), the band took a break before they reconvened in 1981 to write and record a new album. Abacab is the first Genesis album recorded at The Farm, a recording studio bought by the group in Chiddingfold, Surrey. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums.

…And Then There Were Three… (рус. «…И тогда их осталось трое») — девятый студийный альбом британской прогрок-группы Genesis, выпущенный в 23 марта 1978 года. Первый альбом группы, получивший платиновый статус в США.
Этот альбом стал первым, записанным в формате трио после ухода из группы гитариста Стива Хэкетта, что и отражено в названии альбома; осваивать гитару пришлось басисту Майку Резерфорду. По словам участников группы, нехватка гитариста с собственным стилем на тот момент ощущалась достаточно остро.

Jeff Lynne told Rolling Stone magazine that the idea came from him listening to the original Electric Light Orchestra recordings, and thinking that he could produce a better result having since had a long career as a record producer. Lynne decided to re-record a number of songs from scratch, and began with "Mr. Blue Sky". He told Rolling Stone: "I enjoyed doing that a lot, and when I listened back to it and compared it to the old one, I really liked it much better." It was suggested by his manager that Lynne record a few more versions of Electric Light Orchestra songs, the results being recordings of "Evil Woman" and "Strange Magic". Lynne also liked these versions, so he continued by producing a full album of re-recordings.

Balance of Power was the last studio album by the Electric Light Orchestra before their initial disbanding (the band would later reform in 2000 and again in 2014). By this time Kelly Groucutt had departed and the group was pared down to a trio of Jeff Lynne (who doubled on bass as a result of Groucutt's absence), Richard Tandy, and Bev Bevan. Recording for the album began in mid of 1984, with a planned release for Spring 1985. The addition of several synthesizer tracks and mixing work by Reinhold Mack to the album caused its release to be pushed back to early 1986. ELO played some live concerts in the UK and Europe (their last for fifteen years), and for one UK show George Harrison performed as guest guitarist.

Tommy is the fourth studio album by the English rock band The Who, a double album first released in 23 May 1969. The album was mostly composed by guitarist Pete Townshend, and is a rock opera that tells the story of Tommy Walker, a "deaf, dumb and blind" boy, including his experiences with life and his relationship with his family.

Crime of the Century ist das dritte Studio-Album der britischen Pop-/Rockband Supertramp und zugleich der Titel eines Liedes dieser Platte. Im Vergleich zum Vorgängeralbum Indelibly Stamped (1971) agierte die neu formierte Band bei dessen Aufnahme erstmals in ihrer klassischen Besetzung. Es erschien im September 1974 und verschaffte der Band den Durchbruch.

Hot August Night is a 1972 live double album by Neil Diamond. ("Hot August night" is also the opening lyric to Diamond's 1969 single, "Brother Love's Travelling Salvation Show".) The album is a recording of a Diamond concert on August 24, 1972, one of ten sold out concerts that Diamond performed that month at The Greek Theatre in Los Angeles.

"In-A-Gadda-Da-Vida" (derived from "In the Garden of Eden") is a song recorded by Iron Butterfly and written by bandmember Doug Ingle, released on their 1968 album In-A-Gadda-Da-Vida.
At slightly over 17 minutes, it occupies the entire second side of the In-A-Gadda-Da-Vida album. The lyrics are simple, and heard only at the beginning and the end. The track was recorded at Ultrasonic Studios in Hempstead, Long Island, New York.
In 2009, it was named the 24th-greatest hard rock song of all time by VH1. It is also often regarded as an influence on heavy metal music and one of the firsts of the genre.

From the Mars Hotel is the seventh studio album by rock band the Grateful Dead. It was mainly recorded in April 1974, and originally released June 27, 1974. It was the second album by the band on their own Grateful Dead Records label. From the Mars Hotel came less than one year after their previous album, Wake of the Flood, and was the last before the band's then-indefinite hiatus from live touring, begun in October 1974.

Blues for Allah is the eighth studio album by the Grateful Dead. It was recorded February 27 – May 7, 1975, and released September 1, 1975. It was the band's third album on their own Grateful Dead Records label and their third studio album in a row. Though it has not received RIAA certification as of 2020, Blues for Allah was the group's highest-charting album until 1987's In the Dark, reaching No. 12 during a thirteen-week stay on the Billboard Album Chart.