The Works is the eleventh studio album by the British rock band Queen, released on 27 February 1984 by EMI Records in the United Kingdom and it is the band's first studio album to be released by Capitol Records in the United States. After the synth-heavy Hot Space (1982), the album saw the re-emergence of Brian May and Roger Taylor's rock sound, while still incorporating the early 80s retro futuristic electronic music (Freddie Mercury) and New York funk scenes (John Deacon). Recorded at the Record Plant Studios in Los Angeles, California and Musicland Studios in Munich, Germany from August 1983 to January 1984, the album's title comes from a comment Taylor made as recording began – "Let's give them the works!" During the decade, after a negative reaction against and ban of the music video for "I Want to Break Free" in the United States, the band decided not to tour in North America and lost the top spot in U.S. sales, but sales around the world (especially Europe) would be even better. The Works has sold over 5 million copies worldwide.

The Miracle is the thirteenth studio album by the British rock band Queen, released on 22 May 1989 by Capitol Records in the US, it is the band's first studio album to be released by Parlophone Records in the UK. The album was recorded as the band recovered from Brian May's marital problems and Freddie Mercury's AIDS diagnosis in 1987 (which was known to the band, though not publicised at the time). Recording started in January 1988 and lasted for an entire year. The album was originally going to be called The Invisible Men, but three weeks before the release, according to Roger Taylor, they decided to change the name to The Miracle. It was also the last Queen album with a band photo on the front cover.

Innuendo is the fourteenth studio album by the British rock band Queen, released on 5 February 1991 by Parlophone in the United Kingdom and it is the band's first studio album to be released by Hollywood Records in the United States. Produced by David Richards and the band, it was the band's last album to be released in lead singer Freddie Mercury’s lifetime, and their most recent one to be composed of entirely new material. It reached the No. 1 spot on the UK album charts and stayed at that position for two weeks, and also peaked at No. 1 in Italy, the Netherlands, Germany, Switzerland, staying at No. 1 for three weeks, four weeks, six weeks, and eight weeks, respectively. It was the first Queen album to go Gold in the US upon its release since The Works in 1984.

There was no universal track listing or cover art for the Greatest Hits album, and each territory's tracks were dependent on what singles were released there and what tracks charted. In some cases, despite the band's popularity, not enough songs were issued as singles to fill a compilation album, and a few album tracks were used as filler. Some examples of these were "Sweet Lady" and "Love of My Life", neither was released as a single in any country, but appear on some regions' 1981 Hits release. In the UK and the US, where solid numbers could be collected, the album included only top 20 hits.

The Platinum Collection - бокс-сет британской рок-группы Queen, выпущенный в 2000 году. Однако в США релиз был отложен до сентября 2002 года и 2001 года в Японии. Выпуск бокс-сета был посвящен тридцатилетию группы.

Planet P Project is a pseudonym used by American rock musician Tony Carey for his science-fiction themed, progressive rock/space rock music.

Wild Wood was Paul Weller's second solo record, released in September 1993. It made it to number 2 in the UK charts, and contained three UK hits: "Wild Wood", which reached #14 in the UK charts, "Sunflower", which reached #16 and "Hung Up", which reached #11.
In 2000 Q magazine placed it at number 77 in its list of the 100 Greatest British Albums Ever, and it was included in the book 1001 Albums You Must Hear Before You Die.
The original 1993 UK and European CD included 15 tracks. When issued in the USA, and reissued in the UK in 1994, a 16th track was added. A two disc deluxe edition was released on 22 October 2007.

Wild Wood was Paul Weller's second solo record, released in September 1993. It made it to number 2 in the UK charts, and contained three UK hits: "Wild Wood", which reached #14 in the UK charts, "Sunflower", which reached #16 and "Hung Up", which reached #11.

Days of Speed is Paul Weller's second live album, released on 8 October 2001 in the UK and 2 July 2002 in the US. All songs were performed solo and acoustic from various venues around Europe.

White Ladder is the multi-platinum selling fourth studio album by British singer-songwriter David Gray, first released in November 1998. Worldwide sales of the album stand at 7 million.

On an Island is the third solo album by Pink Floyd member David Gilmour. It was released in the UK on 6 March 2006, Gilmour's 60th birthday, and in the US the following day. It was his first solo album in twenty two years since 1984's About Face and twelve years since 1994's Pink Floyd album The Division Bell.

David Gilmour is the first solo album by Pink Floyd guitarist David Gilmour. The album was released in May and June 1978 in the United Kingdom and the United States, respectively. The album reached number 17 in the UK and number 29 on the Billboard US album charts; it was certified Gold in the US by the RIAA. The album was produced by Gilmour, and consists mostly of blues, guitar oriented rock songs except for the piano-dominated ballad "So Far Away".

About Face is the second studio solo album by Pink Floyd vocalist and guitarist David Gilmour. Released in March 1984, it was co-produced by himself and Bob Ezrin. Two tracks, "All Lovers Are Deranged" and the more radio-friendly "Love on the Air", were co-written by Gilmour and his long-time friend Pete Townshend, the main songwriter for legendary rock band The Who (Gilmour composed the music and Townshend wrote the lyrics).

City Of Lights is an exciting new melodic hard rock collaboration between British newcomer songwriter/guitarist Neil Austin and Greek vocal sensation Manos Fatsis (Odyssey Desperado/Hideaway). They deliver hard-edged melodic anthems driven by crunching riffs and lush keyboard textures combined with soaring, passion-filled vocal melodies.
The project was born when Austin - armed with a collection of songs inspired by the classic hard rock sounds of the 80s and the new wave of current AOR bands - began the search for a vocalist who possessed the tone, range and emotion to take the songs to the next level. After hearing Fatsis' work on Odyssey Desperado's "Don't Miss The Sunset" and Hideaway's self-titled debut, he knew he had found the right man. The two connected via Facebook and together they began working on honing the songs to perfection. When the time came to find a rhythm section, Austin reached out to members of his favourite band, brothers Robin (bass) and Mats (drums) Eriksson from modern melodic rock monsters degreed and after hearing the demos, both agreed to contribute to the album.