Еще один подарок любителям мелодичного инструментального джаза – сборник лучших произведений Paul Hardcastle “Jazz Collection”. О самом исполнителе сложно говорить без применения эпитетов «лучший»: лучший артист в стиле Smooth Jazz, Instrumental Jazz, по мнению большинства джазовых критиков , журналов и радиостанций Америки и Европы. Его композиции не покидают высшие строчки самых различных джазовых чартов!
Пол уже давно создает прекрасную музыку, и много композиций, которые можно назвать лучшими в его творчестве, были написаны много лет назад. Чтобы российские слушатели могли насладиться всей красивой музыкой Paul Hardcastle, лучшими его произведениями, мы выпускаем сборник Jazz Collection, куда вошла часть лучших его треков за последние 15 лет.

Hardcastle VI / Featuring the late Marvin Gaye.
With millions of records sold worldwide over the last few decades, Master class producer/composer Paul Hardcastle has touched generations with his sexy,
syncopated gold, spinning musical yarns that continue to move his rabid and burgeoning fan base at its core.
The Trippin 'N Rhythm release of his latest offering Hardcastle VI, builds upon the rhythmic/dance foundation that established Hardcastle as the pre-eminent force in composing pulsating soulful sides that transcended race and genre.The early ground swell has already begun at radio with the multi-format leak of the lead single a brilliant mash-up of two period classics, Hardcastle's , 'Rainforest' and Marvin Gaye s What's Going On, an intoxicating blend of Hardcastle s club beats providing perfect backdrop to Gaye s thought provoking musical question, bringing both new life. Early
indications signal another multi-format smash mixed and masterminded by his musical genius. With supporting sides like 'DC Boogie', Night Time Hustle and 'Into The Blue', Hardcastle's signature rhythms reign throughout. With a nod to the past and his sights set firmly on the future 'VI' is certain to fan the flames already burning in his base and could once again obliterate the lines between genres taking his music again to heights he established early in the 80s with sales in excess of 4 million albums.

19 was a worldwide smash hit in 1985 selling over 6 million copies and was top of the charts in 13 different countries. Available in all formats including a double album vinyl package, CD and download, the 3 original versions including the Final story have been remastered.

Paul Hardcastle записал данный альбом специально для лейбла Pachа. Над этой концептуальной пластинкой поработали и менеджеры лейбла Pacha – добавили больше контента, а именно второй диск с ремиксами от Nacho Marco. Получился разнообразный релиз с аранжировками и сладкозвучными мелодиями от Хардкастла и нюансами от Начо Марко.

Prince of Darkness is a box set of four CDs by Ozzy Osbourne released in 2005. The first two CDs are Osbourne's solo work containing various studio recordings, live tracks, b-sides, demos and outtakes, and the last two CDs are collaborations on disc three and cover songs on disc four. The cover versions were recorded for this box set compilation, but were released on a stand-alone album entitled Under Cover later in the year.
Notably, the album tracks from Blizzard of Ozz and Diary of a Madman included in the set are taken from the 2002 remasters of those albums, for which the original drum and bass tracks were replaced with new recordings by Osbourne's then-current bassist Robert Trujillo and drummer Mike Bordin, as a management response to legal action by original bassist Bob Daisley and drummer Lee Kerslake for unpaid royalty fees. Likewise, the tracks from Bark at the Moon are similarly taken from the 2002 remaster, for which they were remixed and altered.

The new Melodic Rock/Metal allstar band feat. Kee Marcello (ex-EUROPE), Tommy Heart (FAIR WARNING), Darby Todd (ex-GARY MOORE, THE DARKNESS) and Ken Sandin (ALIEN) plus guest-Keyboarder Don Airey (DEEP PURPLE).

Moon, Light & Flowers is the debut album by Michael Cretu, released in 1979 on the Polydor label. It was re-released in Germany in 1994 as Ausgewählte Goldstücke.[1] Two songs from the album, "Love Me" and "Moonlight Flower", became hits in the Philippines.

Mystery to Me — восьмий студійний альбом британсько-американського гурту «Fleetwood Mac», представлений 15 жовтня 1973 року під лейблом «Reprise Records»

Mystery to Me é o oitavo álbum de estúdio da banda anglo-americana de rock Fleetwood Mac, lançado em outubro de 1973. É o último disco com a participação do guitarrista Bob Weston. A maioria das composições são do vocalista e guitarrista Bob Welch e da vocalista e tecladista Christine McVie, esta última responsável por introduzir canções de inclinação pop no repertório da banda.

Mystery to Me is the eighth studio album by British-American rock band Fleetwood Mac, released on 15 October 1973. This was their last album to feature Bob Weston. Most of the songs were penned by guitarist/singer Bob Welch and keyboardist/singer Christine McVie, who were instrumental in steering the band toward the radio-friendly pop rock that would make them successful a few years later.
Mystery to Me sold moderately well, peaking at number 67 on the US Billboard 200 chart dated 22 December 1973. Despite not being a hit single, the song "Hypnotized" became an American FM radio staple for many years. In the wake of the Buckingham/Nicks-led line-up's success a few years later, the album was certified gold by the Recording Industry Association of America (RIAA) in 1976.

Mr. Wonderful est le deuxième album studio du groupe de blues rock britannique Fleetwood Mac, sorti le 23 août 1968. À noter la présence au piano de Christine McVie, à titre d'invitée, qui ne jouait que sur les chansons composées par Peter Green. Cet album entièrement blues était globalement similaire à leur premier album, mais avec quelques changements de personnel, le bassiste Bob Brunning ayant cédé sa place à John McVie, et de méthode d'enregistrement. L'album a été enregistré en direct en studio avec des amplificateurs et un système de sonorisation, plutôt que branché directement sur la console. Une section de saxophones a été introduite, et Christine Anne Perfect de Chicken Shack apparaît aux claviers mais seulement à titre d'invitée. Aux États-Unis, l'album n'a pas été publié sous le titre de Mr. Wonderful, bien qu'environ la moitié des titres soient apparus sur la compilation English Rose.

Mr. Wonderful is the second studio album by British blues rock band Fleetwood Mac, released on 23 August 1968. This all-blues album was broadly similar to their debut album, albeit with some changes to personnel and recording method. The album was recorded live in the studio with miked amplifiers and PA system, rather than plugged into the board. A horn section was introduced; and Christine Perfect of Chicken Shack was featured on keyboards. In the US, the album was not issued under the name Mr. Wonderful, though around half of the tracks appeared on English Rose.

Mirage es el decimotercer álbum de estudio de la banda británica de rock Fleetwood Mac, publicado en 1982 por Warner Bros. Records. Luego de tres años de ausencia en la escena mundial, tiempo en el cual, Lindsey Buckingham y Stevie Nicks iniciaran sus carreras en solitario, se reunieron nuevamente para trabajar en un nuevo álbum basado en el sonido de Rumours de 1977.

Mirage is the 13th studio album by British-American rock band Fleetwood Mac, released on 18 June 1982. This studio effort's soft rock sound stood in stark contrast to its more experimental predecessor, 1979's Tusk. Mirage yielded several hit singles: "Hold Me" (which peaked at #4 on the US Billboard Pop Chart, remaining there for seven weeks), "Gypsy" (#12 US Pop Chart), "Love in Store" (#22 US Pop Chart), "Oh Diane" (which reached #9 in the UK), and "Can't Go Back" (issued on 7″ and 12″ in the UK).

Kiln House est le quatrième album studio du groupe britannique Fleetwood Mac, sorti fin 1969. C'est le premier où n'apparaît pas Peter Green, et le dernier enregistré avec Jeremy Spencer.
La pochette est une œuvre de Christine McVie, l'épouse du bassiste John McVie, qui rejoint officiellement le groupe peu après l'achèvement de l'album, elle a aussi assisté aux claviers et aux chœurs mais sans être créditée.