Слишком много гитары? Да, это так. Ключевая характеристика работы – это вкуснейшее гитарное изобилие, необычное для группы. До сих пор помню свои ощущения, когда впервые услышал этот альбом. Он «зацепил» меня сразу. Удивительно: начавшись с только кажущегося на первый взгляд вполне традиционным для Моторов боевика "Back At The Funny Farm", последующие треки один за другим открыли мне новый, небывалый доселе по мелодичности MOTORHEAD, где мощь и угар сменяют размеренные, местами вполне спокойные, а самое главное - красивые вещи. Подробно описывать их не вижу смысла, их нужно просто слушать. Композиционная мозаика альбома великолепна. Диск не скучен. Здесь нет той прямолинейности в сравнении с прежними работами (ха-ха: под некоторые вещи можно даже попытаться «медитировать» или «войти в транс» - шутка), но драйв не исчез совсем. Это MOTORHEAD, но какой? Вероятно, один из лучших за всю историю банды.
Очень, очень удачную нарисовал обложку для этого диска постоянный Моторовский художник Джо Петаньо. Безумный локомотив (естественно, с неподражаемой Головой на фронте) несется вперед, сметая все на своем пути. Спустя почти три года вынужденного молчания Motorhead вернулись! После вполне ожидаемого ухода Брайна Робертсона группу покинул и Фил Тэйлор и Лемми остался в гордом одиночестве. Но сдаваться и впадать в уныние - это явно не входило в его планы! Довольно быстро "статус кво" был восстановлен, за барабаны сел Пит Джилл, а гитаристов стало аж двое - в составе появились Фил Кэмпбелл и Майк Берстон по прозвищу Вурцель. Но проблемы только начинались - фирма Bronze решила разорвать свои отношения с группой и началась долгая судебная тяжба.

Мы немцы, мы любим работать. У нас очень прямолинейный ход мыслей, если мы за что-то берёмся, то мы по-настоящему хотим довести это дело до конца. В этом магия Grave Digger – мы всегда много работаем. В нашей карьере случаются взлёты и падения, хорошие времена и плохие времена, но мы никогда не думаем над тем, чтобы остановиться. Мы всегда хотим давать людям лучшее, на что мы способны.

Отличный death/black, цепляющий и профессиональный, со множеством оригинальных, присущих только Бегемоту, ходов. Этот альбом - логичное продолжение "Thelema.6", разве что дэтовых элементов стало побольше. Легко узнаваемая энергетика, присущая этим монстрам польской сцены, чувствуется с первого риффа. Именно благодаря ей группу невозможно спутать ни с кем, в том числе и с многочисленными подражателями. Эта работа, как и предыдущие, интеллектуальна как в плане мелодий и исполнения, так и в плане лрики и оформления. На альбоме присутствует национальная египетская музыка, что делает его похожим на творения другой, не менее талантливой группы - Nile. Хотя эти египетские темы не настолько эпичны, как у найловцев, все же благодаря им альбом звучит еще более оригинально и атмосферно.

Killer Cuts is a soundtrack album released and packaged with the video game Killer Instinct on the Super Nintendo Entertainment System in August 30, 1995.

Miss E... So Addictive is the third studio album by American rapper Missy Elliott. It was released by The Goldmind Inc. and Elektra Records on May 15, 2001, in the United States. The album spawned the club and R&B/hip-hop hits "One Minute Man", featuring Ludacris and Trina, and "Get Ur Freak On", as well as the international club hit "4 My People" and the less commercially successful single "Take Away".
The album debuted at number two on the US Billboard 200 chart, selling 250,000 copies in its first week. The album was certified platinum by the Recording Industry Association of America (RIAA). The album garnered two Grammy Awards for "Get Ur Freak On" and the non-single "Scream a.k.a. Itchin'" for Best Rap Solo Performance and Best Female Rap Solo Performance respectively.

Vol. 3... Life and Times of S. Carter is the fourth studio album by American rapper Jay-Z. It was released on December 28, 1999, by Roc-A-Fella Records and Def Jam Recordings. According to USA Today critic Steve Jones, the record marked a return to the street-oriented sound of Jay-Z's 1996 debut album, Reasonable Doubt.[1] Vol. 3... featured production from Swizz Beatz, Timbaland, K-Rob, DJ Clue, Rockwilder, DJ Premier, and Irv Gotti, among others.
The album was well received by critics and debuted at number one on the Billboard 200, selling 462,000 copies in its first week. It has since sold over three million copies and been certified triple platinum by the Recording Industry Association of America.

J.E. Heartbreak is the second album by the American R&B group Jagged Edge. It was released by So So Def and Columbia on September 28, 1999, in the United States. The title of the album is a reference to R&B group New Edition's 1989 hit "N.E. Heart Break".[3] Upon its release, the album peaked at number eight on the US Billboard 200 and atop the Top R&B/Hip-Hop Albums. It was also certified platinum by the Recording Industry Association of America (RIAA) and reached silver status in United Kingdom.

This Is the Remix is a remix album by American R&B group Destiny's Child. Released in the United States on March 12, 2002 by Columbia Records, the album compiles previously released R&B and dance remixes of songs originally featured on the band's first three studio albums: Destiny's Child (1998), The Writing's on the Wall (1999) and Survivor (2001). The album also includes one new track: "Heard a Word", a solo track performed by member Michelle Williams. The album's title is a reference to a lyric in the first track "No, No, No Part 2".
Upon release, This Is the Remix received generally mixed critical reception. It peaked at number 29 on the Billboard 200 and at number 8 on the New Zealand Albums Chart. In the United Kingdom, the album peaked at number 25 and was certified gold.

The Writing's on the Wall is widely considered Destiny's Child's breakthrough album. It debuted at number six on the US Billboard 200, with first-week sales of 133,000 units, and later peaked at number five. The album went on to be certified octuple platinum by the Recording Industry Association of America (RIAA) for shipments of eight million units in the US. Four singles were produced—"Bills, Bills, Bills", "Bug a Boo", "Say My Name" and "Jumpin', Jumpin'". "Bills, Bills, Bills" and "Say My Name" became Destiny's Child's first two US Billboard Hot 100 number-ones, with the latter winning the group their first two Grammy Awards. With worldwide sales of 13 million copies, The Writing's on the Wall is one of the best-selling girl group albums and best-selling R&B albums of all time.

Sinners Never Sleep is the third studio album by English rock band You Me at Six. It was released on 3 October 2011 through Virgin Records. While touring in support of their second studio album Hold Me Down (2010), the band wrote slow-tempo material and heavy-sounding songs. Between March and May 2011, they recorded with producer Garth Richardson at Sunset Sound and The Sound Factory in Los Angeles, California. Partway through the process, vocalist Josh Franceschi suffered a panic attack, which resulted in him being hospitalized and the band losing time in the studio. Described as an alternative rock and pop rock album, Sinners Never Sleep was a departure from the pop punk sound of their previous releases.

The Yes Album is the third studio album by English progressive rock band Yes, released on 19 February 1971 by Atlantic Records. It was the band's first album to feature guitarist Steve Howe, who replaced Peter Banks in 1970, as well as their last to feature keyboardist Tony Kaye until 1983's 90125.
The album was the first by the band not to feature any cover versions of songs. The band spent mid-1970 writing and rehearsing new material at a farmhouse at Romansleigh, Devon, and the new songs were recorded at Advision Studios in London in the autumn. While the album retained close harmony singing, Kaye's Hammond organ, and Chris Squire's melodic bass, as heard on earlier releases, the new material also covered further styles including jazz piano, funk, and acoustic music. All of the band members contributed ideas, and tracks were extended in length to allow music to develop. Howe contributed a variety of guitar styles, including a Portuguese guitar, and recorded the solo acoustic guitar piece "Clap", live at the Lyceum Theatre, London.

Pocket Universe is the ninth studio album by the Swiss band Yello, released on February 24, 1997 through Mercury label.

Essential Yello est la deuxième compilation du groupe de musique électronique suisse Yello, six ans après 1980-1985 The New Mix in One Go. À la différence de ce dernier, Essential Yello ne contient pas de remix, seulement quelques titres édités pour l'occasion. Il est sorti en 1993, parallèlement à une VHS portant le même nom et contenant les clips de ces différents titres. L'album est ressorti en novembre 1995 avec deux titres supplémentaire, dont leur version de Jingle Bells, enregistré à l'occasion de leur participation à la bande-son du film Super Noël. Ce best-of est alors re-sorti sous le titre Essential Christmas.

A great collection of some of Wolle's best songs! Most are from the 90's and some are re-recorded versions of his earlier material, such as Tu's Doch, Mein Zuhaus, Sommer in der Stadt, etc. The re-recorded versions do sound a bit more modern and I like them, but I prefer the original versions. Anyway, he's got such a great voice and his music is so catchy and uplifting. I do understand some German, and he sings so clearly that it's easy for me to understand what he's singing about, even if I don't know every single word.

Symphony For The Devil is Witchery's third full-length studio album after Restless & Dead in 1998 and Dead, Hot And Ready in 1999. "Symphony..." was released in 2001 (see 2001 in music) and has received underground acclaim from metal fanzines and webzines. The album continues in the style of previous Witchery releases, with thrash metal riffing and solos, but with a black and death metal influence.