Lunacy is an album of melodic Prog Rock music, very much reminiscent of Pink Floyd. It has been recorded using the instrumentation and production techniques available in the 1970's in the heyday of the Prog Rock genre.It also features a "genuine article in the guise of Duncan Mackay, famous for his work with The Alan Parsons Project, Camel, Budgie, 10CC, Kate Bush and Steve Harley and Cockney Rebel. Also, most notably Marty Prior from Cockney Rebel and Barry James Thomas from Sad Cafe and his work with Phil Lynott.

Backless — шестой студийный альбом Эрика Клэптона, выпущенный лейблом Polydor Records в ноябре 1978 года. Хотя Backless не смог повторить успех альбома Slowhand, он стал серебряным в Великобритании и платиновым в Канаде и США, а также достиг позиции 8 в Billboard 200.

Tubular Bells est le premier album du compositeur et musicien britannique Mike Oldfield. Cet album presque entièrement instrumental est une des plus grosses ventes des années 1970 au Royaume-Uni et le succès fondateur de l'empire Virgin. L'ouverture au piano est restée mondialement célèbre pour être le thème caractéristique du film L'Exorciste.

Альбом достиг 5 строчки в чарте США и стал №1 в хит-парадах Великобритании и Австралии, чему поспособствовал успех синглов «Don’t Stand So Close to Me» и «De Do Do Do, De Da Da Da». Пластинка получила восторженные отзывы музыкальной прессы (среди прочих — Rolling Stone и Q), но всё же остальные четыре альбома группы были встречены лучше, и Zenyattà Mondatta стала единственной работой The Police которая не попала в список «500 величайших альбомов всех времён по версии журнала Rolling Stone».

Synchronicity - пятый и последний студийный альбом британской группы The Police, самый успешный в их карьере релиз. В альбом, вышедший 1 июня 1983 года на студии A&M Records, вошли такие известные песни, как «Every Breath You Take», «Wrapped Around Your Finger», «King of Pain» и «Synchronicity II». Альбом вошёл в список 500 величайших альбомов всех времён по версии журнала Rolling Stone.

Reggatta de Blanc is the second album by The Police, released in 1979. It features the band's first two UK #1 hits: "Message in a Bottle" and "Walking on the Moon". It was their second album to bear a foreign language title after the band's 1978 debut album Outlandos d'Amour. Reggatta de Blanc proved both more popular and successful than its predecessor. The title track earned the band their first Grammy Award for Best Rock Instrumental Performance in 1980.

Long Distance Voyager is the tenth album by The Moody Blues, first released in May 1981 on the group's Threshold record label. It was the group's first album featuring keyboardist Patrick Moraz (in his past he worked with bands such as Refugee and Yes) in place of co-founder Mike Pinder, who left after Octave in 1978.

И в такой сложной обстановке группа сумела собрать волю в кулак и записать мощный и жесткий диск, мгновенно показавший всем "кто в доме хозяин". Итак, уже в процессе записи, окончательно потерявший над собой контроль Эйс, был из группы выставлен (хотя для обложки и в клипе "I Love It Loud" он еще снялся). Ему на замену пришел старый знакомый Пола Стэнли, молодой и талантливый гитарист Винни Винсент. Помимо кадров изменения не обошли стороной и музыку группы. Сей диск - пожалуй, самый тяжелый и "грязный" за всю историю коллектива. Все помпезности а-ля "The Elder" были выкинуты прочь, в том же направлении полетели коммерческий поп и классический хард. "Creatures Of The Night" может торжественно называться первой хэви металлической работой Kiss.

Zenyatta Mondatta (stylised as Zenyattà Mondatta on the album cover artwork) is the third studio album by the English rock band the Police, released on 3 October 1980 by A&M Records. It was co-produced by the band and Nigel Gray.
Zenyatta Mondatta reached number one on the UK Albums Chart and number five on the US Billboard 200. It produced the hit singles "Don't Stand So Close to Me" and "De Do Do Do, De Da Da Da". The album won the band two Grammy Awards: Best Rock Performance by a Duo or Group with Vocal for "Don't Stand So Close to Me" and Best Rock Instrumental Performance for "Behind My Camel".

Synchronicity reached number one on both the UK Albums Chart and the US Billboard 200, and sold over eight million copies in the US. The album was widely acclaimed by critics. Praise centered on its cohesive merging of disparate genres and sonic experimentation. Rolling Stone described "each cut on Synchronicity [as] not simply a song but a miniature, discrete soundtrack".

Reggatta de Blanc is the second studio album by British rock band the Police, released on 5 October 1979 by A&M Records. It was the band's first release to top the UK Albums Chart and features their first two UK number-one singles: "Message in a Bottle" and "Walking on the Moon". In early 1980, the album was reissued in the United States on two 10-inch discs, one album side per disc, and as a collector's edition with a poster of the band.

Outlandos d'Amour is the debut studio album by British rock band the Police, released on 17 November 1978[4] by A&M Records. Elevated by the success of its lead single, "Roxanne", Outlandos d'Amour peaked at No. 6 on the UK Albums Chart and at No. 23 on the Billboard 200. The album spawned two additional hit singles: "Can't Stand Losing You" and "So Lonely".

Greatest Hits is the second greatest hits album by the Police, released in September 1992 by A&M Records. It is the band's second compilation album following Every Breath You Take: The Singles. In contrast with its predecessor, it features all 14 original UK top 20 chart singles and five UK number-ones released by the band from 1978 to 1984, including the two missing singles from the previous 1986 compilation, "Synchronicity II" and the original version of "Don't Stand So Close to Me" which had been replaced with the 1986 re-recording. The album also includes two bonus album tracks, "The Bed's Too Big Without You" and "Tea in the Sahara". The cover photograph was by Duane Michals and it was taken at the time of the Synchronicity album. The inner sleeve featured a collage of pictures of the band shot by different photographers during their career, including Miles Copeland, Peter Baylis, Adrian Boot, Akihiro Takayama, Anton Corbijn, Danny Quatrochi, Gabor Scott, Janette Beckman, Kim Turner, Michael Ross, Watal Asanuma and Andy Summers.