Don't Explain é um álbum cover do guitarrista de blues-rock estadunidense Joe Bonamassa com a cantora Beth Hart.
Este álbum é o primeiro da parceria entre os músicos. Também é o décimo álbum de estúdio de Joe Bonamassa, e o sexto da Beth Hart.

Beth Hart & Joe Bonamassa fans need wait only a little while longer for their third studio album Black Coffee. For those who have followed the grammy nominated duo for Don’t Explain and Seesaw, Black Coffee’s highly anticipated January 26th release date will seem much farther away than a number of days.

Sonny Landreth’s new album "Blacktop Run" mixes genres and styles across a landscape of lyricism and rootsy grooves. His 3rd album for blues connaisseur label Provogue, and his 14th overall, will be released on February 21, 2020. A percussive burst of acoustic resonator guitar pushes the narrator on a journey “between the life I left and the edge of next” in the title cut of guitarist, songwriter and bandleader Sonny Landreth’s 14th album. As the singer feels the wind at his back, a rising bass line intersects Landreth's vocalizing to stretch the fingerpicked tune into Far Eastern melodicism. The south Louisiana artist's groundbreaking work has long mixed familiarity with experimentation, and his latest ten-song collection stretches from hard-edged electric instrumentals to wistful acoustic ballads. The project's range is the fruit of a renewed collaboration. Producer RS Field – who helmed Landreth's trio of breakout albums – joined the six-stringer and co-producer Tony Daigle to finish the record.

Vor dem 2016 erschienenen Album "Weltenasche" hatte ich nie etwas von Karg gehört. Seit diesem Album aber, welches erst vier Jahre alt ist und dennoch definitiv zu meinen Lieblings-Metal-Alben gehört, verfolge ich das Soloprojekt von J.J., dem Frontmann der österreichischen Post-Black-Metaller Harakiri For The Sky (im Übrigen auch sehr zu empfehlen), mit großer Begeisterung. Zwei Jahre nach dem vielleicht nicht ganz so starken, aber immer noch grandiosen Nachfolger "Dornenvögel" steht nun "Traktat" vor der Tür.

The Best of the Blues is a 2002 two-CD compilation album by Gary Moore. The first disc contains songs from his 1990s blues albums After Hours, Blues Alive, Blues for Greeny and, most prominently, Still Got the Blues. The second disc is entirely live. Both discs feature blues veterans Albert King, B. B. King and Albert Collins as guest artists.

Unplugged is a 1992 album by Eric Clapton, recorded at Bray Studios, England in front of an audience for the MTV Unplugged television series. It includes a version of the successful 1991 single "Tears in Heaven" and an acoustic version of "Layla". It won six Grammy awards at the 35th Annual Grammy Awards in 1993 and became the bestselling live album of all time, and Clapton's bestselling album, selling 26 million copies worldwide.

Slowhand is the fifth full-length studio album by Eric Clapton. Released on 25 November 1977 by RSO Records, and titled after Clapton's nickname, it is one of his most commercially and critically successful studio albums. Slowhand produced the two hit singles "Lay Down Sally" and "Wonderful Tonight", reached various international music charts and was honoured with numerous awards and recording certifications. In 2012, a deluxe edition was released to celebrate the album's 35th anniversary.

From the Cradle is the twelfth solo studio album by Eric Clapton released on 13 September 1994 by Warner Bros. Records. A blues cover album and Clapton's follow-up to his successful 1992 live album, Unplugged, it is his only UK number-one album to date.
Although he had long been associated with the blues, From the Cradle was Clapton's first attempt at an all-blues album. He would subsequently record Riding with the King with B.B. King; a tribute to Robert Johnson, Me and Mr. Johnson; and a collaboration with J. J. Cale, The Road to Escondido.

Among the songs on the album are the Dowd/Clapton-produced signature tune "It's in the Way That You Use It" (co-written with Robbie Robertson, and featured in the Paul Newman-Tom Cruise film The Color of Money in October 1986, a month before the album's release, subsequently reaching No. 1 on the Mainstream Rock Tracks chart for one week) and three Collins-produced numbers—the up-tempo, horn-laden "Run" and the guitar-laden rockers "Tearing Us Apart" (with Tina Turner), "Holy Mother", a tribute to Richard Manuel of The Band, and "Miss You".

This is a stone cold groove of an album. Eliza is a great songwriter and delivers her version of standard rock blues with a modern slant. Not a boring second on this CD. I highly recommend. That voice, oh man. If you like her other offerings you'll love this, if you're new to eliza this is a great place to start but you'd do yourself a disservice not to get her other works.

This album will jump into the ears of the innocent and strike the heart of its soul. A solid mixture of rock n soul with a unique vocal delivery and sound that fuses rock, soul and Motown filling a void in female rock today.
“No Frogs For Snakes,” will jump into the Ears of the Innocent and Strike the Heart of it’s Soul! Coming off a fantastic year of singing, touring, and writing Eliza Neals is prepared to release “No Frogs” in the chaos of 2008. Her strong, raspy voice balanced with piano and unique song arrangements creates a world so close to your heart.

An assembly line of blues and rock drives “messin with a fool,” it captures Detroit’s independent spirit with true grit and motor city soul. Eliza Neals sought out the unique talents of veteran writer/producer Martin ‘Tino’ Gross (Kid Rock, RL Burnside) and united him with Detroit legend Barrett Strong (Marvin Gaye, Temptations) to begin provocative recording sessions. Eliza’s “strangely sultry blues voice” and cool writing style melted with the two masters forging a solid union. Completing their first song plus music video in the summer of 2010, proved “Misery” could truly bring happiness!

Eliza Neals is one of the treasures of Detroit's 21st century music, where dynamic voices can take you back to the city's past as a haven for jazz and blues, not to mention something called the Motown Sound. Breaking and Entering is another amazing album from Eliza, who would have been a perfect fit in a smoky 1920s club or in the French Quarter during hurricane season. If Breaking and Entering is your first exposure to Eliza, you'll be buying more, but you'll never get the full experience until you see her in person.

Washed up on golden grotto beaches in times of rage, is “Black Crow Moan.” Eliza Neals lands squarely on blues-rock with the help of Joe Louis Walker (BB King, Blues HOF) and Derek St. Holmes (Ted Nugent.) Soaring high above 10000 feet below, Eliza Neals sultry feathers soothes the quarantined music lovers soul.
A terrific landing crew of musicians including Mike Puwal (Kenny Wayne Shepard, ICP), Howard Glazer, Lenny Bradford (Bo Diddly), Jason Kott (Robert Randolph), John Abraham, Chuck Bartels (Sturgill Simpson) handle the guitars to fly by wire. Rolling the undercarriage straight is Skeeto Valdez (King Konga), Jeffrey ‘Shakey’ Fowlkes (Too Slim), Demarcus Sumter, John Mederios Jr, and Brian Clune on drums.
Adding extra lift on Hammond B3 is Bruce Bears (Duke Robillard) and Jim Alfredson (Janvia Magness.) Hitting the flight ceiling is Valerie Taylor (Eliza’s sister) plus Kymberli Wright (Straight Ahead) on supersonic backing vocals.
Taking flight on new wings, shaped by nonstop touring, festivals and recording, Eliza Neals is “the voice of the new blues.”