One of the fastest rising guitarists in the Northeast, Tyler Morris makes his debut as a vocalist on his one as he teams up with three of the top fret masters in the business – Ronnie Earl, Joe Louis Walker and Mike Zito –for this intense, pleasing follow-up to Next in Line, his promising first appearance on the VizzTone imprint.
Still only 21 years old and someone whose skill on the six-string is a fiery as his red locks, the Boston native proves to be as solid at the mike, too, adding his pleasant tenor to seven of the ten cuts with Walker, Zito and former Blues Blast Sean Costello Rising Star nominee Amanda Fish sitting in for another.

Based in Boston and only age 19, Tyler Morris has been delivering his own version of rock flavored blues as a professional since he was just 11. Joe Louis Walker lends a hand on this collection of nine originals and one cover, the third CD in the young man’s catalog.
An electrifying guitarist who shies away from the microphone, Morris penned nine of the 10 songs here, leaving vocal duties to bandmate Morton Fredheim, who powers through the originals, and Walker, who shines on the sole cover.

Tyler Morris is a 16-year old guitar prodigy from Boston. Tyler was recently featured in Guitar Player magazine, and has already performed with such legendary icons as Steve Vai and Yngwie Malmsteen. This is his debut album. His future is extremely bright!

At Fillmore East is the first live album by American rock band the Allman Brothers Band, and their third release overall. Produced by Tom Dowd, the album was released in July 1971 in the United States by Capricorn Records. As the title indicates, the recording took place at the New York City music venue Fillmore East, which was run by concert promoter Bill Graham. It was recorded over the course of three nights in March 1971 and features the band performing extended jam versions of songs such as "Whipping Post", "You Don't Love Me" and "In Memory of Elizabeth Reed." When first commercially released, it was issued as a double LP with just seven songs across four vinyl sides.

Supernatural is the eighteenth studio album by Latin rock band Santana, released on June 15, 1999 on Arista Records. After the group found themselves without a label in the mid-1990s, founding member and guitarist Carlos Santana began talks with Arista president Clive Davis, who first signed the group in 1969, which led to a new record deal. The pair collaborated with A&R man Pete Ganbarg on the production of Supernatural as Santana wanted to focus his musical direction towards pop and radio friendly material and proceeded to do so by collaborating with various contemporary guest artists, including Eric Clapton, Rob Thomas, Eagle-Eye Cherry, Lauryn Hill, Dave Matthews, Maná, KC Porter and Cee-Lo Green.

Santana Brothers (sometimes credited as simply Brothers) is a 1994 album by Carlos Santana, his brother Jorge, and his nephew Carlos Hernandez. It reached 191 on the Billboard 200 album chart.

Marathon is the eleventh studio album by Santana. This marked the beginning of the group's commercial slide, in spite of having the Top 40 hit "You Know That I Love You". Alex Ligertwood, who would sing with the group throughout the 1980s, joined the group for this album.

Inner Secrets is the tenth studio album by Santana. It was released in 1978 and marks the start of the phase of Santana's career where he moved away from the fusion of Latin, jazz, rock and blues that marked his previous records and began to move towards an album-oriented rock direction. As such, the album's quality is widely disputed among fans. "Stormy" and "One Chain (Don't Make No Prison)" were both hit singles. In the Netherlands "Well All Right" was released as a single and reached #22 in the top 40.

Freedom is the fifteenth studio album by Santana. By this recording, Santana had nine members, some of which had returned after being with the band in previous versions. Freedom moved away from the more poppy sound of the previous album, Beyond Appearances and back to the band's original Latin rock. It failed, however, to revive Santana's commercial fortunes, reaching only ninety-five on the album chart.

Raising Sand is a Grammy-award winning collaboration album by rock singer Robert Plant and bluegrass-country singer Alison Krauss. It was released on October 23, 2007 by Rounder Records. Raising Sand won Album of the Year at the 2008 Americana Music Honors & Awards and at the 2009 Grammy Awards.

Eliminator is the eighth studio album by the Texas rock band ZZ Top. It was released on March 23, 1983, by Warner Bros. Records. Recorded in Tennessee during 1982, the album was produced by the band's manager Bill Ham and peaked at the top of the charts in many countries. "Gimme All Your Lovin'", "Got Me Under Pressure", "Sharp Dressed Man", "TV Dinners", and "Legs" were released as singles. A Diamond certified album, Eliminator is ZZ Top's most commercially successful release, with sales of over 10 million copies in the United States alone.

Civilized Man is the ninth studio album by the British artist Joe Cocker, released in May 1984, his first on Capitol label. It includes a cover of the 1981 Squeeze hit "Tempted", as well as "There Goes My Baby", a 1959 hit single from The Drifters.
Songs for the album were recorded at two different sessions. Side "A", recorded at Village Recorders in Los Angeles, was produced by Gary Katz and features as a backing band the core of the then current group Toto (Steve Lukather, Jeff Porcaro, and David Paich), whereas side "B", recorded in Nashville, was produced by Stewart Levine, and features Music City stalwarts (David Briggs, Reggie Young and Larrie Londin). The album also features an appearance by Joe Cocker's former bandmate Jim Keltner (on "Long Drag Off a Cigarette").

The Extremist lives up to its name, continuing Joe Satriani's tradition of exploring new musical and compositional ground. A vastly different array of musicians assists him in creating the songs displayed on this all-instrumental disc, and as such the songs are different from even the usual envelope-pushing Satriani fare. The chugging "Summer Song," the warm "Friends," the slamming "Motorcycle Driver," and the crunching "The Extremist" show Satriani's talents as a guitarist are undiminished, while the more traditional neo-folk approach to "Rubina's Blue Sky Happiness" and the bluesy "New Blues" are different from anything he has done before. So, too, is the droning rock of "War" and the plaintive, questioning funk-rock of "Why."