Mosaïque is the fourth studio album by the Gipsy Kings, released in 1989 in Europe and Canada. The main difference between the two versions is the replacement of the instrumental "Bossamba" on the European release with "Niña morena" on the North American release. The track order also differs between the two versions, and they contain different recordings of the songs "Caminando por la calle", "Trista pena", and "Vamos a bailar".

Gipsy Kings (originally Los Reyes) are a musical group founded in 1979 in Arles, France. The band, whose members have Catalan heritage, play a blend of Catalan rumba, flamenco, salsa, and pop. They perform mostly in Spanish but also mix in Catalan, French, and languages of southern France, such as Occitan.
Although the group members were born in France, their parents were mostly gitanos (Spanish Romani) who fled Spain during the 1930s Spanish Civil War. They are known for bringing rumba flamenca, a pop-oriented music distantly derived from traditional flamenco and rumba, to a worldwide audience, and for their interpretations of English-language pop hits.

The album was their first to reach a worldwide audience, going gold across France, the UK, the US and other countries. In 1988, Gipsy Kings was released in the US and it spent 40 weeks on the Billboard 200, one of very few Spanish language albums to do so.

Somos Gitanos is the tenth studio album by the Gipsy Kings released in October 2001. It was released in 2001 in the US, Mexico, and Japan with different song orders. The Mexican and Japanese releases have the bonus song "One Love" written by Bob Marley. The Japanese release also has the bonus songs "Inspiration" and "Volare" that appeared on Gipsy Kings and Mosaïque respectively.

Savor Flamenco (a play on Sabor Flamenco, "Flamenco Flavor") is the thirteenth studio album by the rumba catalana group Gipsy Kings. It was released on September 10, 2013 by Knitting Factory. The album was one of two recipients of the 2014 Grammy Award for Best World Music Album.

Roots is the eleventh studio album by the French Rumba Catalana band Gipsy Kings, which was released in 2004 in Europe, USA, and Japan. Both the Europe and US release are identical and have 16 tracks while the Japanese version have two bonus tracks: "Canut Fandango" and "Mi Novia".

Pasajero (Traveler) is the twelfth studio album from the band Gipsy Kings. It was originally released on October 3, 2006 internationally and released in the United States on January 23, 2007. Both versions are identical.

Love and Liberté is the sixth studio album by Gipsy Kings released in 1993. The album was released in different US and European versions. Apart from the song order, the difference is the exclusive track "La Quiero" on the European release and versions of songs "Escucha Me" and "Campaña".

Estrellas is the seventh studio album by the Gipsy Kings released in 1995 in Europe and a year later in the United States, under the title Tierra Gitana.

Este Mundo is the fifth studio album by the Gipsy Kings, released in July 1991 in US and Europe; both versions are identical. "No Volveré" was covered by Tarkan as "Vazgeçemem" ("I Can't Give Up" in Turkish) on his debut album Yine Sensiz (Without You Again in Turkish) in 1992.

Compas is the ninth studio album by rumba band Gipsy Kings. It was released in 1997 in Europe and the US, using a different song order. The European version has one completely new track, "Sueño de Noche", as well as a remixed version of "Ami Wa Wa (Solo Por Ti)".

Mosaïque is the fourth studio album by the Gipsy Kings, released in 1989 in Europe and Canada. The main difference between the two versions is the replacement of the instrumental "Bossamba" on the European release with "Niña morena" on the North American release. The track order also differs between the two versions, and they contain different recordings of the songs "Caminando por la calle", "Trista pena", and "Vamos a bailar".

The Gipsy Kings had major crossover success with their splendid and innovative third album, which used drums, bass, percussion, and synthesizer to beef up the sound. This French import is their first album from 1983, and it is a much more traditional affair, with only acoustic guitars, voices, and hand claps. It shows that artistically the sound did not need to be beefed up; the music is still wonderful. How can an array of seven guitars and full-throated passion not be wonderful? Commercially, the additions to their sound helped break The Gipsy Kings through to a larger audience, but now that their name is known, it should be possible for more people to go back and appreciate this album. It is in no way crude or unpolished, and the artistry and playing are of an equally high quality.